Expressive Snake Portraits by Ben Simon Rehn Capture Serpentine Elegance in Brilliant Hues

All images © Ben Simon Rehn, shared with permission

More than 3,000 species of snakes can be found on our planet, slithering through vastly different ecosystems and exhibiting an extraordinary range of colors, patterns, and sizes. Regarded in myth as guardians of the underworld, cunning spirits, or wielders of magic, they have long been dreaded, revered, and eyed with suspicion by cultures around the globe. German photographer Ben Simon Rehn, who is interested in drawing connections between humans and nature, kindles empathy in a series of expressive serpent portraits.

While Rehn has previously trekked to destinations around the world to capture landscapes and wildlife, these images were taken at a snake refuge close to his home in the Harz Mountains. Capturing the often misunderstood creatures in a range of vivid hues, supple textures, and intense gazes proved a bit of a challenge, as even in captivity, the creatures could be elusive. “It wasn’t very easy to capture the snakes as some of them are really small—it doesn’t seem like it in the pictures—and moved fast,” he tells Colossal. “Also a few are venomous so you have to keep a distance, and a long lens helps here.” Portraying them close-up not only highlights the vivid details of their scales, mouths, and eyes, it also brings us face-to-face with the creatures to engender a different understanding.

You can explore more work by Rehn on his website and Instagram.

 

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October 2022 Opportunities: Open Calls, Residencies, and Grants for Artists

Yayoi Kusama, “Pumpkins Screaming About Love Beyond Infinity” (2017), mirrors, acrylic, glass, LEDs, and wood panels, 59 x 59 x 83 ½ inches. Collection of the artist, courtesy of Ota Fine Arts

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Massachusetts Design Art and Technology Institute (DATMA) – SHELTER 2023Featured
This request for qualifications asks artists to consider themes of shelter for an outdoor public installation in New Bedford. Three finalists will get $1,000 to develop proposals; the selected artist receives another $25,000.
Deadline: November 1, 2022.

Lenore Tawney FellowshipFeatured
Artists, scholars, writers, and curators are invited to apply for the 2023 remote Lenore G. Tawney Fellowship at the John Michael Kohler Arts Center. This fellowship fosters engagement with Tawney’s art environment installed at JMKAC’s Art Preserve in Sheboygan, Wisconsin.
Deadline: November 14, 2022.

 

Open Calls

The Bennett Prize for Women Figurative Painters (U.S.)
U.S.-based painters are invited to apply for the third iteration of The Bennett Prize, which awards $50,000 to one artist with a runner-up receiving $10,000. The entry fee is $40.
Deadline: 11:59 p.m. MST on October 7, 2022.

Carmignac Photojournalism Award (International)
One photographer will receive a €50,000 grant to produce a body of work, followed by a traveling exhibition and a monograph. The project will focus on Ghana and the ecological and social challenges it faces.
Deadline: 11:59 p.m. GMT on October 17, 2022.

apexart Open Call (International)
apexart is accepting exhibition proposals for its open call. Five curators, artists, writers, and others will be awarded $10,000 and a chance to curate an exhibition at the New York City space.
Deadline: October 31, 2022.

Beam Center Open Call (International)
Beam Center is requesting design proposals for ambitious public artworks that will be brought to life through collaborations with youth. Chosen artists will receive a $5,000 award and a $15,000 fabrication budget.
Deadline: 11:59 p.m. EST on November 7, 2022.

London Craft Week 2023 (International)
The 2023 edition of London Craft Week runs May 8 to 14, and the annual event is accepting applications from emerging artist-maker-designers. There are a few free spaces available for those who qualify.
Deadline: November 25, 2022.

 

Grants

Precipice Fund (U.S.)
The Portland Institute for Contemporary Art will award up to $5,000 to unincorporated visual art collectives, alternative spaces, and collaborative projects as part of Round 11 of the Precipice Fund. Proposed projects must be based in and around the City of Portland.
Deadline: 11:59 p.m. PDT on October 7, 2022.

The Stanley Bleifeld Memorial Grant (U.S.)
This grant awards $5,000 annually to a sculptor who has created a body of work inspired by nature in bas-relief and in the round.
Deadline: November 1, 2022.

$500,000 Creative Capital x Skoll Foundation Fund (U.S.)
Kickstarter, Creative Capital, and Skoll Foundation launched a $500,000 Creative Capital x Skoll Foundation Fund to support projects by Asian, Black, Indigenous, and Latinx creators. Awards are given out on an ongoing basis to creators in categories like Arts, Comics & Illustration, Design & Tech, Film, Food & Craft, Games, Music, and Publishing.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

 

Residencies & Fellowships

Art Omi Residencies (International)
Art Omi provides residencies to international artists working in architecture, visual arts, dance, music, and writing. Residents receive lodging and meals.
Deadline: October 15, 2022.

Hyperallergic’s Journalism Fellowship for Curators (International)
Hyperallergic will grant five curators $5,000 to support research and writing. Established and emerging curators with more than two years of experience are eligible.
Deadline: October 15, 2022.

