Wednesday, January 25, 2023

Delicate Knots, Velvet, and Beads Entwine in Julia Shore’s Mossy Embroideries

Embroideries made to look like moss that also incorporates real moss, surrounded by beads and thread.

All images © Julia Shore, shared with permission

Dappled with French knots, glinting materials, and pieces of moss, botanical embroideries by Julia Shore replicate the forest floor’s supple textures in fiber and beads. The Los Angeles-based artist also uses hand-dyed velvet, wool, felt, and sequins to add a variety of hues ranging from emerald green to golden yellow. “I tried to capture its intricacy—all the different shades and forms of moss; its soft and calming nature,” she says.

Shore’s next series of moss pieces will be released on Etsy in February. She shares embroidery tutorials on YouTube and has kits and downloadable patterns available for purchase on her website. You can also follow more updates on Instagram.

 

An embroidery made to look like moss that also incorporates real moss. Pictured held in someone's hand surrounded by beads and thread.

 

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by beads and thread.

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

A photo of a moss-like embroidery

A photo of a multiple moss-like embroideries

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Delicate Knots, Velvet, and Beads Entwine in Julia Shore’s Mossy Embroideries appeared first on Colossal.



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Vibrant Makeup Mirrors Sweet Frozen Treats in Max Siedentopf’s ‘Pleasure Portraits’

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

All images © Max Siedentopf, shared with permission

London-based artist and creative director Max Siedentopf has a knack for portraying more than meets the eye in his distinctive portraits. A series titled Pleasure Portraits looks forward to summer, featuring the distinctive pastels and jewel tones of ice cream bars alongside subjects whose decadent makeup mimics the hues and embellishments of their paired confection.

No stranger to fashion and makeup artistry in his collaborative, creative development role with the Italian brand Gucci, Siedentopf cast models who were ornamented with gems, baubles, and vibrant patterns. In this playful study of duality, there is a twist of irony: despite the association of frozen treats and the sunny colors of summertime with pleasure, Siedentopf’s subjects sit inert and gaze expressionlessly at the viewer in a similar format to passport photos.

Siedentopf is currently preparing a few upcoming exhibitions, fashion campaigns, and a forthcoming book of photographs. Follow updates on Instagram, and find more of his work on his website.

 

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A series of side-by-side photographs pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

A side-by-side photograph pairing of an ice cream bar (left) and a model wearing makeup that mimics the colors of the ice cream.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Vibrant Makeup Mirrors Sweet Frozen Treats in Max Siedentopf’s ‘Pleasure Portraits’ appeared first on Colossal.



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Tuesday, January 24, 2023

A New Monograph Follows the Evolution of Wangechi Mutu’s Mythologizing Practice

A photo of a woman-mermaid sculpture in a gallery

“Water Woman” (2017), bronze, 91 x 165 x 178 centimeters. All images © Wangechi Mutu, courtesy of Phaidon, shared with permission

A new monograph published by Phaidon delves into the multi-faceted work of Kenyan-American artist Wangechi Mutu (previously). The first of its kind, the volume packs hundreds of artworks, glimpses into Mutu’s Nairobi studio, and her own writings within its 160 pages. Known for mythologizing, the artist often incorporates found, organic materials like soil, feathers, bone, and ephemera into her collages and sculptures. The works broadly explore gender, sexuality, politics, and the natural world through expressive, hybrid figures imbued with otherworldly lore.

To coincide with the book’s release, Phaidon has a limited-edition print available featuring Mutu’s dreamlike “WaterSpirit washed Pelican.” Explore an archive of her works on Instagram.

 

A photo of a woman-mermaid sculpture in trees

“Water Woman” (2017), bronze, 91 x 165 x 178 centimeters. Installation view at The Contemporary Austin – Laguna Gloria, 2017

A photo of an open book spread

A collaged work of two figures

“You Are My Sunshine” (2015), collage painting on paper, 61 x 91 centimeters

A photo of an open book spread

A photo of a woman-creature sculpture

“Mamaray” (2020), bronze, 165 x 366 x 488 centimeters

A photo of three figurative sculptures with colorful hair

From left: “Mirror Faced I” (2020), soil, charcoal, paper pulp, wood glue, emulsion paint, gourd, brass beads, mirror, teak base, hair, wrought iron stand, 174 x 37 x 34 centimeters, bust 58 x 28 x 31 centimeters; “Mirror Faced II” (2020), soil, charcoal, paper pulp, wood glue, emulsion paint, desiccated baobab fruit, brass beads, mirror, teak base, hair, wrought iron stand, 168 x 31 x 36 centimeters, bust 50 x 25 x 28 centimeters; “Mirror Faced III” (2020), Soil, charcoal, paper pulp, wood glue, emulsion paint, brass beads, rose quartz, mirror, teak base, hair, wrought iron stand, 176 x 43 x 37 centimeters, bust 60 x 27 x 33 centimeters

