Sunday, February 12, 2023
Saturday, February 11, 2023
Jake Ricker’s Photographs Find the Extremes of Human Emotion on the Golden Gate Bridge
All images © Jake Ricker, shared with permission
Functioning as a tourist attraction and essential form of infrastructure, the Golden Gate Bridge is what photographer Jake Ricker refers to as a “strange paradise.” His ongoing series by the same name focuses on the lighthearted, alarming, and sometimes bizarre happenings that occur daily at the orange landmark.
Ricker began the project in September 2017, and he’s since encountered a full spectrum of human emotion and experience during the hours he spends towering over the water. “I have photos of some of the saddest things you can see in this life, as well as some of the happiest,” he told Lens Culture. “I think the bridge exists in extremes.” It’s this vastness that makes Strange Paradise a glimpse into both the mundane and surreal, and the photographs capture everything from marriage proposals and weddings to joggers and commuters to people contemplating ending their lives—Ricker estimates he’s prevented about 60 suicides since beginning the project.
Currently, Ricker has a few prints available in his shop, and you can find more of the series on his site. He’s at work on a Strange Paradise book, and you can follow him on Instagram for updates on its release.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Jake Ricker’s Photographs Find the Extremes of Human Emotion on the Golden Gate Bridge appeared first on Colossal.
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Friday, February 10, 2023
In ‘Walks of Life,’ Migwa Nthiga Photographs the Communities Most Impacted by the Climate Crisis
All images © Migwa Nthiga, shared with permission
Those living near Lake Turkana in northern Kenya have been experiencing the brunt of the climate crisis. Already a dry, arid region, recurring droughts have left communities without water for animals, crops, and drinking, requiring people to leave their homes for more stable and fertile landscapes.
“Tribes could walk hundreds of kilometers in search for greener pastures and water in the scorching heat with scores of the livestock dying along the way,” says Migwa Nthiga, who recently photographed the Indigenous Nilotic people native to Turkana in his series, Walks of Life. “Often, we get international foreign photographers coming to tell these stories with their own biases and agenda that may not reflect the true nature of the tribes they have come to photograph,” he says, sharing that his first encounters with his subjects were random. “My team and I set out on an adventure with very little fixed expectations. We wanted to photograph any interesting stories we would stumble upon.”
Through intimate portraiture and candid shots, Nthiga documents the daily lives of fishermen as they plunge into the lake or of children at home with their families. Encompassing an array of emotions from joyful to intensely focused, the series shares a nuanced narrative about what it means to live in the region so profoundly impacted by the climate crisis.
Nthiga created Walks of Life with the help of photography assistant Joseph Theo, producer Nina Bola, and consulting creative director Jason Bruckner. He will show some of his photos from March 3 to 19 at The Nook in Nanyuki, where he lives, and is currently working on a climate-centric film about a Turkana fashion stylist. You can follow his latest project on Instagram and Behance.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In ‘Walks of Life,’ Migwa Nthiga Photographs the Communities Most Impacted by the Climate Crisis appeared first on Colossal.
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Mesmerizing Paper Sculptures and Animations by Zai Divecha Convey the Subtlety of Change
All images © Zai Divecha, courtesy of Heron Arts shared with permission
In Phase Shift, San Francisco-based artist Zai Divecha (previously) translates the illusion of movement to monochromatic paper works. Her solo show, which runs from February 25 to March 25 at Heron Arts, features animations and sculptures that reference early stop-motion devices like zoetropes and phenakistoscopes. Both rely on sequential formations to imply progression, a technique the artist utilizes in her analog pieces that convey gradual changes.
Divecha is known for her singular use of white paper, which draws the viewer’s eye toward the texture, dimension, and depth of her works and the way they capture light and shadow. Mounted on flat planes, the pieces consider that “what we might see as static is actually changing incrementally over time.”
For more of Divecha’s multi-disciplinary works, visit her site and Instagram.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Mesmerizing Paper Sculptures and Animations by Zai Divecha Convey the Subtlety of Change appeared first on Colossal.
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