Loops and Coils in Bright Gradients Grow from Claire Lindner’s Ceramic Sculptures

All images © Claire Lindner, shared with permission

Vine-like colorful coils of material overlap in Claire Lindner’s latest sculpture collection, which blurs the line between organic and human-made forms. Each piece has a vibrancy and motion designed to push the possibilities of the medium. “My ideas are guided by the evocation of the living,” she tells Colossal. “I try through movement and color to combine images of vegetation, the animal or the mineral world, the body as if everything was made of the same substance.”

Lindner plays on oppositions when designing her ceramics to “create a visual confusion that triggers our imagination.” She creates tensions between aesthetics and textures, including soft and hard, light and heavy, and attractive and repulsive.

Each piece is made from glazed stoneware, and before the artist starts working on a new sculpture, she envisions the “movements, flow, and colors” that make up its base and core. But as she works, she lets the material inform her choices. “Once in the making, I let myself be guided by the specificity of clay,” she explains. “I have to be attentive to its tensions, folds, and plasticity in order to make a form that will ‘flow’ and tell an interesting story.”

Lindner attended the Ecoles des Arts Décoratifs Strasbourg and developed an interest in clay from studying its organic and malleable characteristics. She compares her process to metamorphosis: how after time, one form changes into another. “Unlike glass, metal, wood, or 3D printing, working with clay felt like a prolongation of the body. It can be apprehended safely. It is soft and malleable,” she says. “It also has the ability in its process to keep all of the imprints of its manipulation, just like skin you can see the stretch marks, feel the tension, and play with the limits.”

In spring, Lindner will exhibit her work in a solo show at Maab Gallery in Milan and a group show at the MOCO La Panacée Museum in Montpellier. She is currently working on larger-scale pieces, which you can follow on her website or Instagram. (via Ceramics Now)

 

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Trees Burst from 100 Elementary Desks in Hugh Hayden’s Installation Addressing the Disparities of Public Education

“Brier Patch” at Madison Square Park (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

Four lawns in New York’s Madison Square Park are now sites of a sprawling and insightful public installation by artist Hugh Hayden. On view through April 24, “Brier Patch” is comprised of 100 small wraparound desks arranged in neat grids evocative of an elementary classroom. Each cedar sculpture is distinct with barren, bark-covered branches bursting from their seats or tabletops, creating a snarled explosion of limbs and twigs that’s impossible to permeate.

Similar to his thorny dining sets in material and aesthetic, the metaphorical works speak to the inequities of education and cite the inherent barriers to achievement. The installation’s name references the tangled mass of prickly vegetation, an environment that’s only hospitable to some. It also draws on the stories of the trickster Br’er Rabbit, a folklore tradition that originated in West and Southern Africa before being repackaged as Joel Chandler Harris’s Uncle Remus stories. In those tales, the rabbit outwits his foes and finds refuge in the largely inaccessible thicket.

In addition to “Brier Patch,” Hayden’s Boogey Men, a solo show responding to cultural issues and a harsh political environment, is on view through April 17 in Miami. Explore more of the Dallas-born artist’s works on his website and Instagram.

 

“Brier Patch” at Madison Square Park (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

“Brier Patch” at Madison Square Park (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

“Brier Patch” at Madison Square Park (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

“Brier Patch” at Madison Square Park (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

Hayden creating “Brier Patch “at Showman Fabricators (2021). Image courtesy of the artist and Madison Square Park Conservancy, by Yasunori Matsui

Hayden installing “Brier Patch” (2022). Image courtesy of the artist and Madison Square Park Conservancy, by Rashmi Gill

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Imaginative Doodles by Vincent Bal Recast Shadows as Witty Illustrations

All images © Vincent Bal, shared with permission

Belgium-based illustrator and filmmaker Vincent Bal (previously) sees the playful potential of shadows cast by eyeglasses, a peeled clementine, and other household objects. Completed with minimal sketches in black ink, Bal’s reimagined scenes transform the holes of a colander into winter snowfall, an open headphone case into a glum dog, and the translucent blue light from a plastic cup into a swimming pool. His clever illustrations are part of an ongoing Shadowology project, which includes the inventive pieces shown here and a short film about a boy whose doodles come alive. You can shop prints, postcards, and other goods on Etsy, and keep an eye on Bal’s Instagram for information about upcoming exhibitions in London and Seoul.

