Hundreds of Oblongs and Discs Undulate Across Marianne Huotari’s Ceramic Sculptures

“Ananasakäämä.” Photo by Anna Autio. All images © Marianne Huotari, shared with permission

Dating back to the Vikings, ryijy is a distinctly Finnish textile tradition that produces thick, high-pile tapestries and rugs. The heavily patterned works, which have shifted from functional to decorative, are made by hand-knotting wool and layering the yarn into lush, textured motifs.

Drawing on her background in textile design, Finnish artist Marianne Huotari translates this technique into ceramics, creating densely delicate reliefs that evoke the depth and dimension of fiber. Huotari begins every work with a color palette and surface, whether in the form of a wall-based piece or a freestanding sculpture. She then rolls and pinches clay into oblongs and small discs imprinted by her fingertips for added texture, each pierced to create a small hole for a bit of metal thread. Once glazed and fired, the individual components are sewn into undulating topographies layered lush with color and rippling shapes. Huotari shares with Colossal:

The process is super slow but very meditative thanks to its repetitive nature. Throughout the process, I attempt to take control of the material by dismantling and reassembling the parts, which is not very common when talking about ceramic art. That provides me the freedom to make changes on the go. The technique provides countless possibilities… In the near future, I’ll be focusing on developing the sculptural expression and searching for the limits of dimensions.

The Helsinki-based artist was recently named a finalist for this year’s Loewe Foundation Craft Prize, which is hosting an exhibition at Seoul Museum of Art through July 31. She also has pieces on view through August 19 at HB381 Gallery in New York and through the end of August at Guldagergaard International Ceramic Research Center in Denmark, where she will be a resident this fall. Watch the video below and head to Instagram for a glimpse into Huotari’s process, and browse available pieces in her shop. (via Journal du Design)

 

“Tipsy and Dazzled by Festives.” Photo by Anna Autio

“Mandarin Garden.” Photo by Jefunne Gimpel

Detail of “Mandarin Garden.” Photo by Jefunne Gimpel

Detail of “Tipsy and Dazzled by Festives.” Photo by Anna Autio

Left: “Moment in the Shade.” Photo by Anna Autio. Right: “Eden’s Euphoria.” Photo by Anna Autio

“Shallows.” Photo by Anna Autio

“Wild as Lupine.” Photo by Hanna Kaketti

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Jurassic Nature: Botanical Assemblages by Raku Inoue Recreate Dinosaurs in Leafy Layers

Dilophosaurus. All images © Raku Inoue, shared with permission

In his ongoing Jurassic Nature series, Japanese artist Raku Inoue layers sprigs of kiwi vines, white spruce, and boxelder maple into miniature sculptural dinosaurs. The ribbed, veiny textures of the leaves mimic the reptilian skin of some of the most recognizable characters from the 1993 classic. Minimal in form and lush in construction, the creatures include a dandelion-headed brontosaurus, a stegosaurus with spiky raspberry leaves defining its back, and a velociraptor laced with forget-me-nots.

Inoue is adding a few more dinosaurs to the series, so keep an eye on his Instagram for updates. You can also find prints of a variety of his botanical creatures in his shop. (via Lustik)

 

Stegosaurus

Velociraptor

T-Rex

Brontosaurus

Stegosaurus

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Simple Lines and Shapes Comprise the Lavish Yet Minimal Animal Drawings of Jochen Gerner

All images © Jochen Gerner, shared with permission

Lines and basic shapes are the basis of Jochen Gerner’s distinct, almost paradoxical style that’s sometimes referred to as “abundant minimalism.” The French artist, who lives and works between Lorraine and Burgundy, draws birds and dogs that are sparse in form and yet rich in color and texture: checkered patterns overlaid with a chaotic array of markings create a shaggy fur coat, while variegated patches of feathers distinguish the tail from wing or breast.

In a note to Colossal, Gerner shares that he’s working primarily with vintage schoolbooks, a substrate that serves as much as a vessel for his drawings as it does a limitation on the work itself. He explains:

I like to work with simple shapes and lines. The simplest images are often the most effective and direct…The paper texture and format of the notebooks are important to me. The very graphic and varied lines allow me to integrate them by transparency in my drawings. It is a constraint from the start but it helps me to structure the forms and it is an integral part of the drawing.

If you’re in France, you can see Gerner’s works at La Métairie Bruyère in Parly, Anne Barrault Gallery in Paris, and Musée Buffon in Montbard. Otherwise, head to Instagram to explore more of his stylized characters. You also might like Albert Chamillard’s crosshatched geometries.

