February 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

Image © Jessie and Katey

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

$1,800 Innovate Grants for Art + Photo—Winter 2023 Open CallFeatured
For its Winter 2023 grant cycle, Innovate Grant is thrilled to introduce its newly increased awards of $1,800. Two awards are offered each quarter to one visual artist and one photographer, and six honorable mentions are also featured on the Innovate Grant site. Applications are open to anyone 18 and older from anywhere in the world.
Deadline: 11:59 p.m. PST on March 23, 2023.

Contemporary Craft’s Artist ResidenciesFeatured
Artists at any stage of their careers working in metalsmithing, jewelry, fibers, weaving, wood, encaustics, paper and book arts, small ceramics, and small-scale woodworking are encouraged to apply for Contemporary Craft’s Artist Residencies. Distinguished by two tracts—National for artists 100 miles or more from Pittsburgh and Regional for local artists—the program grants artists studio space, staff support, and the opportunity to interact with the public while creating a body of work. National residents also receive a $1,200 monthly stipend and housing.
Deadline: 11:59 p.m. EST on February 15 for National Artist Residencies. Rolling for Regional Artist Residencies.

 

Open Calls

Artadia Awards (Los Angeles and Chicago)
The Artadia Awards provides artists with financial support and exposure. Three artists will receive unrestricted funds of $15,000, and one artist will receive the Marciano Artadia Award of $25,000.
Deadline: February 1, 2023, for Los Angeles artists. March 1, 2023, for Chicago artists.

Tidemarker Art Installation (International)
One artist will be selected to create a site-specific public art project for the environmental nonprofit Elizabeth River Project at the site of the new Ryan Resilience Lab in Norfolk, Virginia. The project will be installed in September 2023 with a total budget of $50,000.
Deadline: February 15, 2023.

Wisconsin Academy of Sciences, Arts & Letters Call for Artists (Wisconsin)
Artists and curators living in Wisconsin are encouraged to submit proposals for an exhibition at the Overture Center for the Arts in Madison. There is a $5 application fee.
Deadline: 5 p.m. CST on March 1, 2023.

World of WearableArt 2023 Competition (International)
Entries are open for the World of WearableArt Awards Competition, which brings the work of international designers to life each year in a large-scale theatrical spectacle held in Wellington, New Zealand. As well as a total prize pool of over $185,000 (NZD), the competition offers the chance to access exclusive residencies and internships with global creative companies.
Deadline: March 2, 2023.

The Flag Project (International)
Artists of all skill levels can submit work inspired by their most memorable food memories in the city for the fourth annual Flag Project. The exhibition will display works on the 193 flagpoles that surround Rockefeller Plaza.
Deadline: March 2, 2023.

The Astronomy Photographer of the Year 15 Competition (International)
Royal Observatory Greenwich hosts the Astronomy Photographer of the Year 15 competition, which invites entrants of all ages to submit up to ten photos of the cosmos for a chance to win the grand prize of £10,000. There is a £10 fee covering up to ten images.
Deadline: Noon GMT on March 3, 2023.

STARTS Prize 2023 of the European Commission (International)
Artists and others working at the intersection of science, technology, and the arts are eligible for the STARTS Prize 2023. Two prizes worth 20,000 Euros will be awarded to projects that combine industry or technology and the arts, with the goal of opening new paths for innovation.
Deadline: March 3, 2023.

Vestige Concept Gallery’s ‘Your Wildest Dreams’ Open Call (U.S. and Canada)
Exploring reality, fantasy, and perception, ‘Your Wildest Dreams’ will showcase surreal, bizarrely imaginative, and vibrant works in its juried spring exhibition at Vestige Concept Gallery. Artists working in any medium are eligible to submit pieces for a show in March, and there is a $28 application fee.
Deadline: Midnight MST on March 11, 2023.

