June 2022 Opportunities: Open Calls, Residencies, and Grants for Artists

Image © Nespoon

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Open Calls

The 13th Epson International Pano Awards
Open internationally, the 13th annual Epson International Pano Awards celebrates all facets of panoramic photography. The competition will award more than $40,000 in prizes, including $14,000 in cash. There is an entry fee of $22 per submission.
Deadline: Midnight (UTC-11) on July 11, 2022.

International Art Textile Biennale 2023
Open to international applicants, Fibre Arts Australia is seeking submissions reflecting contemporary textile practice as an art form in the International Art Textile Biennale with prizes totaling AU$15,000. There is an entry fee of AU$75 to submit up to two artworks.
Deadline: July 17 2022.

Beautiful Bizarre Art Prize
Awarding $57,000 in cash and prizes, this annual international competition celebrates diversity and excellence in visual arts, supporting all static mediums. The top prize is $13,500, and there is a $40 entry fee.
Deadline: Midnight PST on July 17, 2022.

Faena Prize for the Arts
Artists across genres, disciplines, and technologies are invited to imagine temporary and site-specific projects to be installed at the Faena Beach during Miami Art Week 2022. The winning proposal will receive a US $100,000 prize.
Deadline: August 1, 2022.

8th National Juried Exhibition at the Oxford Arts Alliance
Now in its 8th year, the National Juried Exhibition at the Oxford Arts Alliance is hosting an open call for an October 2022 show. There’s a $30 entry fee and a top prize of $500.
Deadline: August 19, 2022.

The Bennett Prize for Women Figurative Painters
U.S.-based painters are invited to apply for the third iteration of The Bennett Prize, which awards $50,000 to one artist with a runner-up receiving $10,000. The entry fee is $40.
Deadline: 11:59 p.m. MST on October 7, 2022.

 

Grants

The Velocity Fund for Philadelphia-Based Artists
By awarding grants up to $5,000 for community-focused projects, The Velocity Fund directly supports artists throughout the city of Philadelphia. Individual visual artists​ and​ artist run spaces/collectives who are located within the city limits ​of Philadelphia are encouraged to apply.
Deadline: June 6, 2022.

The Anonymous Was A Woman Environmental Art Grants
Open to women-identifying artists based in the U.S., this grant awards up to $20,000 for environmental art projects. Proposals should focus on the impact of the project and must have a public engagement component.
Deadline: 5 p.m. ET on June 14, 2022.

Innovate Grants
Innovate Grant awards two $550 grants each quarter to one visual artist and one photographer. The initiative is open internationally.
Deadline: 11:59 p.m. PST on June 16, 2022.

Disability Communities
A series of new photography grant from Getty Images and Verizon aims to promoted authentic representation and visual stories on the community aspect of disability. Open to global photographers and videographers, the one-time grant awards one recipient $15,000, one recipient $10,000 and three recipients $5,000 each.
Deadline: June 30, 2022.

Illuminations Grant for Black Trans Women Visual Artists
This $10,000 grant recognizes an existing body of work by a Black trans woman. It will also provide additional support for continuing their work.
Deadline: June 30, 2022.

Media Arts Assistant Fund
This fund provides individual New York-based artists with support for the completion and/or public presentation of new works in all genres of sound and moving image art, including emergent technology. Artists will receive up to $7,500 to assist in completing new work.
Deadline: July 1, 2022.

Southern Artists for Social Change
This National Performance Network program provides $25,000 project grants to artists and culture bearers of color living, working, and engaging in social change in urban, rural, and tribal communities of Alabama, Louisiana, and Mississippi.
Deadline: 5 p.m. CST on July 29, 2022.

$500,000 Creative Capital x Skoll Foundation Fund
Kickstarter, Creative Capital, and Skoll Foundation launched a $500,000 Creative Capital x Skoll Foundation Fund to support projects by Asian, Black, Indigenous, and Latinx creators. Awards are given out on an ongoing basis to creators in categories like Arts, Comics & Illustration, Design & Tech, Film, Food & Craft, Games, Music, and Publishing.
Deadline: Rolling.

Adobe Creative Residency Community Fund
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

 

Residencies & Fellowships

Granite Falls Community Artist in Residence
The City of Granite Falls, MN, and the Granite Area Arts Council are requesting qualifications from interested local, regional, and national artists for a 12-week Community Artist in Residence program. The selected artist will receive lodging and studio space, a $3000 project budget, a stipend of $600 a week for 30 hours work, and an additional travel stipend of $500.
Deadline: 11:59 p.m. CST on June 3, 2022.

ACE Artist in Residence Program
Open to U.S. artists across disciplines, this residency awards a $1,000 stipend and seven days in the mountains of Alta, Utah. The application fee is $10.
Deadline: June 15, 2022.