 

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Thread Grids by Laura Fischer Encase Stones in Exquisitely Knotted Webs

All images © Laura Fischer, shared with permission

Precision is at the core of Laura Fischer’s practice. Using cotton and linen threads in neutral tones, the Bellingham, Washington-based artist sheaths smooth stones in impeccably exacting grids. She forms the tiny squares and rectangles with a series of knots, mimicking the loom weaving process but working directly on the natural material. Paired together, the sculptures are finished with a twisting rope wrapped around the circumferences and suspended in staggered positions.

A few of Fischer’s pieces are available on her site. Keep an eye on Instagram for shop updates. (via swissmiss)

 

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Jewels Encrust Ornamental Insects in Sasha Vinogradova’s Digital Illustrations

All images © Sasha Vinogradova, shared with permission

Los Angeles-based artist Sasha Vinogradova merges her fascination with nature and ornate design in a series of jewel-coated specimens. Sculptural in form to evoke a brooch or other piece of wearable art, the digitally illustrated insects encase gems and vibrant, iridescent body parts within a metallic structure. Symmetrical motifs adorn the wings and shells, adding an extra layer of ornamentation to the otherwise natural subject matter.

With a background in motion design and key art, Vinogradova works with various clients on illustrations and art direction. You can explore more of her commercial and personal projects on Behance and Instagram.

 

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The Cardboard Sculptures of Artist Warren King Are an Homage to His Chinese Heritage

Detail of “Xuanzang.” Photo by Jón Prospero. All images © Warren King, shared with permission

Artist Warren King (previously) finds much of his inspiration by wandering through Chinatown in New York City, where he encounters “street musicians, chess players in Columbus Park, vegetable sellers, knockoff handbag vendors on Canal Street, lion dancers during Chinese New Year celebrations,” he tells Colossal. “I’ve been fascinated during my weekly grocery shopping trips by the vibrant, diverse community there, which is so different from the relatively homogenous suburbs where I grew up.”

These passersby become the initial inspiration for the artist’s figurative cardboard sculptures, which consider his Chinese heritage, his parent’s immigration, and what it means to hold a diasporic identity. Ribbed with subtle corrugation and coated in dark neutral tones, the works vary in scale, although many are life-sized and large enough to occupy public benches and galleries. Each piece is an homage both to those he observes and to the richness of the Chinese community.

 

Detail of “The Wu Dan Answers the Call.” Photo by Satoshi Kobayashi

In addition to his ongoing Chinatown series, King’s recent works also include a few pieces of more personal relevance, including “Xuanzang.” The stoic character is based on the 7th Century monk by the same name who trekked 10,000 miles into India to recover Buddhist texts and inspired the classic novel, Journey to the West. “I used to be an avid backpacker and made a few life-defining treks myself,” the artist shares. “And I’m a book nerd too, so Xuanzang is naturally kind of an idol for me.”

The elaborately armored piece titled “The Wu Dan Answers the Call” similarly contextualizes King’s background within a broader history. “I wanted to tell the story of my feisty grandmother, who as a young woman tried to enlist in the bloody fight against the Japanese. But the piece is a mashup of a character from Chinese opera and Donatello’s famous sculpture of David, which reflects the two lenses through which I view the story,” he says.

King is currently working on an installation centered on the idea of preserving narratives and family legacies. That work is slated for February 2023 at Pearl River Mart in Soho, and you can follow its progress on Instagram.

 

“Xuanzang.” Photo by Jón Prospero

Detail of “Xuanzang.” Photo by Jón Prospero

“Lion Dancer” (2020). Photo by Jón Prospero

“The Wu Dan Answers the Call.” Photo by Satoshi Kobayashi

“Chess Players” (2020). Photo by Jón Prospero

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Vibrant Botanicals Spring from Cheerful Pups in Hiroki Takeda’s Playful Watercolors

All images © Hiroki Takeda, shared with permission

Sprouting flowers and botanical sprigs, the subjects of Hiroki Takeda’s watercolor works exude the boundless joy and energy we tend to associate with canine companionship. The vividly rendered pieces are part of the Japanese artist’s whimsical body of work that defines the contours of cats, birds, and inanimate objects with delicate plants and other natural elements. Prints and originals of Takeda’s blooming creatures are available from TRiCERA Art, and you can stay up to date with his latest pieces on Instagram.

 

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