Squeaky Wheel Workspace Residency (U.S.)
The Squeaky Wheel Residency is open to artists and researchers working in film, video, virtual reality, game development, textiles, metal, woodwork, 3D printing, sonic arts, installation, performance, and more. Residents receive a $1,000 stipend, up to $700 for child care and/or disability support, and up to $300 in travel.
Deadline: October 15, 2022.

Craft Research Fund Artist Fellowship (U.S.)
Five mid-career artists will be awarded $10,000 to five mid-career artists to support research that advances craft practices and supports further research in the discipline.
Deadline: October 21, 2022.

Denbo Fellowship (International)
Artists interested in papermaking, printmaking, and book arts are eligible for the Denbo Fellowship, which provides studio and storage space, access to facilities, and a living stipend.
Deadline: October 18, 2022. 

Wildacres Residency Program (International)
Artists and artist pairs working across disciplines are eligible for the Wildacres Residency, which provides lodging and workspace for one or two weeks near Mt. Mitchel. There is a $25 application fee.
Deadline: October 31, 2022.

A.I.R. Fellowships Program (New York)
Open to emerging women and non-binary artists living in New York City, this fellowship offers sponsored membership with A.I.R. Gallery for one year, professional development, a solo exhibition, an artist-mentor, and a stipend.
Deadline: November 1, 2022.

2023 Rome Prize Fellowship (U.S.)
Each year, the American Academy in Rome recognizes about 30 artists and scholars working in the humanities. Fellows  Each receive stipends of either $16,000 or $30,000 depending on the duration of the program, meals, a bedroom with a private bath, and a private workspace.
Deadline: November 1, 2022.

Amant Studio & Research Residency Program (International)
Artists working in visual arts, cultural theory, performance, filmmaking, and writing are encouraged to apply for the Amant residency, which provides a $3,000 monthly allowance, roundtrip flights and airport transit to New York City, studio space, and access to the artistic team.
Deadline: November 15, 2022.

Women’s Studio Workshop Residencies (International)
Women’s Studio Workshop has several residencies open to women, trans, intersex, nonbinary, and gender-fluid visual artists.
Deadline: November 15, 2022.

Baxter St Residency (New York)
Open to emerging New York-based photographers, the Baxter St Residency provides a monthly $1,000 stipend, use of the facilities and equipment at Baxter St at Camera Club of New York, a secondary photo lab, and a solo exhibition.
Deadline: November 17, 2022.

Smack Mellon Studio Program Open Call (International)
Six emerging or early career visual artists will be awarded private studio space and access to a digital production lab and a fabrication shop in Dumbo.
Deadline: 11:59 p.m. EST on November 23, 2022.

On::View Artist Residency Program (International)
Sulfur Studios in Savannah, Georgia, will host four artists throughout summer 2023 for consecutive residencies with a group exhibition slated for early 2024. The application fee is $50.
Deadline: December 10, 2022.

Etant Donnés Curatorial Fellowship (U.S.)
Open to U.S.-based curators interested in researching the French art scene, these fellowships offer research opportunities and a $3,000 stipend.
Deadline: Rolling.

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A Playful Population of Ceramic Specimens Inhabit the Imaginary Planet of Monsieur Cailloux

All images © Monsieur Cailloux, shared with permission

The story goes that the lifeforms discovered by Monsieur Cailloux developed a third leg in order to gallop 200 miles per minute across the imaginary planet known as MRCX. Sensitive and spirited, the specimens are part of the Paris-based artist’s ever-expanding “tribe of pebbles,” a fictional population of blobby ceramic characters apparently capable of breaking the sound barrier.

Monsieur Cailloux began sculpting the tiny creatures in 2020 when he dreamed up a space exploration and an entire universe inhabited by the tribe—find maps of the planet and an animation detailing their evolution on Instagram— in order to explore new avenues in his ceramics practice. Now numbering in the hundreds, the rock-like figures are diverse in color, glaze, and body shape, although most feature small eyes and of course, a signature third limb for aforementioned galloping.

In creating the MRCX world, the artist shares that he strives for imperfections and allows each character to evolve naturally. He says:

I try to make visible the humanity that is hidden in us by pressing on the irregularities and flaws of a handmade work. Mistakes are then, for me, a source of happiness. For example, when (a piece) does not react as I had planned, I try to change my view of the sculpture in front of me to add or subtract an element that will make it beautiful. I end up with a result that is completely different from my initial idea, and it is in these moments that I experience my greatest creative joys.

If you’re in Paris, you can meet Monsieur Cailloux’s specimens next month in a show that opens on October 6 at Club Sensible.

 

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Sunlight Illuminates a Full Spectrum of Color As It Filters Through Hummingbird Wings in a New Photo Book

“Opal Wings.” All images © Christian Spencer, shared with permission

Poetry in the Sky is a fitting title for a book of the elegant images of Australian photographer Christian Spencer. Slated for release next month, the volume gathers approximately two decades’ worth birds Spencer encountered during visits to the Brazilian Amazon, including macaws, emus, and the species he’s perhaps most notable for documenting: the hummingbird.