Franconia Sculpture Park Residencies
Franconia provides a communal residency experience where up to 18 selected artists live on-site at their 4500 sq. ft. farmhouse. This year’s theme is “Public Art IS Public Health.” Applicants should express an interest in investigating and creating work exploring intersectional impacts between public art and public health.
Deadline: August 1, 2022.

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In Clever Stop Motion Tutorials by Omozoc, Wooden Boards Slice Like Sticks of Butter

Stop-motion animator omozoc (previously) has a knack for making complex and labor-intensive processes look remarkably effortless. In a new series called Stop Motion Woodworking, planks of wood are sliced with kitchen knives, cookie cutters carve mortise holes like dough, and a bench scraper shapes tenons for the joints with the smoothness of a blade through a stick of butter. Satisfying chopping and slicing sounds accompany the construction of a small stool that is just the right size to hold a milk crate, which features in its own tutorial video.

Find more animations by omozoc on YouTube.

 

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Chimerical Creatures Combine Feathers and Fur in Isabel Reitemeyer’s Uncanny Collages

All images © Isabel Reitemeyer, shared with permission

Berlin-based artist Isabel Reitemeyer is known for making uncanny collages that splice images of animals and bodies into humorously enigmatic compositions. In her recent series, songbirds with guinea pig heads perch on twigs, horses with enormous bunny ears stand in fields, and a retriever looks out at us from the body of a chicken. The assemblages, which are often small in scale and made from found photographs and cutouts, are deftly aligned so that the outlines of the animals fit together seamlessly.

A bunny’s beady eye or the slight cock of a terrier’s head gives personality to each chimerical creature, as if self-aware of their unusual predicament. Reitemeyer taps into the ways we anthropomorphize our pets and other animals, reading into their expressions and feelings as if they were our own, resulting in sly and unusual personalities.

You can find more of Reitemeyer’s collages on her website and on Instagram.

 

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Lush Aerial Photos by Pham Huy Trung Capture the Annual Harvests of Vietnam’s Countryside

Trang An. All images © Pham Huy Trung, shared with permission

From the foggy limestone mountains of Trang An to grass collection in Bao Loc, the scenic shots by Pham Huy Trung (previously) preserve Vietnam’s heritage. The photographer often works with drones, allowing him to capture aerial views of wooden boats wedged into a harbor and farmers grasping large baskets as they gather tea. Resplendent with vegetation, the images frequently center on industry and annual harvests to create a visual record of everyday activity.

Pham is currently planning a trip abroad—follow his travels on Instagram—and has select prints available on his site.

 

Pink trumpet flowers, Bao Loc

Boats, Trang an, Ninh Binh

Tea harvest, Bao Loc

Lillies, Mekong Delta

Tea harvest, Bao Loc

Grass harvest, Mekong Delta

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Containing 80 Portraits, ‘Stop Tanks with Books’ Pleas for Broad, Sweeping Action in Ukraine

Lina in a national costume, Orihovo-Vasylivka village, Donetsk (2018). Images © Mark Neville, courtesy of Nazraeli Press

Prior to Russia’s invasion of Ukraine in February, British artist Mark Neville moved to Kyiv, a city he traveled to frequently from his home in London since beginning Stop Tanks with Books in 2016. The project, which culminates in a new 180-page volume edited by David Company and published by Nazraeli Press, involved documenting life in the country through portraits of passersby on the street, families lounging at the beach, and others dancing among energetic nightclub crowds.

Each photograph tethers a human face to the entirely inhumane atrocities of war and “(weaponizes) the medium to effect change.” The images are intimate and profound, showing a young girl screaming into a toy phone following shelling in 2016 or a father and son cradling goats in their home in Decyatny.

 

Alexsandr Konokov and Sasha on their Goat Farm in Decyatny, Zhytomyr Oblast, 2017

Neville’s intention for the project has always been twofold. He hoped to inspire broad, international support for Ukraine’s independence in Donbas and Crimea and to offer a necessary corrective to the stereotypical information and images disseminated by the Kremlin, which he saw Western media sources often redistributing without context. “Stop Tanks With Books was my attempt to fight Russian aggression,” Neville says.

Eighty of his portraits are positioned alongside research from the Centre of Eastern European Studies in Berlin about the 2.5 million people who had already been displaced by 2018, in addition to short stories by Ukrainian poet and novelist Lyuba Yakimchuk that detail life under Russian occupation in Donbas.

The pairings lead to a call to action written in both Ukrainian and English, one made more urgent by the full-scale assault on the nation that’s taken thousands of civilian lives alone in the last three months. “I wonder what the international response would be if Stockholm, London, Paris, or New York were threatened with an unprovoked and imminent invasion by Russia? Our book is a prayer and a necessary plea to the international community,” Neville wrote before the war officially began, when he also sent copies of the book to 750 policymakers, ambassadors, media members, and those involved in peace talks. He hoped to raise awareness about the immediate threat the people of Ukraine faced.

