Wednesday, November 16, 2022

Quirky Clothesline Creatures Saunter Across Helga Stentzel’s Landscape Illusions

A photo of laundry hanging on a line like a dinosaur in a landscape

“Laundrosaurus.” All images © Helga Stentzel, shared with permission

A wooly sweater returns to its material roots in the latest creatures to spring from Helga Stentzel’s clothesline menagerie. The London-based artist captivated audiences last year with her whimsically strung farm animals that appeared to put old shirts and jackets out to pasture. Now, Stentzel’s collection of characters includes a dinosaur of bleached white undergarments, a sweatpants camel, and the aforementioned sweater sheep. Positioned against expansive views of deserts and mountainous areas, the stylish illusions take a playful approach to laundry day.

Alongside these creatures, Stentzel has been creating 3D works, some of which are on view at CXC Art Museum in Seoul. Pick up a print in her shop, and follow her on Instagram to keep an eye on the additions to what the artist terms “household surrealism.”

 

A photo of laundry hanging on a line like a zebra in a landscape

“Zelda” (2022)

A photo of laundry hanging on a line like a cat on a roof

“Inky”

A photo of laundry hanging on a line like sheep in a landscape

“Baa-baa-ra” (2022)

A photo of laundry hanging on a line like a camel in a landscape

“Camella” (2022)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Quirky Clothesline Creatures Saunter Across Helga Stentzel’s Landscape Illusions appeared first on Colossal.



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Tuesday, November 15, 2022

Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels

Botanic-inspired porcelain vessels by Avital Avital.

All images © Avital Avital, shared with permission

The diverse world of plants and flowers is a source of fascination for ceramic artist Avital Avital, who crafts delicately detailed vessels from porcelain. In her studio in Ramat Gan, Israel, the artist sculpts slender petals, fragile spikes, and orbs dabbed with confectionary-like dots. She is interested in the relationship between functionality and decoration, drawing on the rich history of clay as a medium and mingling technical skill with conceptual ideas.

Inspired by nature’s boundless variety of forms and colors, her choice of material complements her subject matter: “I am interested in balancing between the delicacy of the porcelain and its strength and to use its potential transparency by sculpting colorful petals that are skin-like when directed to a source of light.”

You can find more of Avital’s work on Instagram.

 

A botanic-inspired porcelain sculpture by Avital Avital.

A botanic-inspired porcelain sculpture by Avital Avital.

A botanic-inspired porcelain sculpture by Avital Avital.

A botanic-inspired porcelain sculpture by Avital Avital.

A botanic-inspired porcelain sculpture by Avital Avital.

Botanic-inspired porcelain sculptures by Avital Avital.

A botanic-inspired porcelain sculpture by Avital Avital.

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Delicate Spikes and Lush Petals Bloom from Avital Avital’s Voluptuous Porcelain Vessels appeared first on Colossal.



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Monday, November 14, 2022

New Banksy Works Emerge Among the Destruction in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

All images shared with permission

Banksy (previously) has been traveling through the battle-scarred streets of Ukraine, producing a slew of works directly confronting Russia’s unwarranted and unjust aggression. The elusive street artist’s signature stencils have been spotted among the rubble of bombed buildings and barricades in Borodyanka and Gorenka, both in the Bucha Region, while others are just outside the capital city of Kyiv. Each centers on the strength and resiliency of the Ukrainian people.

The works broadly criticize the ongoing war and its disastrous effects on the everyday lives of citizens, depicting a woman outfitted with hair rollers, a bathrobe, and a gas mask grasping a fire extinguisher, a bearded man scrubbing his back in an open-air bathtub, and silhouettes of young children teeter-tottering on a left-behind hunk of steel. Perhaps the most pointed piece is that of a young boy slamming Russian President Vladimir Putin to the ground during a judo match—according to the BBC, Putin has projected an interest in the sport.

