Delicate Knots, Velvet, and Beads Entwine in Julia Shore’s Mossy Embroideries

All images © Julia Shore, shared with permission

Dappled with French knots, glinting materials, and pieces of moss, botanical embroideries by Julia Shore replicate the forest floor’s supple textures in fiber and beads. The Los Angeles-based artist also uses hand-dyed velvet, wool, felt, and sequins to add a variety of hues ranging from emerald green to golden yellow. “I tried to capture its intricacy—all the different shades and forms of moss; its soft and calming nature,” she says.

Shore’s next series of moss pieces will be released on Etsy in February. She shares embroidery tutorials on YouTube and has kits and downloadable patterns available for purchase on her website. You can also follow more updates on Instagram.

 

 

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Vibrant Makeup Mirrors Sweet Frozen Treats in Max Siedentopf’s ‘Pleasure Portraits’

All images © Max Siedentopf, shared with permission

London-based artist and creative director Max Siedentopf has a knack for portraying more than meets the eye in his distinctive portraits. A series titled Pleasure Portraits looks forward to summer, featuring the distinctive pastels and jewel tones of ice cream bars alongside subjects whose decadent makeup mimics the hues and embellishments of their paired confection.

No stranger to fashion and makeup artistry in his collaborative, creative development role with the Italian brand Gucci, Siedentopf cast models who were ornamented with gems, baubles, and vibrant patterns. In this playful study of duality, there is a twist of irony: despite the association of frozen treats and the sunny colors of summertime with pleasure, Siedentopf’s subjects sit inert and gaze expressionlessly at the viewer in a similar format to passport photos.

Siedentopf is currently preparing a few upcoming exhibitions, fashion campaigns, and a forthcoming book of photographs. Follow updates on Instagram, and find more of his work on his website.

 

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A New Monograph Follows the Evolution of Wangechi Mutu’s Mythologizing Practice

“Water Woman” (2017), bronze, 91 x 165 x 178 centimeters. All images © Wangechi Mutu, courtesy of Phaidon, shared with permission

A new monograph published by Phaidon delves into the multi-faceted work of Kenyan-American artist Wangechi Mutu (previously). The first of its kind, the volume packs hundreds of artworks, glimpses into Mutu’s Nairobi studio, and her own writings within its 160 pages. Known for mythologizing, the artist often incorporates found, organic materials like soil, feathers, bone, and ephemera into her collages and sculptures. The works broadly explore gender, sexuality, politics, and the natural world through expressive, hybrid figures imbued with otherworldly lore.

To coincide with the book’s release, Phaidon has a limited-edition print available featuring Mutu’s dreamlike “WaterSpirit washed Pelican.” Explore an archive of her works on Instagram.

 

“Water Woman” (2017), bronze, 91 x 165 x 178 centimeters. Installation view at The Contemporary Austin – Laguna Gloria, 2017

“You Are My Sunshine” (2015), collage painting on paper, 61 x 91 centimeters

“Mamaray” (2020), bronze, 165 x 366 x 488 centimeters

From left: “Mirror Faced I” (2020), soil, charcoal, paper pulp, wood glue, emulsion paint, gourd, brass beads, mirror, teak base, hair, wrought iron stand, 174 x 37 x 34 centimeters, bust 58 x 28 x 31 centimeters; “Mirror Faced II” (2020), soil, charcoal, paper pulp, wood glue, emulsion paint, desiccated baobab fruit, brass beads, mirror, teak base, hair, wrought iron stand, 168 x 31 x 36 centimeters, bust 50 x 25 x 28 centimeters; “Mirror Faced III” (2020), Soil, charcoal, paper pulp, wood glue, emulsion paint, brass beads, rose quartz, mirror, teak base, hair, wrought iron stand, 176 x 43 x 37 centimeters, bust 60 x 27 x 33 centimeters

Wangechi Mutu, Fine Arts Museum of San Francisco, 2021

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Danielle Clough Reimagines Sportswear and Athletic Gear in Vibrantly Expressive Embroideries

All images © Danielle Clough, shared with permission

Utilizing vintage tennis rackets, T-shirts, and tie-dyed fabrics as canvases, Danielle Clough’s expressive embroideries (previously) sport summery motifs like flamingo pool floats, bright citrus, and bucket hats. The artist continues to expand upon the traditional hoop as the framing device and considers how the medium translates to unexpected surfaces like surfboards or apparel. And she isn’t afraid to experiment: her design for a surfboard—a bird perched on a large flower with a stem that trails into loose threads—didn’t go as planned when the time came to apply the piece to the physical board. However, the learning experience shaped the way she approaches future projects.