There are a few copies of Stop Tanks with Books available from Setanta Books, although a second edition with a new foreword by Neville is in progress. You can find much more of the photographer’s activist-centered work, in addition to more images from the series, on his site. (via Lens Culture)

 

Boy with dog, Troitske, Luhansk (2019)

Couple at Stanytsia Luhanska Bridge (2019)

Ukrainsk, Donetsk (2021

Three Kilometres from the frontline, Donetsk (2019)

Policewomen, Mariupol (2019)

Kristina in Troyitske, Eastern Ukraine, an hour after the shelling (2016)

Maria Holubets, Natalia Tarasenko, Rozalia Boiko, Maria Shvanyk, and Rozalia Mahnyk at the Greek Catholic Monastery, Zvanivka (2018)

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Tiny Human Activities Erupt into Vast Celestial Nightscapes in New Paintings by Oliver Jeffers

All images © Oliver Jeffers, courtesy of Praise Shadows Art Gallery, shared with permission

Whether working in acrylic on panel or illustrating a scene for one of his children’s books, artist Oliver Jeffers is fascinated by positioning. He returns to questions about perspective and finding a place in the world amidst chaotic politics and an overwhelmingly vast universe.

In The Night in Bloom, a series of ten works soon to be on view at Praise Shadows Art Gallery in Brookline, Massachusetts, Jeffers imagines explosive astronomical scenes and impeccably aligned constellations. One work shrouds an abandoned picnic in deep blues and purples before erupting into a bright nebula, cradling stars between the soft glow of city skylines. Another piece, which the artist will replicate at a massive scale on a facade at Boston’s Isabella Stewart Gardner Museum, depicts a figure at home underneath a colorful expanse of galaxies and celestial bodies.

Each of the stellar works, which are the artist’s first rendered in acrylic, celebrates the possibilities of the unknown. He explains:

The worlds beyond our world, whose clues only reveal themselves when the light of our day grows low enough to view the dramatic and brilliantly colorful heavens after dusk, suggest a vastness we cannot possibly comprehend above our heads. These are the same heads that grow bored of looking for what to play on the radio, wonder when our internet purchase will arrive, or what activity we will use to pass the time this weekend. Perhaps there is more to this business of being alive than we give ourselves time (and perspective) to enjoy.

Jeffers, who splits his time between Belfast and Brooklyn, recently unveiled Our Place in Space, a series of sculptures that bring the solar system to Northern Ireland and Cambridge. This immersive experience complements The Night in Bloom, which will run from June 3 to July 10. Explore more of the artist’s dreamy paintings, sculptures, and illustrations on his site and Instagram.

 

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Influential Artworks Find Wearable Reinterpretations in Handmade Garments by Ariel Adkins

Ariel Adkins in a skirt inspired by Hilma af Klint, “The Ten Largest” (1907) at the Guggenheim Museum. Image by Allison Chipak. All images courtesy of Ariel Adkins, shared with permission

After a museum visit, we might pick up a postcard or T-shirt as a memento of the artworks we’ve enjoyed most. Brooklyn-based blogger Ariel Adkins, who is also Curator of Art, Culture & Community at Twitter, takes her love of masterpieces to the next level by creating one-of-a-kind apparel inspired by some of the world’s most influential artists. Donning capes, dresses, and coveralls in bright colors and bold patterns, Adkins draws inspiration from a variety of aesthetics and eras to make garments for herself and for people she meets who share a similar love for the power of expression. Painting directly onto the fabric of the clothing, she translates the forms and hues of specific artworks into wearable compositions.

Adkins is the creator of Artfully Awear, which began as a way of responding to grief and healing in response to the loss of her mother, who was an artist. Through the language of fashion, both a personal and public assertion of identity and style, she continues the project as an embodiment of joy and a unique way of kindling togetherness. She also admires iconic fashion like designer Michelle Smith’s dress worn by Michelle Obama in Amy Sherald’s portrait, utilizing her platform to share stories of groundbreaking moments in art history.

You can follow more of Adkins’ apparel adventures on Instagram.

 

A cape inspired by Etel Adnan, “Mont Tamalpaïs” (1970/2017) at the Guggenheim Museum. Image by Olivia Manno

Dress by Michelle Smith worn by God-is Rivera in front of Amy Sherald’s “First Lady Michelle Obama” (2018) at the National Portrait Gallery. Image by Ariel Adkins

Dress inspired by Yayoi Kusama, “Yellow Pumpkin” (1994) at Benesse Art Site. Image by Meri Feir

Dress inspired by Seward Johnson, “Welcome Home” (2014) at Grounds for Sculpture. Image by Will Sealy

Coveralls worn by Chet Gold inspired by Claude Monet, “Water Lilies” (1914-26) at the Museum of Modern Art. Image by Gina Tatianna

Top inspired by OSGEMEOS exhibition ‘Portal’ at Lehmann Maupin Gallery. Image by Will Sealy

Image by Will Sealy

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