Friday, November 25, 2022

Metal Sculptor Shota Suzuki Crafts Exquisitely Detailed Blooms That Express the Passing of Time

All images © Shota Suzuki, shared with permission

Tender stems bear lush blooms and windswept leaves gather around new growth in artist Shota Suzuki’s delicate metal sculptures. Rendered in painstaking detail, the forms are inspired by flora around his home and studio in Kyoto, such as Japanese maple trees and dandelions that have gone to seed. “Recently, I have been adding rain and wind to my work,” he tells Colossal, sharing that he’s inspired by the way nature demonstrates the passing of time. He adds silvery water droplets to ginkgo leaves, ruffles the petals of flowers, or portrays a branch of cherry blossoms as if it has blown from a tree.

An early interest in jewelry led Suzuki to study metalworking, and the exquisite detail of florals and foliage suited his ability to work on a small scale. A wide range of patinas create a life-like appearance, achieved by combining an array of chemicals that produce specific hues and textures, including traditional Japanese copper coloration methods such as niiro. “I don’t want to create works in which time stands still,” he says. “I want to express a moment in time.”

Suzuki’s work is included in Natural Mastery: Lacquer and Silver Works from Japan at Stuart Lochhead Sculpture in London from December 1 to 9. You can find more work on his website and Instagram.

 

A realistic sculpture of a tree sapling growing from dead leaves, made from metal.

 A realistic sculpture of flowers made from metal, photographed on a table.

A realistic sculpture of flowers made from metal.

A realistic sculpture of ginkgo leaves made from metal.

A realistic sculpture of a stem of cherry blossoms made from metal.

A realistic sculpture of dried leaves made from metal.

A realistic sculpture of gold ginkgo leaves with silver droplets, made from metal.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Metal Sculptor Shota Suzuki Crafts Exquisitely Detailed Blooms That Express the Passing of Time appeared first on Colossal.



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Art Without Intent Celebrates the Aesthetics and Mysterious Histories of Found Objects

A vintage head on a stand that reads "desire"

All images © Art Without Intent, shared with permission

“The found object is an illegible, unknowable thing, out of reach even when in hand,” reads a statement of Art Without Intent, both a collaborative project and a way of looking at historic material culture. In March 2022, a group of nine antique and art dealers curated the Found Object Show in New York City. Crackled paint, weathered patinas, eccentric shapes, and amusing juxtapositions characterized the pop-up exhibition of 96 eccentric items.

Removed from their original contexts, transformed by time and the elements, and reinterpreted in a salon-style exhibition, the objects transmit an aesthetic experience similar to viewing art, even if the anonymous makers did not intend to create artworks in any formal sense. “Transformed physically and contextually, a found object sometimes packs the same aesthetic and conceptual punch of conventional art. But without artistic motive nor objective meaning, it must lie in wait to ambush an imagination,” the group explains.

Accessibility is a unique facet of the show, which invites dedicated collectors, history buffs, curious passersby, and children into the showcase, in which all objects are available for sale in a unique art-gallery-meets-antique shop atmosphere. “Art without intent ennobles the random, celebrates the anonymous, and embraces the subjective, empowering individuals to see art where they may least expect to find it.”

The next Found Objects Show will feature eighteen exhibitors and is scheduled for March 24 to 26 with an additional focus on stuffed animals. You can find out more about the project, purchase a catalogue on the website, and follow updates Instagram. (via BoingBoing)

 

Installation view of 'Found Objects Show' in New York City, March 2022

Barbells made from coffee cans.

Items in 'Found Objects Show' in New York City, March 2022

Installation view of 'Found Objects Show' in New York City, March 2022 through a window with a logo in the foreground.

Two images of found objects. Left: Five metallic hands sitting on a concrete surface. Right: Two laced shoes with long leather extensions from the toes.

Installation view of 'Found Objects Show' in New York City, March 2022

Two images of found objects. Left: Two sculptural metallic pieces on stands. Right: Conical forms covered in barnacles.

A piece of wood in a trapezoidal shape with three holes and a comb-like addition on the front.

Installation views of 'Found Objects Show' in New York City, March 2022

An aged wooden box filled with animal skulls.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Art Without Intent Celebrates the Aesthetics and Mysterious Histories of Found Objects appeared first on Colossal.



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Wednesday, November 23, 2022

Shop 20 New Works from Sebastian Foster’s Fall Print Set

A print of a fox over a tree stump

Graham Francoise “Old Growth New Life”

Austin-based gallery Sebastian Foster just announced its 2022 Fall Print Set, marking the ten-year anniversary of the collection since it first launched in 2012. The new release features 20 works by well-established illustrators, printmakers, and painters from across the U.S., Canada, U.K., and Europe. Half of the artists have worked with the gallery for years, while the other half are guests who joined just for this collection.