A photo of the artist and a sculpture

Wangechi Mutu, Fine Arts Museum of San Francisco, 2021

A photo of a book cover

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A New Monograph Follows the Evolution of Wangechi Mutu’s Mythologizing Practice appeared first on Colossal.



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Danielle Clough Reimagines Sportswear and Athletic Gear in Vibrantly Expressive Embroideries

Am embroidered portrait of eyes surrounded by colorful, loose threads.

All images © Danielle Clough, shared with permission

Utilizing vintage tennis rackets, T-shirts, and tie-dyed fabrics as canvases, Danielle Clough’s expressive embroideries (previously) sport summery motifs like flamingo pool floats, bright citrus, and bucket hats. The artist continues to expand upon the traditional hoop as the framing device and considers how the medium translates to unexpected surfaces like surfboards or apparel. And she isn’t afraid to experiment: her design for a surfboard—a bird perched on a large flower with a stem that trails into loose threads—didn’t go as planned when the time came to apply the piece to the physical board. However, the learning experience shaped the way she approaches future projects.

A recent series of vibrant human eyes stitched onto Adidas shirts comprise a collaboration with the brand to produce limited-edition wearable artworks. “The brief was broad: to create a sense of individual expression through the community,” Clough explains. “This collection of ‘expressions’ looks out from the wearer’s chest. Standing alone, but all together; a part of a group, like a bouquet.” She has also been experimenting with different threads and watercolor, focusing on the fabric background as an important part of the overall composition.

Clough says, “I’m currently working with a South African clothing brand called Poetry on creating a collection for spring using a variety of techniques to translate my work onto apparel,” and shares that she is also collaborating with Florida-based boxing glove maker 1V1 to create embellished mitts. Toward the end of this year, Clough will also present a series of workshops at Paradigm Gallery in Philadelphia. Find more of her work on her website, and follow the latest updates on Instagram.

 

A series of tennis and badminton rackets that have embroidered flowers in the nets.

A series of tennis and badminton rackets that have embroidered flowers in the nets.

Am embroidered portrait of eyes surrounded by colorful, loose threads.

Embroidered flowers in the net of a vintage tennis racket.

A series of portraits of eyes embroidered onto t-shirts which are rolled up to display all of the portraits.

Two images of embroidered flowers in the nets of vintage tennis rackets.

An embroidered portrait of a young woman wearing a bucket hat in profile, on a blue and purple watercolor base.

Embroidered lemons on a colorful watercolor base.

Am embroidered portrait of eyes surrounded by colorful, loose threads.

A pink flamingo embroidered on a blue fabric.

An embroidery of a bird perched on a large flower, on a blue background.

A detail of an embroidered bird.

An embroidery of a bird perched on a large flower, on a blue background.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Danielle Clough Reimagines Sportswear and Athletic Gear in Vibrantly Expressive Embroideries appeared first on Colossal.



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Travel the World Through the Bizarre and Unexpected Sights of ‘Wonders of Street View’

A photo of people posted with bird masks

All images via ‘Wonders of Street View’

A man with three legs, a vintage car scaling a building, and an unsettling formation of people donning bird masks are a few of the scenarios highlighted in the terrifically bizarre Wonders of Street View. One of the many sites of coder Neal Agarwal, the project showcases photographs of offbeat landmarks, digital glitches, chance encounters, and people who prepare to pose for the famous camera-laden Google Street View cars as they drive by. The playful platform is similarly interactive to allow viewers to explore the surroundings and generates scenes at random, taking visitors from San Francisco to Hesse, Germany, to Samburu, Kenya. Head to Wonders of Street View to traverse the globe one strange sight at a time. (via Waxy)

 

A photo of a vintage car scaling a building

A photo of a person lounging on a couch in a truck bed

A photo of a spider on a roof

A photo of a person wearing a horse mask at a table

A glitched photo of a person with three legs

A photo of dozens of pigeons in a park

A photo of a Pacman monument

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Travel the World Through the Bizarre and Unexpected Sights of ‘Wonders of Street View’ appeared first on Colossal.



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A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...