42,000 Bamboo Shoots Construct an Illuminated, Latticed Welcome Center in Vietnam

All images by Hiroyuki Oki, courtesy of Vo Trong Nghia Architects

A glowing welcome center of interlaced bamboo stands at the entrance of the resort Grand World Phu Quoc in Vietnam. One of many designs by Vo Trong Nghia Architects that utilizes the ubiquitous material, the facility is comprised of arches, domes, and angular grids built from 42,000 culms, or hollow shoots. The open facade and embedded skylights allow light to stream through the building, helping to illuminate a 1,460-square-meter footprint, with visitors entering through an interior shaped like a lotus and bronze drum. “The light comes in beautifully and, along with the natural colour of bamboo, creates a warm and intimate atmosphere, even though the structure is very open in terms of airflow,” the studio shared with dezeen.

For more of Vo Trong Nghia’s architectural projects, visit the studio’s site and Instagram.

 

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Digital Illustrations by Eiko Ojala Layer Timely Metaphors in Paper-Like Compositions

All images © Eiko Ojala, shared with permission

Using his signature style of paper-like cutouts, Estonian illustrator Eiko Ojala (previously) digitally renders works that play with shadow and depth. He frequently collaborates with well-known publications like The Guardian and The Washington Post, among others, on editorial projects that unpack the legacy of James Joyce’s Ulysses, recount the experiences of pandemic meetups, or dive into political analyses. Ojala’s timely works are colorful and minimal, with each piece based on a strong visual metaphor.

You can find more of the illustrator’s recent commissions and personal projects on Behance, and browse available prints on Saatchi Art.

 

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Responsive Sculptures by Daniel Rozin Echo Human Movement Through Undulating Objects

A solo exhibition at bitforms gallery highlights the fleeting nature of interaction in a series of responsive sculptures by artist Daniel Rozin (previously). Titled Shades, the show is comprised of multiple imitative works that reflect viewers’ movements through an embedded camera. “Take Out-Chopsticks Mirror,” for example, attaches the wooden utensils to a motorized base, and as someone passes in front of the piece, the components lift upward at a wider angle. In addition to the echoed motion, the undulating works rely on light and shadow to create intriguing, abstract renditions of human gesture.

Also included in the exhibition are two inverse sculptures, “CMY Shadows Mirror” and “RGB Peg Mirror.” Both works reproduce full-color reflections, although the former uses the subtractive color model and the latter additive. Whether animated by human presence or a pre-programmed algorithm, the resulting forms become dynamic displays of kaleidoscopic color.

If you’re in New York City, you can see Shades at bitforms gallery through April 23, and see more of Rozin’s works on his site and Instagram.

 

“RGB Peg Mirror” (2019), anodized aluminum knobs, motors, 3D camera, control electronics, computer, custom software, 72 inches in diameter and 4 inches in depth

“Take Out-Chopsticks Mirror” (2021), chopsticks, motors, wood, custom software, computer, camera, 66 x 34 x 17 inches

Detail of “Take Out-Chopsticks Mirror” (2021), chopsticks, motors, wood, custom software, computer, camera, 66 x 34 x 17 inches

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Architectural Drawings Detail the Spatial Dimensions and Unique Amenities of Japanese Hotel Rooms

All images © Kei Endo, shared with permission

In preparing for her own design projects, Tokyo-based architect Kei Endo sketches elaborate diagrams of hotel rooms. The watercolor works depict overhead views of floor layouts, color schemes, lighting, and the details of special amenities from hairdryers to soap bottles paired with precise dimensions. While focused on the uniform details of spaces like Hotel Siro in Toshima-ku or The Okura Tokyo, the drawings reveal how the designer’s attention to space, comfort, and lodgers’ needs inform every inch of the room.

In addition to her travel-based works, Endo also deconstructs desserts with similar measurements, and you can find more of her renderings on her site and Instagram. (via Spoon & Tamago)

 

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Sinuous Tentacles and Intricate Spider Legs Sprout from Glass Symphony’s Miniature Creatures

All images © Glass Symphony, shared with permission

Kyiv-based artist Nikita Drachuk (previously) is behind a delicate menagerie of translucent octopuses, striped spiders, and mottled slugs exquisitely crafted in glass. Elaborately shaped with curling tentacles and segmented legs, the miniature creatures are the product of lampworking, which involves melting the colorful material with a lamp or torch. Drachuk works under the moniker Glass Symphony and has hundreds of pieces available on Etsy.

 

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A Colossal Exclusive: Squawking Grackles Cluster Together in a Limited-Edition Print by Artist Tiffany Bozic

“Oil Slick” by Tiffany Bozic

For the first time in nearly two years, Colossal is launching a limited-edition print in collaboration with artist Tiffany Bozic (previously). “Oil Slick,” which is available now in Colossal Shop, centers on a cluster of grackles in shades of deep purples and blues, colors that evoke swirling petroleum floating on the surface of the ocean. “Though few species are as polarizing as these thoroughly urbanized birds, one thing is indisputable: their sheer numbers are a sign of their success and adaptability,” says the California-based artist, whose body of work focuses on preserving the diversity of the natural world.

The giclée print is signed and available in an edition of 250, and 10% of all proceeds will be donated to Art to Acres, an artist-founded nonprofit focused on large-scale land conservation in North, South, and Central America. Pick up “Oil Slick” today in the Colossal Shop.

 

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Cheery Characters Enliven Vibrant, Whimsical Illustrations by Tania Yakunova

All images © Tania Yakunova, shared with permission

Ukrainian illustrator Tania Yakunova gravitates toward bold color palettes and clean lines to define her spirited characters. Set on monochromatic backdrops, her quirky scenes are tinged with whimsy and play with scale, surrounding the figures with low-hanging white stars, towering leaves, and oversized art supplies. Many of the Kyiv-based illustrator’s works involve a mix of digital and analog sketching with the final pieces rendered in paint.

In recent weeks, Yakunova has been creating a series of ceramics focused on mental health, alongside illustrations responding to the ongoing war in Ukraine. You can find more of her works on Behance and Instagram.

 

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