April 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

Image © Kelsey McClellan

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

The Unpublished Photo 2023 Open CallFeatured
Aimed at young and emerging photographers between the ages of 18 and 30, Unpublished Photo 2023 is a global open call without theme constrictions or entry fees. The contest is organized by the Fondazione culture e musei and MUSEC museum in Lugano, in collaboration with the 29 ARTS IN PROGRESS gallery in Milan and the Istituto Veneto di Scienze, Lettere ed Arti in Venice. The winner will receive 2,000 Swiss Francs with additional awards through fourth place, and chosen works will be exhibited in the museum for two months.
Deadline: April 16, 2023.

The Booooooom Art & Photo Book AwardFeatured
In partnership with Artmobile, Booooooom is open to submissions for its Art & Photo Book Award, which will grant six artists the opportunity to publish a collection of work free of charge. Submissions should be finished projects as opposed to works-in-progress, and the award covers all production costs.
Deadline: 11:59 PST on May 26, 2023.

 

Open Calls

The 11th Annual Art Competition at Bridgeport Art Center (Chicago)
Bridgeport Art Center is hosting an open call for its 11th Annual Art Competition and Exhibition, which will run from May 19 to July 7. Works in a vast array of mediums are eligible, and prizes range from $500 to $3,000.
Deadline: 11:59 p.m. on April 4, 2023.

Future Lions 2023 (International)
Open to 18- to 25-year-olds, the Future Lions competition will help realize four projects that respond to the question: How can we pioneer the use of technology to protect people and make them feel safe? Four finalists will pitch their ideas at the Cannes Lions Festival, and the winners will work with AKQA and Volvo Cars to bring the concept to life. 
Deadline: 11:59 p.m. BST on April 14, 2023.

11th PHOTO IS:RAEL International Photography Festival (International)
Photographers, video, performance, and interdisciplinary artists from around the world and at any stage of their career are eligible to submit their work to PHOTO IS:RAEL’s 11th annual festival. Twenty artists will be invited to participate in an exhibition that will take place in Tel Aviv in November 2023. The entry fee is $15.
Deadline: April 23, 2023.

Lebasse Projects Open Call (International)
Artists and artist teams are invited to apply for this open call to create public art at 2050 S Bundy. A $400,000 budget will be offered as commissions for several works at the Los Angeles space.
Deadline: April 24, 2023.

The Burke Prize (U.S.)
The Burke Prize is a biannual $50,000 prize for artists working in glass, fiber, clay, metal, or wood.
Deadline: April 28, 2023.

The Future Generation Art Prize (International)
All artists aged 35 or younger from anywhere in the world and working in any medium are eligible for this prize. One winner will receive $60,000 in cash and a $40,000 investment in their practice, and five special prizes totaling $20,000 are awarded to support other projects.
Deadline: April 30, 2023.

Art in Odd Places (AiOP) 2023: DRESS (International)
Running from October 13 to 15, 2023, and curated by Brooklyn-based artist Gretchen Vitamvas, Art in Odd Places invites artists who are using dress as a medium to apply for its 18th annual festival taking place along 14th Street in Manhattan. Works may take the form of garments, textiles, fashion design, costume, performance, sculpture, and installation.
Deadline: 11:59 p.m. EST on May 14, 2023.

Vilcek Prizes for Creative Promise (U.S.)
The Vilcek Prizes support emerging to mid-career immigrant designers who have demonstrated exceptional achievements early in their careers. Three winners will receive $50,000.
Deadline: June 12, 2023.

 

Grants

Anonymous Was A Woman Environmental Art Grants (U.S. and U.S. territories)
The Anonymous Was A Woman Environmental Art Grants will distribute $300,000—up to $20,000 per project—to support environmental art projects led by women artists. Proposals must have a public benefit.
Deadline: April 18, 2023.

Fundación Botín Art Grants (International)
Fundación Botín will award six grants worth € 23,000 to support individual projects that may consist of training (academic or not), research (non-academic), and production.
Deadline: May 5, 2023.

Jerome Foundation Arts Organization Grants (New York City and Minnesota)
These two-year flexible grants are designed to support Minnesota and New York City-based arts organizations that offer ongoing programs, services, and/or opportunities for multiple early career generative artists.
Deadline: 4 p.m. CST on May 18, 2023.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

 

Residencies, Fellowships, & More

The Bloom Residency (International)
The 2023 Bloom Residency is the third annual artist-in-residence opportunity at Chicago Printmakers Collaborative. Awarded to a woman of color, one applicant will be chosen for this two-week, project-based residency, culminating in the creation of a limited-edition print. The chosen artist will receive two weeks of 24/7 studio access, a $500 stipend, and mentorship.
Deadline: April 1, 2023.

Fondation Fiminco Residency (International)
Each year, Fondation Fiminco welcomes 12 transdisciplinary visual artists for 11-month residencies in research, creation, and production. The program is open to artists anywhere in the world, of any age, and at any stage of their career, and residents receive accommodations, studio space, 5,000 euros, and travel stipends. 
Deadline: Midnight on April 6, 2023.