A recent series of vibrant human eyes stitched onto Adidas shirts comprise a collaboration with the brand to produce limited-edition wearable artworks. “The brief was broad: to create a sense of individual expression through the community,” Clough explains. “This collection of ‘expressions’ looks out from the wearer’s chest. Standing alone, but all together; a part of a group, like a bouquet.” She has also been experimenting with different threads and watercolor, focusing on the fabric background as an important part of the overall composition.

Clough says, “I’m currently working with a South African clothing brand called Poetry on creating a collection for spring using a variety of techniques to translate my work onto apparel,” and shares that she is also collaborating with Florida-based boxing glove maker 1V1 to create embellished mitts. Toward the end of this year, Clough will also present a series of workshops at Paradigm Gallery in Philadelphia. Find more of her work on her website, and follow the latest updates on Instagram.

 

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Travel the World Through the Bizarre and Unexpected Sights of ‘Wonders of Street View’

All images via ‘Wonders of Street View’

A man with three legs, a vintage car scaling a building, and an unsettling formation of people donning bird masks are a few of the scenarios highlighted in the terrifically bizarre Wonders of Street View. One of the many sites of coder Neal Agarwal, the project showcases photographs of offbeat landmarks, digital glitches, chance encounters, and people who prepare to pose for the famous camera-laden Google Street View cars as they drive by. The playful platform is similarly interactive to allow viewers to explore the surroundings and generates scenes at random, taking visitors from San Francisco to Hesse, Germany, to Samburu, Kenya. Head to Wonders of Street View to traverse the globe one strange sight at a time. (via Waxy)

 

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‘Glass Microbiology’ Magnifies Viruses, Bacteria, and Other Organisms to 1 Million Times Their Actual Size

“AstraZeneca vaccine.” All images © Luke Jerram, shared with permission

Bristol-based artist Luke Jerram (previously) continues to add delicate specimens to his Glass Microbiology collection. The ongoing project is a collaboration with scientists at the University of Bristol, who aid Jerram in scaling three-dimensional renderings of avian flu, papillomavirus, the AstraZeneca COVID-19 vaccine, and other tiny organisms into sculptures approximately one million times their actual size. Transparent and impeccably detailed, the models are designed to showcase the structures of each microbe without distorting the viewer’s perception with non-existent colors, which are often used to distinguish various parts in illustrated renderings.

Jerram documents the process behind his swine flu sculpture in the video below, which begins with two artists hand-blowing the larger structure. The team then shapes hundreds of individual proteins that will later be fused to the virus’s exterior. Find more of the scientifically minded project on the Glass Microbiology site, and follow Jerram’s latest works on Instagram.

 

“Papillomavirus”

“Avian Flu 2012”

“EV1 (Hand, Foot, and Mouth Disease)”

Detail of “AstraZeneca vaccine”

“Giardia”

“Ameoba”

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Shantell Martin’s Signature Lines Grace a Meditative Limited-Edition Candle Collection

Photo by Eli Schmidt. All images courtesy of Shantell Martin, shared with permission

The ever-optimistic artist Shantell Martin (previously) brings her meditative, joyful line drawings to a collection of limited-editions candles. Minimal faces, birds, flowers, fish, and pithy affirmations like “You Time” and “Relax” grace the glass and ceramic vessels made in collaboration with Joya Studio. With burn times of 3,000 and 8,7000 minutes respectively, the candles release uplifting, stimulating scents with notes of shaded green tea, ocean air, heliotrope petals, and vanilla flowers.

Both designs are hand-poured in Joya’s Brooklyn studio, and the porcelain edition contains layers that emit different fragrances after 10, 30, or 60 minutes, making each piece both a timekeeper and a source of warm light. “My wish is that these candles can burn in the background during your creative process, much like a playlist, invigorating your senses and bringing you back to self,” the artist says.

Shop the collection on Joya’s site, and follow Martin’s latest collaborations on Instagram.

 

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Eli Schmidt

Photo by Joya Studio

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Shantell Martin’s Signature Lines Grace a Meditative Limited-Edition Candle Collection appeared first on Colossal.

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