 

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Tools, Snacks, and Other Household Goods Become Clever Wearables by Nicole McLaughlin

All images © Nicole McLaughlin, shared with permission

Peek into Nicole McLaughlin’s closet—or scroll through her Instagram—and you’ll find (literally) toasty winter hats, plush, pocketed work boots, and sandals that double as snacks. The New York-based designer is known for her playful edible apparel and brand-based conversions that turn household objects, logos, and individual servings of food into amusing and functional goods. Her latest creations include toothpaste tube slip-ons, LEGO shorts, and a vest designed with scent in mind. (via This Isn’t Happiness)

 

 

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Photographic Composites Document the Mesmerizing Flight Trails of Vultures, Crows, and Bats

“Lockdown Vultures (Moab Mesa).” All images © Doris Mitsch, shared with permission

In Locked Down Looking Up, Bay Area photographer Doris Mitsch captures the swirling, shapeshifting flight patterns of birds and other winged creatures: a flock of vultures creates coils and whirls between rugged mesas, crows descend toward a forest in single-file trails, and gulls congregate above the sea in lengthy lines.

The ongoing project began early in 2020 when Mitsch set up a camera outside her front door and shot consecutive images of birds flying around her home. “While everything in my life has come to a standstill, up in the air, there is still a lot going on,” she writes. She’s since traveled along the California coast and to Moab’s desert landscapes capturing similar swarming phenomena featuring vultures, gulls, and crows.

Mitsch’s composites vary in length of time, number of birds, and total images combined, which ranges from 500 to 5,000. “One of my favorites, ‘Lockdown Vulture (Signature)’ shows just one vulture making slow circles over the course of about a minute,” Mitsch tells Colossal. “My other favorite, ‘Lockdown Vultures (Moab Mesa)’ shows about five minutes’ worth of 25 or so birds circling together.”

In addition to this series, Mitsch also shot a collection devoted to starlings’ murmurations, which you can see on her site. You might enjoy this bird-shaped swarm, too. (via swissmiss)

 

“Lockdown Vulture (Signature)”

“Lockdown Vultures (Moab Slope)”

“Lockdown Swallows (Hunting)”

“Lockdown Crows (Evening Commute)”

“Lockdown Crows (One Tree)”

“Lockdown Bats (Pas de Deux)”

“Lockdown Gulls (Sea Ranch)”

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Enchanting Photos Frame Meandering Industrial Relics Along Taipei’s Jianqing Historic Trail

All images © Masuki Rina, shared with permission

The Taipingshan National Forest Recreation Area in northern Yilan is one of Taipei’s prized ecological destinations for its mist-covered scenery and lush vegetation that thrives in the dewy environment. It’s also home to Jianqing Historic Trail, a winding pathway that follows abandoned sections of railways and crumbling trestles that are relics of the region’s past as a major logging hub. Taiwanese photographer Masuki Rina visited the overgrown tracks to document its ethereal and enchanting atmosphere in a captivating series, which shows fog hanging over the landscape, moss covering wooden ballasts, and foliage sprouting from nearly every inch of the frame.

Rina shot dozens of images from the trail, which she shares on Behance and Instagram, along with her other landscape and street photography. (via Plain Magazine)

 

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Bold Photographs by Yannis Davy Guibinga Explore Identity Through Color, Texture, and Lavish Fashions

“The First Woman” (2020) featuring Evangeli Anteros. All images © Yannis Davy Guibinga, shared with permission

Following his striking examination of the color black, Gabonese photographer Yannis Davy Guibinga returns to the bright, textured compositions he’s known for. His portraits and wider editorial shots center on single figures dressed in lavish gowns and coated with shimmering face paint, considering how garments, makeup, pose, and facial expression all impact identity. “By letting each image tell a different story and illustrate a unique experience, point of view, and perspective… (he) creates a world of powerful, beautiful, and dignified Africans regardless of gender performance, class, or sexual orientation,” a statement says.

Guibinga primarily hovers beneath his subjects when photographing as a way to further bolster the emotional impact of each shot. He explains:

Regarding angles, I try to have different ones in a story in order to have different perspectives but looking up at my subjects has become with time something that I do almost every time. It offers a way to see the subjects in a very grand and dignified way, and because I collaborate often with young fashion designers, I found that it is also a great way of showing off a garment while still telling a beautiful story with the composition.

Currently based in Montréal where he’s completing a master’s degree, Guibinga has four collections on view at Brick at Blue Star in San Antonio through February 3 and will show another at Galerie XII in Santa Monica opening on February 6. He’s also featured in the recently published book As We Rise: Photography from the Black Atlantic and has a few projects slated for the coming months, which you can follow on Instagram.

 

“Pigments” (2020) featuring Atlas Hapy. MUA by Amal Afoussi

“The First Woman” (2020) featuring Evangeli Anteros & Atlas Hapy

“LAGBAJA” (2021) featuring Béatrice

“Oma Ayiya” (2020) featuring Tracy Valentine. MUA by Amal Afoussi

“Multicolor” (2020) featuring Atlas Hapy

“Glowzi” (2017) featuring Glowzi

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