LAVO’s Reminiscence Art and Design Competition (International)
This prize is for artists and designers with work centered around themes of reuse, repurpose, and recycle. Eleven applicants will be selected for the exhibition, and the first-prize winner will receive $20,000. Runners-up will receive $3,000 each.
Deadline: March 31, 2023.

The Future Generation Art Prize (International)
All artists aged 35 or younger from anywhere in the world and working in any medium are eligible for this prize. One winner will receive $60,000 in cash and a $40,000 investment in their practice, and five special prizes totaling $20,000 are awarded to support other projects.
Deadline: April 30, 2023.

 

Grants

Barnard Library Research Awards (International)
Two artists, scholars, writers, and other researchers will gain access to the Barnard Archives and Zine Library for a project that supports access, equity, inclusion, and social justice. The award comes with $3,000 to support research.
Deadline: February 1, 2023.

National Endowment for the Arts Grants for Arts Projects (U.S.)
Applications are open for the NEA’s largest granting program, which offers $10,000 to $100,000 awards to projects from visual arts organizations.
Deadline: 11:59 p.m. EST on February 9, 2023.

Design Impact Grant (Chicago)
The project of Designing a Better Chicago, the Design Impact grant program supports individuals and organizations with annual, project-specific awards of up to $25K. Projects must use design or design principles to directly address pressing issues in Chicago communities
Deadline: February 17, 2023.

Hartwig Art Foundation Curatorial Fellow (International)
One curator will contribute to the Performa Institute, Performa Publications, and Performa Magazine and will be directly involved in preparation for the Performa Biennial 2023. The salary is $52,000 and includes two weeks of paid time off, health insurance, and a travel and research budget.
Deadline: February 17, 2023.

What Can We Do? by the Asian American Arts Alliance (New York City)
This micro-grant opportunity is for artists looking to support the AAPI community in New York City with engaging, creative projects. Thirty artists selected by a random draw will receive $500 to create community projects in Chinatown, Manhattan, and Flushing, Queens.
Deadline: 11:59 p.m. EST on February 20, 2023.

Call Leaky Archive Digital Fellowship (Global South)
Artists, activists, makers, professionals, and collectives from the Global South are invited to apply for this digital fellowship to explore how colonial archives and collections can be critically developed and reflected upon. Fellows receive a 2,500 Euro grant and 500 Euros for project funding.
Deadline: March 2, 2023.

Jerome Foundation Arts Organization Grants (New York City and Minnesota)
These two-year flexible grants are designed to support Minnesota and New York City-based arts organizations that offer ongoing programs, services, and/or opportunities for multiple early career generative artists.
Deadline: 4 p.m. CST on May 18, 2023.

The Fluevog Artist Grant (U.S., Canada, The Netherlands, and Australia)
The John Fluevog Shoes Emerging Artist Grant is intended to help emerging artists develop their skills and increase the visibility of their artwork. The winner will receive $10,000.
Deadline: March 31, 2023.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

 

Residencies & Fellowships

Fine Arts Work Center Visual Artist Fellowship (International)
This seven-month residency offers 10 artists an apartment, a studio, a $1,250 monthly stipend, and $1,000 for relocation at the end of the program. There is a $65 application fee.
Deadline: February 1, 2023.

StudioWorks Artist Residency (International)
Visual artists and crafters are eligible for this four-week residency that offers a $2,000 stipend and workspace.
Deadline: February 1, 2023.

Glen Arbor Arts Center’s Artist-in-Residence (International)
Applications are open to artists working in multiple disciplines for this two-week residency. Studio space and lodging are provided, and there’s a $35 application fee.
Deadline: February 2, 2023.

MacDowell Fellowship (International)
MacDowell grants about 300 fellowships with studio space, meals, and lodgings across disciplines. The application fee is $30.
Deadline: February 10, 2023.