This set features 20 works all published as relatively small editions, signed and numbered by the artists. Encompassing an eclectic array of mediums and themes, the collection showcases works from artists previously featured on Colossal, including Graham Franciose’s dreamlike watercolor works, Diana Sudyka’s fanciful storybook scenes, and Grant Haffner’s vibrant, flat landscapes bisected by his signature utility poles.

Now online-only, Sebastian Foster focuses on original works and prints, publishing over 1,000 editions since opening in the late 2000s. Whether you’re looking for the next piece to add to your collection or for meaningful holiday gifts, head to the gallery’s site to shop the Fall Print Set today.

 

A whimsical print of a fairy with animals

Diana Sudyka “Oak Guardian”

A print of a man standing in front of water

Adam Hall “Awakening”

A print of a vibrant painting of a road and sky

Grant Haffner “Dawn of New Day”

A print of a forest and lit cabins

Jeremy Miranda “Near the Wall”

A print of a portrait of a woman with tattoos

Anne Siems “Shine”

A print of a portrait of a seated woman

Caroline Ji “Sunset of Dissolution”

A print of a surreal work with hands, butterfly wings, and creatures

Mike McGrath “New songs to gently repel and persuade”

A print of a turntable in front of a window

Mike Howat “Circa 1984”

A print of a house and front lawn

Susan Abbott “Night Light”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Shop 20 New Works from Sebastian Foster’s Fall Print Set appeared first on Colossal.



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Diagrams of Turntables and Amps Chart the History of Jazz, Hip-Hop, and Rock and Roll

A screen printed diagram with musicians and band names in gold

All images © Dorothy, shared with permission

How do you visualize the history of hip-hop? Or jazz? Questions of origin and influence are common for artists, and the inventive team behind the U.K.-based design studio Dorothy (previously) goes gold as they painstakingly map out the history of music genre by genre. Plotted onto the circuit board of a guitar amp, the diagram of a 1950s phonograph, or that of a turntable, the latest editions in Dorothy’s Blueprint series chart the pioneers and greats who transformed rock and roll, jazz, and hip-hop in gilded screen-prints. The trio of metallic designs, plus three more devoted to alternative, electronic, and dance music, are available in the Dorothy shop.

 

A detail image of a screen printed diagram with musicians and band names in gold

A screen printed diagram with musicians and band names in gold

A detail image of a screen printed diagram with musicians and band names in gold

A screen printed diagram with musicians and band names in gold

A detail image of a screen printed diagram with musicians and band names in gold

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Diagrams of Turntables and Amps Chart the History of Jazz, Hip-Hop, and Rock and Roll appeared first on Colossal.



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Tuesday, November 22, 2022

So Far So Good: Vivid Paintings by Murmure Take a Wry Perspective on the Climate Crisis

“Faille (Crack)” (2022), acrylic on canvas. All images © Murmure, shared with permission courtesy of Galerie LJ

Artists Paul Ressencourt and Simon Roche, a.k.a. Murmure (previously), have worked collaboratively for the past twelve years to synthesize a studio-based practice with large-scale street art. In high-contrast acrylic paintings, the duo reference the climate crisis and enduring problems of overconsumption, especially regarding the immense impact that humans have on marine life and rising sea levels. The artists’ new exhibition Jusqu’ici tout va bien, which translates to “So far so good,” approaches environmental catastrophes like thawing glaciers and overfishing from a characteristically sardonic perspective.

Ressencourt and Roche focus on the absurdity of capitalist systems in the face of destruction. Paradoxes abound as surveyors plot developments on a melting ice sheet, supine whales are served up as giant sushi rolls, and oblivious holiday-makers dive from icebergs and wade around shorelines devoid of flora and fauna. “In spite of everything, Murmure favors in their art a form of beauty which contrasts with the cruelty, the stupidity, and the urgency of the situations depicted in their works,” the exhibition statement explains.

Jusqu’ici tout va bien is on view at Galerie LJ in Paris through November 26. You can find more of Murmure’s work on their website and Instagram.

 

A painting by Murmure of a whale being served up as sushi with chopsticks.

“Whale Sushi” (2022), acrylic on canvas

A painting by Murmure of people swimming by an iceberg.

“Jusqu’ici tout va bien (Banquise)” or “So far so good (Ice)” (2022), acrylic on canvas

A painting by Murmure of people swimming by an iceberg.