Taken when the creatures are mid-flight and beating their wings at incredible speeds, Spencer’s striking photos capture sunlight as it filters through their feathers, emitting a full spectrum of color. The opalescent phenomenon is caused by diffraction and transforms their limbs into tiny, ephemeral rainbows.

Poetry in the Sky contains several photos of the prismatic birds—many of which we’ve featured previously on Colossal—in addition to dozens of additional images of avian life. Pre-order a copy from Bookshop, pick up a print,  and find more of Spencer’s work on Instagram.

 

“Stardust”

“Sundance”

“Hummingbird Rain”

“Holy Water”

“3 Amigos”

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A Menagerie of Contemplative Animals by Mila Zemliakova Weave Textile Traditions and Nature

All images © Mila Zemliakova, shared with permission

Using vintage textiles from both her personal and her family’s collection of bedspreads and home decor, artist Mila Zemliakova sews plush animal sculptures that connect various traditions of her Belarusian heritage. She draws correlations between her chosen creature and each pattern, color, and type of fabric, capturing the essence of a deer in floral brocade or that of a bison with tufted gray wool.

Largely oversized and perched in chairs, the anthropomorphic characters are expressive and often photographed outdoors in states of contemplation and solitude. In a note to Colossal, the artist shares that she sees the growing menagerie as embodying “the connection of Belarusians with their nature, as well as with their traditions, which are now in a dangerous position and under repression.”

Some of Zemliakova’s sculptures are available for purchase from Art Center or on Instagram, where you can also watch her at work.

 

 

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Elegantly Sculpted Busts by Massimiliano Pelletti Interpret Art History Through Imperfection

Detail of “Venus de Medici” (2020), pink onyx, 67 x 34 x 45 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti

Italian artist Massimiliano Pelletti (previously) gravitates toward imperfection, and his practice revolves around transforming presumed defects like impurities, cracks, or chips into elegantly carved figures. Pink marble sliced to reveal the stone’s pillowy, crystalline insides bisects the artist’s interpretation of Venus de Medici, while in “Blue Venus,” marbled sodalite and Mexican white onyx are spliced together into a fully formed bust. Contrasting smooth segments with the rough texture of unpolished stone, Pelletti evokes art history and ancient sculpture traditions through the lens of flaw and fallibility.

This focus on the material determines much of the artist’s work—his studio is conveniently located in Pietrasanta near caves filled with the precious stones he utilizes—in addition to the way green onyx or black marble, for example, interacts with light. Understanding absorption, reflection, and illumination has grounded his practice and is a skill he’s developed for decades. He explains:

When I was a child, I used to go downstairs to my grandfather’s studio, and I could find him working marble, always next to the same window; from there, during certain hours, a magical light entered that could make the sculpture almost alive, with a soul. When I pointed it out to him, he answered me: “My dear, the light is so important. There are some works that should be sold with the window that lights them up”. 

Pelletti is currently working toward a solo show slated for May 2023 in London, in addition to a series of sculptures set for display in a public square in Italy. Until then, follow his practice on Instagram.

 

“Blue Horizon” (2022), sodalite and Mexican white onyx, 64 x 33 x 40 centimeters, 16-centimeter iron base. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti and Bowman Sculpture, London

“White Venus” (2022), Mexican white onyx, 173 x 31 x 43 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti and Galerie Bayart, Paris

“Green Hermes” (2022), green onyx, 177 x 26 x 26 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti

“Le due Grazie” (2019), Mexican white onyx, 65 x 65 x 48 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti

“Venus de Medici” (2020), pink onyx, 67 x 34 x 45 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti

Detail of “Blue Horizon” (2022), sodalite and Mexican white onyx, 64 x 33 x 40 centimeters, 16-centimeter iron base. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti and Bowman Sculpture, London

“White Venus” (2022), Mexican white onyx, 173 x 31 x 43 centimeters. Photo by Nicola Gnesi, courtesy of Massimiliano Pelletti and Galerie Bayart, Paris

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A 500-Page Book Explores the Japanese Folkloric Tradition of the Supernatural ‘Yōkai’ Entities

All images courtesy of PIE International, shared with permission

Translating to “strange apparition,” the Japanese word yōkai refers to supernatural beings, mutant monsters, and spirits. Mischievous, generous, and sometimes vengeful, the creatures are rooted in folklore and experienced a boom during the Edo period when artists would ascribe inexplicable phenomena to the unearthly characters. Japan’s Miyoshi Mononoke Museum in the Hiroshima Prefecture houses the largest yōkai collection in the world with more than 5,000 works, and a book recently published by PIE International showcases 60 of the most iconic and bizarre pieces from the institution.

Encompassing a range of mediums from painted scrolls and nishiki-e woodblock prints to kimonos and metalworks, Yōkai is a massive volume of 500-plus pages of colorful illustrations, paired with text by author, collector, and curator Koichi Yumoto. The book reproduces rarely seen works by artists like the renowned ukiyo-e printmaker Tsukioka Yoshitoshi, showcasing the pieces in incredible detail and contextualizing their role in the broader tradition and art history.

Yōkai is currently available on Bookshop.

 

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