McKinney International Art and Design Residency (International, outside the U.S.)
The Eskenazi School of Art Architecture + Design invites artists and designers for a four- to six-week residency. Applicants must have a primary country of residence outside the United States. Studio space, lodging, and a $7,000 stipend will be provided.
Deadline: February 15, 2023.

Squeaky Wheel’s Workspace Residency (U.S.)
The Squeaky Wheel Residency is open to artists and researchers working in film, video, virtual reality, game development, textiles, metal, woodwork, 3D printing, sonic arts, installation, performance, and more. Residents receive a $1,000 stipend, up to $700 for child care and/or disability support, and up to $300 in travel.
Deadline: February 19, 2023.

NXTHVN 2023–2024 Fellowship Applications (International)
NXTHVN welcomes eight artists and two curators to this ten-month program. Each fellow receives a stipend ($45,000 for curators and $35,000 for artists), studio or office space, housing, and professional development sessions led by visiting artists, curators, scholars, and practitioners. Participants are also matched with a high school apprentice.
Deadline: February 27, 2023.

Etant Donnés Curatorial Fellowship (U.S.)
Open to U.S.-based curators interested in researching the French art scene, these fellowships offer research opportunities and a $3,000 stipend.
Deadline: February 28, 2023.

Belle da Costa Greene Curatorial Fellowships (International)
The Morgan Library & Museum is hosting a two-year curatorial fellowship awarded to two scholars from communities historically underrepresented in the curatorial and special collections fields. Fellows receive $50,000 annually, benefits, and an annual $1,500 travel budget.
Deadline: February 28, 2023.

Ucross Foundation Residencies and Fellowships (International)
Ucross has two programs open across disciplines: a general studio residency and Ford Family Foundation Fellowships open to Oregon artists only. Chosen applicants receive studio space, living accommodations, and a $1,000 stipend. There is a $40 application fee.
Deadline: 11:59 p.m. MST on March 1, 2023.

Mainframe Studio Residency (International)
The aim of this residency is to provide emerging and established artists the experience of the working conditions that artist Alex Brown (1966-2019) found in Des Moines. Residents receive housing, studio space, and a $1,000 monthly stipend, plus airfare or reimbursement for other travel to and from Des Moines.
Deadline: March 15, 2023. 

Houston Center for Contemporary Craft Artist Residency (International)
Five to ten artists working in wood, glass, metal, fiber, and clay will be awarded residencies. The program offers a $1,000 monthly stipend, studio space, cultural and professional development opportunities, and an opportunity to give an artist talk.
Deadline: March 31, 2023.

Martin House Creative Residency Program (U.S.)
Artists and researchers working across disciplines are eligible for this residency that supports ongoing projects or the creation of new work with ties to architecture, Frank Lloyd Wright, and/or the Martin House. Residents receive a stipend of $5,000 and travel expenses up to $1,000.
Deadline: March 31, 2023.

Lillstreet Art Center Artist-in-Residence Program (International)
Lillstreet Art Center offers residencies in ceramics, metalsmithing, textiles, drawing & painting, and printmaking & book arts beginning in September every year. Residents receive a $400 monthly stipend, studio space, access to the center’s facilities, an exhibition, and paid teaching opportunities.
Deadline: 11:59 p.m. CST on May 1, 2023.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article February 2023 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.

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Savor These Decadent Cakes, Pastries, and Other Sweet Treats in the Soft Glow of Candlelight

Photos by Julie Purpura, all images © Center of Order and Experimentation, shared with permission

Just like recipes are passed from one generation to the next, so are the methods behind the decadent cakes and pastries of Cereria Introna. Piped with thick pink frosting or dusted with sugar, the confections are handmade in Italy by a family that’s been whipping up creations since the mid-1800s. What differentiates their sweets from the bakery down the street, though, is how they’re consumed: rather than melt in your mouth, Cereria Introna’s desserts are candles made of paraffin wax. In addition to slices of cake and banana splits drizzled with chocolate, the company also crafts fruits, loaves of bread, and even garnished plates of spaghetti for savoring at home.

