A Centuries-Old Decorative Tradition Inspires Michelle Robinson’s Vibrant Weavings

All images © Michelle Robinson, shared with permission

“Colour is my first passion,” says Sydney-based artist Michelle Robinson, who weaves textured fibers in vibrant hues into lively wall-hangings and accessories. The artist draws on more than twenty years of experience in the soft furnishings and upholstery industry, which instilled a deep appreciation for textiles. She began working with the medium as a way to further explore her love for decor and shares that the process “allows me to continuously play with all the colour combinations that wizz through my brain—and hopefully pass on some of the energy to others that colour can evoke.”

After weaving for four years, Robinson signed up for a masterclass in passementerie, the 16th and 17th century European decorative art—derived from passement, an archaic French word for “lace”—that centers on ornate trimmings like edging and tassels for clothing and furniture. Led by U.K.-based artist Elizabeth Ashdown, the class was an opportunity to learn traditional methods from a practitioner who is committed to keeping the craft alive. Robinson shares that she “was immediately besotted with the possibilities for this historic and beautiful technique and was reminded of all the beautiful braids I worked with in my decorating days.” Her pieces reference the ornamental plaits and trims of furniture and garments.

Robinson creates wall hangings and accessories like bookmarks on frame looms, employing traditional techniques to produce geometric works that have a contemporary feel. Recently, she has been exploring how to scale up the medium, examining how the different threads behave within the structure and retain a sense of nostalgia and playfulness. She explains:

I find myself constantly experimenting and learning new techniques, using primarily all-natural fibres. I also love adding repurposed items like knitting needles and re-spun fibres and finishing weavings with hand sewn details. It’s the details that draw you into an artwork that appeal to me.

Robinson often makes pieces available for sale on Etsy, and you can find more of her work on Instagram.

 

 

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An Animated Short Film by Martin Smatana Explores Loss Through Lighthearted Symbolism

A brisk wind takes a young kite-flyer on an unexpected voyage with his grandfather in a poignant short film by illustrator and animation director Martin Smatana. The narrative of the stop-motion animation addresses the concept of death and loss through metaphor that is accessible to children, using the kite, weather, and materials as symbolic ways to broach a difficult yet important topic. “It explores the relationship between a little boy and his grandpa and shows that death is a natural part of life, but it doesn’t have to mean the end of our journey,” Smatana explains. He continues:

They are both made out of layers, which symbolize their age. The boy has many of these layers… he has all his life before him. But grandfather, on the other hand, has already lost most of his layers, and he has only few left. As he gets older, he also gets thinner, and at the end of his life, he is as thin as a sheet of paper. One day, the wind just softly blows him away and takes him up to the sky…

Smatana and his team scoured second-hand shops in his hometown of Prague to collect textiles and other materials to build the sets, employing different patterns and color palettes to represent the four seasons. A quilt-like landscape created from numerous pieces of cloth references a patchwork blanket that the artist remembers sleeping under when he visited his own grandparents’ house.

Created for the artist’s graduation project at FAMU Film School three years ago, “The Kite” has won more than sixty international awards, was nominated for the semifinals of the student Oscars, and is included in the film library of the Museum of Modern Art in New York City. Explore more of Smatana’s work on his website, where he also shares behind-the-scenes footage of how “The Kite” was made. Follow updates on Instagram.

 

All images © Martin Smatana, shared with permission

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Meticulous Wall Reliefs by Hayoon Jay Lee Undulate with Thousands of Grains of Rice

“Eternal Mother II” (2019), rice, modeling paste, and acrylic, 28 x 35 x 4 inches. All images © Hayoon Jay Lee, shared with permission courtesy of Hollis Taggart

First documented in China in 2,500 B.C., the earliest evidence of the cultivation of rice has been found in archaeological sites dating back more than 5,000 years earlier. A versatile crop that can grow in numerous climates, the plentiful grain plays an integral role in cuisine and folkloric traditions and underpins artist Hayoon Jay Lee’s intricate wall reliefs.

Born in Daegu, South Korea, and currently based in New York City, Lee is interested in what she describes in a statement as the “fundamental tension between indulgence and abnegation”—the act of renouncing or rejecting something—in individual, social, and political dynamics. Contrasting ideas of attraction and repulsion, conflict and harmony, privilege and poverty, or East and West provide the groundwork for abstract compositions made by precisely placing thousands of grains into rippling patterns. The surfaces reference topographical overviews, shifting landmasses, swirling motion, and ruptures.