Banksy has only shared one work of a gymnast doing a handstand on Instagram so far, although a few others have appeared on the anonymous artist’s Gross Domestic Product account. This is the first time Banksy has emerged since the Spraycation series 15 months ago.

 

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged barricade in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article New Banksy Works Emerge Among the Destruction in Ukraine appeared first on Colossal.



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Saturday, November 12, 2022

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Tiers of Dyed Water Burst into Perfectly Concentric Circles in Jack Long’s Energetic Photos

A photo of colorful tiers of splashing water

All images © Jack Long, shared with permission

For at least a decade, Jack Long has paired his day job in advertising photography with a growing archive of personal projects that explore the energetic, dynamic qualities of liquid. His latest series centers on circular pools of water that splash outward, creating colorfully tiered layers that build up the dimension of a typically gravity-bound material. Although the liquid appears to be spraying outward after being punctured by an object dropped from above, it is actually gurgling upward from a custom-designed fountain. Long shares with Colossal that the machine took about two years to build and produces pools that reach about 30 inches in diameter, which he has to photograph within a fraction of a second to capture the perfectly concentric effect.

You can find more of Long’s hypnotic works on Behance, Instagram, and his site.

 

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

A photo of colorful tiers of splashing water

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Tiers of Dyed Water Burst into Perfectly Concentric Circles in Jack Long’s Energetic Photos appeared first on Colossal.



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Friday, November 11, 2022

Nathalie Miebach Weaves Data and Anecdotes into Expansive Sculptures to Raise Awareness of the Climate Crisis

A sculpture by Nathalie Miebach that visualizes climate and weather data.

“Harvey’s Twitter SOS” (2019), paper, wood, vinyl, and data, 84 x 108 x 12 inches. All images © Nathalie Miebach, shared with permission

For Boston-based artist Nathalie Miebach, art is a way to translate scientific data into a visual language of patterns and relationships. In 2007, when she first began to make works that explored weather and climate change, she wanted to better understand the science. “Each piece began with a specific question I had and then the sculpture would attempt to answer it. Over time, I began to be more interested not in how weather instruments record weather, but how we as a species respond to it,” she tells Colossal. “That’s when I began to look at extreme weather events such as floods, storms, and fires.”

Basketweaving plays a central role in Miebach’s practice as it both physically and metaphorically weaves together materials and information. The type of data she collects is both statistical and anecdotal, combining scientific inquiry with personal experiences. “Harvey’s Twitter SOS,” for example, translates 2017 data maps about Hurricane Harvey published by The New York Times. “The inner quilt is made up of shapes that map out income distribution in Houston and uses the city’s highway system as a visual anchor. Various types of information related to Harvey are stitched onto the quilt, including Twitter messages that were sent out during the storm,” she says. Each piece contains numerous pathways, repetitions, and connections, redolent of Rube Goldberg machines in which cause and effect play a central role.

During the past three years, the artist’s work also collates Covid-19 data alongside climate information. “Spinning Towards a New Normal,” on view currently at Staatliche Museen zu Berlin, translates Covid-19 infection, death, and vaccination rates for Germany, Italy, and Spain into the form of a spinning top with a plumb bob, representing the struggle of communities and economies to find stability. “We are not invincible, and neither is this planet,” she warns. “For the first time in human history, we have all experienced how vulnerable we can be as a species. The recent work I have been doing is trying to look at these broader environmental changes we are now seeing through this lens of vulnerability.”

You can see Miebach’s work in All Hands On: Basketry at Staatliche Museen zu Berlin through May 25, 2023, and Climate Action, Inspiring Change at the Peabody Essex Museum in Salem, Massachusetts, through June 25, 2023. Explore more of her work on her website and follow updates on Instagram.

 

A sculpture by Nathalie Miebach that visualizes climate and weather data.

“Spinning Towards a New Normal” (2022), reed, wood, and data, 20 x 20 x 25 inches

A sculpture by Nathalie Miebach that visualizes climate and weather data.