If you’re in Chicago, stop by the Center of Order and Experimentation to find an impeccably curated selection of the candles. Otherwise, check out the company’s site.

 

Photo by Paul Octavious

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Savor These Decadent Cakes, Pastries, and Other Sweet Treats in the Soft Glow of Candlelight appeared first on Colossal.

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Trick Facial Recognition Software into Thinking You’re a Zebra or Giraffe with These Pyschedelic Garments

All images © Cap_able, shared with permission

Here’s some unusual criteria to consider when deciding what to wear: if you’re scanned by facial-recognition software, do you prefer being detected as a zebra, giraffe, or a dog? Cap_able, an Italian fashion-meets-tech startup, prompts consumers to consider individual rights to privacy when making decisions about self-expression. The studio’s inaugural project, the Manifesto Collection, combines knitwear with an algorithm into a kind of 21st-century camouflage that protects the wearer’s biometric data without the need to conceal the face.

Built on ideas of collaboration and awareness, Cap_able was established in 2019 to fuse technology, textiles, and fashion into a high-tech product with everyday applications. Evocative of Magic Eye puzzles, the technology behind the Manifesto Collection‘s psychedelic patterns is an innovative system “capable of transposing images called adversarial patches onto a knitted fabric that can be used to deceive people detectors in real time,” the company says.

“Choosing what to wear is the first act of communication we perform every day. (It’s) a choice that can be the vehicle of our values,” says co-founder and CEO Rachele Didero. Likening the commodification of data to that of oil and its ability to be sold and traded by corporations for enormous sums—often without our knowledge—Didero describes mission of Cap_able as “opening the discussion on the importance of protecting against the misuse of biometric recognition cameras.” When a person dons a sweater, dress, or trousers woven with an adversarial image, their face is no longer detectable, and it tricks the software into categorizing them as an animal rather than a human.

 

The idea for the startup was planted in 2019 when Didero enrolled at the Fashion Institute of Technology in New York City, where she was introduced to topics and issues around privacy and human rights. The idea of combining fashion and computer science evolved during months of research in working with textiles and studying artificial intelligence. She developed the now-patented concept of knitting adversarial imagery directly into the fabric of the garments, giving them the ability to respond to an individual’s size and shape, as opposed to existing versions which could only be applied to surfaces. After developing prototypes and testing the patterns using different types of recognition software, Didero teamed up with business partnert Federica Busani to launch the first collection.

Unlike most clothing items you’ll find on the rack, Cap_able’s garments are accompanied by some unique fine print: “The Manifesto Collection‘s intent is not to create an invisibility cloak, rather, it is to raise awareness and protect the rights of the wearer wherever possible.” See the full collection on Cap_able’s website.

 

  

 

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Interview: A Prison Art Community On the Power of an Annual Exhibition in Michigan to Support More Than 700 Incarcerated Artists

“Self Portrait: Free Inside” by Jamal Biggs

As abolitionists and activists fight to end mass incarceration and the horrifying conditions of life in U.S. prisons, individuals and organizations have taken it upon themselves to help those trapped in the unjust system. The Prison Creative Arts Project has been undertaking such work for decades, bringing its community at the University of Michigan together with those directly affected by the carceral system through workshops, learning opportunities, and an annual exhibition.

Art was an out-of-body experience because when you’re in that type of environment, there’s usually a lot of violence or just a bunch of sad stuff. Art was a pathway to freedom on the outside.—Josh Herrera

In this conversation, Colossal managing editor Grace Ebert speaks with two formerly incarcerated artists, Johnny Van Patten and Josh Herrera, and faculty director Nora Krinitsky about how creative practices function while incarcerated, why exhibiting and selling work is essential to the process, and what the humanity of art means in a system built on dehumanization.

Read the interview.