“Joyau” (2022)

A painting by Murmure of people swimming by an iceberg.

Detail of “Joyau (Jewel)” (2022), acrylic on canvas

A painting by Murmure of a whale underwater that is sliced into maki rolls.

“Whale Maki” (2022), acrylic on canvas

A painting by Murmure of two surveyors plotting lines on an ice sheet.

“Marquages (Markings)” (2022), acrylic on canvas

Two details of paintings by Murmure.

Left: Detail of “Whale Sushi.” Right: Detail of “Joyau”

Detail of “Faille”

A painting by Murmure of people swimming by an iceberg.

Detail of “Joyau”

A painting by Murmure of people swimming by an iceberg.

Detail of “Jusqu’ici tout va bien (Grande Banquise)”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article So Far So Good: Vivid Paintings by Murmure Take a Wry Perspective on the Climate Crisis appeared first on Colossal.



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Salt Extraction Sites Turn Landscapes into Vivid Tapestries in Tom Hegen’s Aerial Photos

An aerial photo of vibrant fields of salt

All images © Tom Hegen, shared with permission

Since 2018, German photographer Tom Hegen (previously) has been soaring above regions from western Australia and Senegal to France and Spain as he documents the vivid landscapes of salt production. His mesmerizing aerial images peer down at evaporation ponds that carve the earth into a patchwork of vibrant hues. “What attracted me was the graphic and abstract appearance of these landscapes, which almost has a painterly quality. This is also the core feature that aerial photography has to offer: an unfamiliar few at ordinary things that surround us,” Hegen shares about the project.

Spanning nearly 300 pages, a forthcoming book titled Salt Works compiles more than 160 images from the series. Although their footprints vary widely, many of the areas spotlighted approach extraction in a similar manner: Harvesters often route seawater into these fields or small pockets of land, and the sun and wind help evaporate the liquid, leaving the crystalline minerals behind. Micro bacteria tint the salt into striking pastures of rose, aqua, and ochre, transforming the areas into rich tapestries of color.

Shop prints and posters from the series on Hegen’s site and pre-order Salt Works. Find more from the series on Instagram and Behance.

 

Two aerial photos of vibrant fields of salt

An aerial photo of vibrant fields of salt

An aerial photo of vibrant fields of salt

An aerial photo of vibrant fields of salt

An aerial photo of vibrant fields of salt

An aerial photo of vibrant fields of salt

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Salt Extraction Sites Turn Landscapes into Vivid Tapestries in Tom Hegen’s Aerial Photos appeared first on Colossal.



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Monday, November 21, 2022

Guidi’s Ful/mine Is Born: An International Digital Project Promoting Art in All Forms

A digital mockup of two computers and a drawing

Ful/mine is a collaborative network of underground artists from all over the world: a digital melting pot that’s becoming the home of unconventional performative art, music, illustration, poetry, literature, and cutting-edge artistic practices.

The idea was born from a commitment at the hands of Guidi—the iconic Italian shoe and bag designer known worldwide for its exceptional leather, stylistic flair, and avant-garde references—to showcase their deep bonds with experimental art. They are putting this need into practice by effectively supporting emerging artists through this patronage of the arts project, as in the Italian lineage of “Mecenate” (just like Lorenzo De Medici, who by coincidence was born in Tuscany, same as Guidi).

Each piece of art displayed on Ful/mine is commissioned by a curatorial board (visual artist and editor Ruben Spini, art curator Vittoria De Franchis, and Art Director Enrico Manganaro under the guidance of Editorial and Artistic Director Virginia W. Ricci), and then displayed in what we can define as a freaky digital artspace pushing the boundaries of the ordinary.

With Ful/mine (follow on Instagram at @fulmine.art), Guidi wants to put people at the center, especially the artists who are already involved in @GUIDI_community on Instagram, which counts more than 80,000 followers from around the world. By immersing visitors in underground art in all of its manifestations, Ful/mine acts as a container of multisensory experiences, prompting audiences to change their perspectives and get constantly inspired.

“Ful/mine is a chamber of wonders where those uncanny sparks that enlighten and strike us are showcased and connected. Impulsive, impetuous, bold, and electric. Just like a lightning bolt.” —Virginia W. Ricci, Editorial and Artistic Director of Ful/mine

To learn more, visit fulmine.art and watch the video manifesto.

 

A video still of a forest

A digital mockup of two phones and a drawing

A still of a video with a colorful center

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Guidi’s Ful/mine Is Born: An International Digital Project Promoting Art in All Forms appeared first on Colossal.



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A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...