Detail of “Harvey’s Twitter SOS”

Two details of a sculpture by Nathalie Miebach that visualizes climate and weather data.

Details of “Spinning Towards a New Normal”

A sculpture by Nathalie Miebach that visualizes climate and weather data.

“Changing Lines” (2022), paper, wood, and data, 120 x 96 x 10 inches

A sculpture by Nathalie Miebach that visualizes climate and weather data.

“She Cast Her Circles Wide” (2016), rope, paper, wood, and data, 25 x 25 x 27 inches

A detail of a sculpture by Nathalie Miebach that visualizes climate and weather data.

Detail of “Harvey’s Twitter SOS”

A sculpture by Nathalie Miebach that visualizes climate and weather data.

“The Blindness of Seeing Patterns” (2021), paper, wood, and weather and Covid-19 data, 84 x 60 x 6 inches

Details of a sculpture by Nathalie Miebach that visualizes climate and weather data.

Details of “The Blindness of Seeing Patterns”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Nathalie Miebach Weaves Data and Anecdotes into Expansive Sculptures to Raise Awareness of the Climate Crisis appeared first on Colossal.



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Thursday, November 10, 2022

Tau Lewis’s Monumental Textile Masks Envision a Mythical Post-Apocalyptic Transformation

A photo of a large textile mask sculpture

“Saint Mozelle” (2022). All images © Tau Lewis, courtesy of the artist and 52 Walker, New York, shared with permission

Translating to “the voice of the people is the voice of god,” Vox Populi, Vox Dei is artist Tau Lewis’s reimagining of historic systems and principles. The Latin phrase is often associated with the British Whig party and the establishment of secular democracies throughout Europe, although Lewis hones in on the saying’s lingering religious reference as she envisions enormous characters who’ve emerged from an apocalypse.

Six sculptural masks populate the gallery at 52 Walker for the artist’s ongoing solo show, which explores what she describes as “the incapacity of humankind to create structures of law, principles of morality, or hierarchies of government without a reliance on the imaginary.” The monumental works, the largest of which stands upwards of 13 feet, meld classical myths, contemporary science fiction, and the dramatic performances associated with Yoruban masking traditions. Focused on the idea of transformation following destruction, the collection engenders a joyful, hopeful outlook.

Born in Toronto and now based in New York, Lewis’s world-building is unique and particularly expansive as it connects myriad bodies of work: each character within Vox Populi, Vox Dei contains fragments of the artist’s earlier projects, engendering what she terms a “material DNA” that courses throughout her oeuvre. In a similar vein, the sculptures pay homage to the legacies of the fabrics themselves. The artist stitches salvaged textile scraps, donated leather, and remnants from a Long Island furrier into patchwork eyes and lips, tousled hair-like fringe, and vibrant floral tendrils that dangle and pool on the floor. Otherworldly and imposing, the works are totems for an imagined future.

If you’re in New York, you can see Vox Populi, Vox Dei through January 7, 2023, and Lewis’s work is also included in Black Atlantic, which is up at Brooklyn Bridge Park through November 22. Explore more of her genealogical archive on her site and Instagram.

 

A photo of a large textile mask sculpture

“Ivory Gate” (2022)

A detailed photo of floral textiles

Detail of “Saint Mozelle” (2022)

A photo of a large textile mask sculpture

“Trident” (2022)

A detailed side view photo of a large textile mask sculpture

Detail of “Ivory Gate” (2022)

A photo of a large textile mask sculpture

“Mater Dei” (2022)

A photo of three large textile mask sculptures in a gallery

Installation view

A photo of a large textile mask sculpture

“Homonia” (2022)

A photo of three large textile mask sculptures in a gallery

Installation view

A photo of a large textile mask sculpture

“Resurrector” (2022)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Tau Lewis’s Monumental Textile Masks Envision a Mythical Post-Apocalyptic Transformation appeared first on Colossal.



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A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...