 

“Fence” by Kenneth Gourlay, a member of the Linkage Project

The 2022 exhibition ‘Shared Humanity.’ Photo by Nathan Kennedy

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Interview: A Prison Art Community On the Power of an Annual Exhibition in Michigan to Support More Than 700 Incarcerated Artists appeared first on Colossal.

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Lithe Figures Cast in Bronze by Coderch & Malavia Mimic Gracefully Choreographed Movements

“Kymo.” All images © Coderch & Malavia, shared with permission

From their recently relocated studio in Ribarroja de Turia, Valencia, Coderch & Malavia (previously) sculpt dancers and precariously posed figures frozen mid-movement. Swirling locks of hair sweep upward into the air, a long scarf billows sideways in folds and wrinkles, and a childlike character balances on a totemic stump with crows perched nearby. Mimicking the grace and exactitude of skilled ballerinas, the sculptures are poetic and intimate as they capture fleeting moments in patinaed bronze.

A new work, “Giant of Salt,” is a collaboration with the Costa Rican dancer Fred Herrera, whose known for his production of the same name. Spanning nearly four meters and weighing 1,350 kilos, the large-scale sculpture depicts a nude figure in a low backbend, head resting on the ground with hands upturned toward the sky. Coderch & Malavia derived the pose from Herrera’s choreographed piece, which is created in the style of Japanese dance theatre known as Butoh and features slow, writhing movements.

Currently, the duo is working on a collection of works related to Russia’s war in Ukraine and preparing for a February exhibition at an outdoor sculpture park in Almacelles, Spain, and a solo show slated for April in Paris. Follow updates on their latest projects on Instagram.

 

“Galene”

Detail of “Galene”

“Ashia”

“Kymo”

“Ashia”

“Espantapajaros”

Detail of “Espantapajaros”

Detail of “Espantapajaros”

The artists with “Giant of Salt”

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Ethereal Light Suffuses Domestic Interiors with Surreal Hues in Alfie Caine’s Paintings

“House through the Ferns” (2022), vinyl and acrylic paint on canvas, 120 x 90 centimeters. All images © Alfie Caine, shared with permission courtesy of the artist and JARILAGER Gallery

Imbued with otherworldly light and a jewel-toned palette, Alfie Caine’s dreamscapes tuck domestic architecture into the idealized surroundings of manicured neighborhoods, country gardens, and lush woodland. The East Sussex-based artist draws on his formal training in architecture to render homes and their environs in vivid hues, playing with perspective and the relationship between light and shadow in an interplay of interior and exterior.

In Caine’s vignettes of domestic life, clues to the inhabitants are found in details like a potted plant propping a door open, a pet awaiting attention, or a glimpse of a figure in the corner, nearly out of view. The precision of linear perspective and bold contrasts meet the surreal, organic forms of wispy flora and streams of chimney smoke in scenes that emphasize small moments of pleasure in everyday life, such as taking a hot bath, strumming a guitar, or lighting a candle. These instances of familiarity are often countered by uncanny light sources, which illuminate bouquets of flowers, cast long shadows, and portend an incoming storm or some mysterious, unknown event.

Caine’s solo show titled Moments of Calm is on view through February 23 at JARILAGER Gallery. Find more of the artist’s work on his website and Instagram.

 

“Before the Storm” (2022), vinyl and acrylic paint on canvas, 120 x 170 centimeters

“Foxglove Farmhouse” (2022), vinyl and acrylic paint on canvas, 120 x 90 centimeters

“Bath by Candlelight” (2022), vinyl and acrylic paint on canvas, 120 x 170 centimeters

“Bathroom off the Corridor” (2022), vinyl and acrylic paint on canvas, 152.4 x 121.9 centimeters

“Entrance Overlooking the Bay” (2022), vinyl and acrylic paint on canvas, 177.8 x 203.2 centimeters

“Lacquer Staircase” (2022), vinyl and acrylic paint on canvas, 177.8 x 152.4 centimeters

“Red Dining Room” (2022), vinyl and acrylic paint on canvas, 152.4 x 121.9 centimeters

“Riverside Porch” (2022), vinyl and acrylic paint on canvas, 120 x 90 centimeters

“Two Blue Trees” (2022), vinyl and acrylic paint on canvas, 120 x 90 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Ethereal Light Suffuses Domestic Interiors with Surreal Hues in Alfie Caine’s Paintings appeared first on Colossal.