Across Asia, rice is grown primarily by small-scale producers. However, food-chain inequalities and critical impacts from climate change place farming systems, jobs, and food security on increasingly precarious footing. For Lee, rice is utilized “as object, motif, and metaphor: as the building block for civilizations and also as the basis for social inequities,” she explains.

Lee’s solo exhibition Fields of Vision will be on view at Hollis Taggart in New York City from January 4 to February 5, 2023. Find more of the artist’s work on her website.

 

“Dream Land IV” (2019), rice, modeling paste, and acrylic, 35.75 x 35.9 x 6.5 inches

“Unfamiliar Place I” (2022), rice, modeling paste, and mica, 12 inches diameter

Left: “Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches. Right: “Echo I” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.5 in.

“My Mother’s Land” (2015), rice, modeling paste, and acrylic, 18 x 24 x 1.5 inches

“Emotive Movement” (2022), rice, modeling paste, and acrylic, 48 x 36 x 3 inches

“Echo II” (2022), rice, modeling paste, and acrylic, 8.5 x 8.5 x 2.25 inches

“Four Dimensions” (2017), rice, modeling paste, and acrylic, 17.6 x 17.75 inches

“Echo III” (2020), rice, modeling paste, and acrylic, 9.75 x 9.75 x 3 inches

 

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Play Your Next Round of Cards with a Deck Featuring Kehinde Wiley’s Signature Portraits

All images © Kehinde Wiley

Games of poker or solitaire have a little more flair with artist-designed decks by Kehinde Wiley (previously). Gracing four 54-card packs are Wiley’s vividly rendered portraits of Black people, all of which subvert portraiture traditions of Western art history as they highlight subjects of the African diaspora. While fragments of the vibrant botanical backdrops adorn the cards’ faces, the reverse depicts the full works, including the artist’s 2012 painting of model Dacia Carter and “A Portrait of a Young Gentleman,” which reinterprets Thomas Gainsborough’s iconic “Blue Boy” by placing a Sengalese surfer at its center.

Two sets are available in Wiley’s shop, and the MoMA Design Store carries the other two. Proceeds from all decks go toward the artist’s residency program, Black Rock Senegal.

 

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Everyday Situations Take an Amusing Turn in Toon Joosen’s Clever Collages

All images © Toon Joosen, shared with permission

A man mows a field of text, a vacuum cleaner sucks up beachgoers, and kids shield themselves from falling words in the witty collages of Toon Joosen. From his studio in The Netherlands, the artist cuts and splices vintage photos, magazines, postcards, and book pages into clever works that take an ironic and surreal approach to everyday activities. Joosen tends to play with scale and perspective, creating tongue-in-cheek scenarios brimming with nostalgia and humor. He shares dozens of works on Instagram and has prints, buttons, and other goods available on Etsy.

 

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A Scottish Town’s Annual Competition Invites Its Youngest Artists to Design ‘Wonky’ Holiday Lights

All images courtesy of Newburgh Action Group

For more than 20 years, the town of Newburgh in Fife, Scotland, has marked the holiday season with a wonderfully wonky tradition. Each autumn, young residents are invited to submit original sketches of Christmas decorations to a competition, and once a winning design is selected, Blachere Illumination transforms the work into an LED sculpture that’s then displayed throughout the town. The newest light is a salmon nicknamed “Happy Nemo” that sports a red hat, and the menagerie also features a “reinduck,” a cheerful piece of candy in a green wrapper with arms and legs, and a dinosaur with a star on its head.

 

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In Tom Hegen’s Aerial Photos, Swimmers and Loungers Texture Two Florida Beaches with Colorful Patterns

All images © Tom Hegen, shared with permission

As much of the northern hemisphere braces for gray, wintery weather, photographer Tom Hegen (previously) highlights the warm, vibrant oceanside of Florida’s Siesta Key and Miami beaches. Swimmers and sunbathers escaping the rays under colorful umbrellas line the coast and appear as textured, geometric shapes dotting the water and white sandy expanses. The Beach Series juxtaposes the haphazard with the organized, documenting both neat rows of uniform loungers and clusters of people as they congregate along the shoreline.

See all of the sun-soaked photos in Hegen’s collection on Behance, and find prints, posters, and books of his aerial works on his site.

 

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