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From Chicago to Detroit, Yashua Klos Presents Black Resilience, Defiance, and Tenderness

“You See Through It All” (2021), paper construction of woodblock prints and graphite on archival paper, 41 x 54.5 inches. All images © Yashua Klos, shared with permission

Chicago continues to rank among the most segregated cities in the United States, with Black and brown populations living across the south and west sides that lack the investment and resources of the white-dominated northern neighborhoods. Caused by more than a century’s worth of inequitable governance, redlining, and various forms of discrimination, this enduring racial separation has irrevocably shaped the city and its residents, impacting those who came to the area during the Great Migration and those who call it home still today. It’s often said that the history of Chicago is also the history of segregation.

This infamous legacy is an essential component of Yashua Klos’s evolution as an artist. “I’m from the city of Chicago, and Chicago’s urban planning was designed for segregation, to separate Black and white,” he shares with Colossal. “That segregation is baked into the ‘redlining’ housing ownership policies and the geography of the city.”

 

“Your Strength Is In Your Shadow” (2021), paper construction of woodblock prints and graphite on archival paper, 41.5 x 51 inches

Now based in the Bronx, Klos frequently reflects on his hometown and brings the gridded structure of its streets into his works. A 2021 solo show at UTA Artist Space exhibited portraits bisected by angular blocks textured like wood, brick, and cinder, allowing fragments of the uniform roadways to emerge through facial features. “In art history, the grid is a kind of tool for optical democracy. There’s no visual hierarchy in a grid—you can enter any space at any time. So, I’m interested in that grid’s proposal of democracy and how that’s failed Black folks, especially where I’m from and how Chicago is constructed,” he says.

The collaged portraits evoke the ways identities are an amalgam of both genetics and surrounding influences. They mimic three-dimensional forms that surface from the flat plane of the paper, and Klos portrays the subjects as breaking free from constraint or relying on the structure for support. “I’m considering Black folks who are forming a defiant sense of self in order to survive in an often unjust environment. This is why these head forms often appear built of construction materials and suggest that they are sculptures or even monuments,” the artist writes, referencing the art historical use of statues and portraits to convey value and respect.

 

“Vein Vine” (2021), paper construction of woodblock prints, graphite, spray paint, and Japanese rice paper on stretched canvas, 84 x 60 inches

While Klos spent his upbringing in Chicago, his father’s family has ties to Detroit, particularly the car industry and Ford plant where many relatives worked. Like his portraiture, the artist’s woodblock prints of singular, upturned hands allow this personal history to converge with broader themes of familial love and political resilience. The appendages grasp botanicals native to Michigan and blocks floating nearby as they deny “work in order to hold flowers,” he says. “Here, I’ve found (an) opportunity to explore themes of nurturing, tenderness, generosity, and self-care.”

To explore an archive of Klos’s works, visit his site and Instagram

 

“Your Roots Hold On To You” (2022), paper construction of woodblock prints on muslin and Japanese rice paper, acrylic paint on paper, 60 x 75.5 inches

“You Built Your Shelter From Shadows” (2021), paper construction of woodblock prints and graphite on archival paper, 42 x 50.5 inches

“We Hold The Wildflowers”

“Diagram of How She Hold It All Together” (2021), paper construction of woodblock prints and graphite on archival Japanese rice paper, 52 x 53 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article From Chicago to Detroit, Yashua Klos Presents Black Resilience, Defiance, and Tenderness appeared first on Colossal.

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