Santa Fe Art Institute Thematic Residency Program (International)
Sovereignty is the theme for the 2024 program, which calls for artistic and creative engagement as it pertains to the individual, jurisdictions, systems, and society as a whole. Artists receive studio space and accommodations.
Deadline: April 9, 2023.

KODA Borders + Boundaries Residency (International)
Open to two mid-career, women or non-binary artists who create conceptual and socially engaged work, this year’s KODA residency is based on the theme of borders and boundaries. Chosen artists will receive a $1,000 award, $200 professional development credit, studio space, and exhibition opportunities.
Deadline: 11:59 p.m. ET on April 10, 2023.

A Studio in the Woods: Rising: Climate in Crisis Residencies (International)
Open to artists of all disciplines, this program is for artists who have demonstrated an established dialogue with environmental and cultural issues. The six-week residency includes a $3,000 stipend and a $2,000 materials budget. There is a $20 application fee.
Deadline: April 10, 2023.

Fire Island Artist Residency (International)
LGBTQIA+ emerging visual artists are encouraged to apply to this four-week program. Artists receive lodging, workspace, stipends for meals and travel, and an honorarium. There is a $40 application fee.
Deadline: 11:59 p.m. EST on April 15, 2023.

Quinn Emanuel Artist-in-Residence Program (New York City)
Open to emerging and mid-career artists working in all disciplines across New York City, this residency offers studio space in the Quinn Emanuel New York office. Chosen artists will receive $20,000, plus a $1,500 materials budget.
Deadline: 11:59 PST on April 16, 2023.

Parent Artist AIRspace Residency (New York City)
One parent artist working in visual arts, music, curatorial practice, and/or literary arts will receive studio space, a $1,000 unrestricted stipend, a semi-private studio, a $300 studio visitor stipend, and $2,000 for child care.
Deadline: April 16, 2023.

Lillstreet Art Center Artist-in-Residence Program (International)
Lillstreet Art Center in Chicago offers residencies in ceramics, metalsmithing, textiles, drawing & painting, and printmaking & book arts beginning in September every year. Residents receive a $400 monthly stipend, studio space, access to the center’s facilities, an exhibition, and paid teaching opportunities.
Deadline: 11:59 p.m. CST on May 1, 2023.

ON::View Artist Residency Program (International)
Artists working in any medium are eligible for the ON::View residency in Savannah. Artists receive free lodging, studio space, and opportunities for exhibition, lectures, workshops, and other public programming. There is a $50 application fee.
Deadline: 11:59 p.m. EDT on June 1, 2023.

ICCI Art Valley Program (International)
The USC-SJTU Institute of Cultural and Creative of Shanghai Jiao Tong University is recruiting five international artists and scholars to participate in the ICCI ART VALLEY PROGRAM from November 1 to December 15. Visiting artists will hold exhibitions, lectures, workshops, and/or other public programs and will receive accommodations, airfare, and a stipend of at least 10,000 RMB.
Deadline: July 15, 2023.

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Global Architecture Rises from Resin Hermit Crab Shells in Aki Inomata’s Consideration of Home and Borders

All images © Aki Inomata, shared with permission

When hermit crabs outgrow their shells, they participate in an encouraging act of resource sharing. The crustaceans line up by size and swap homes, and hopefully, each creature finds an appropriately sized shelter. Options tend to be limited to the shells washed up on shore, unless Tokyo-based artist Aki Inomata is involved.

Since 2009, Inomata has been designing tiny homes for hermit crabs topped with towering skyscrapers, windmills, and churches. Part of an ongoing series titled Why Not Hand Over a ‘Shelter’ to Hermit Crabs?, the 3D-printed resin works resemble urban landscapes and draw similarities between human and animal environments. Inomata’s designs, although not released into the wild, evoke the species’ organic exchanges as a way to consider the evolving nature of home.

 

The artist shares in a statement that the project was born out of her participation in the 2009 No Man’s Land exhibition at the French Embassy in Japan, the final show in the space before the building was demolished. She elaborates:

This work was inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and then became Japanese for the following fifty years, after which it will be returned to France…A piece of land is peacefully exchanged between two countries. While it is the same piece of land, our definition of it changes. In the same way, the appearance of hermit crabs changes completely as they exchange shelters. The hermit crabs in my piece, who exchange shelters representing cities of the world, seem to be crossing over national borders.

Now more than a decade since Inomata began the series, the project takes on additional significance given the surge in migration and refugee crises around the world. The array of global architecture allows individuals to seamlessly swap Western streets for Eastern palaces or capacious spaces for dense cities, emphasizing the potential for more communal, cooperative living.

Head to Vimeo to watch the crustaceans scuttle along wearing Inomata’s works, and follow additions to the project on Instagram.

 

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A Short Art History Lesson Explores the Realistic Impressionism of John Singer Sargent

A new video from Evan Puschak, the creator behind the Nerdwriter YouTube channel, delves into the uniquely blended style of the American painter John Singer Sargent (1856-1925). Described by Kottke as “realism through impressionism,” Sargent’s approach centers on accurately capturing the tonal value of a scene, the spectrum of light to dark, rather than on faithful depictions of objects, figures, or shapes. “Everywhere you look,” Puschak says, “you see his supremely confident looseness, a kind of painting you maybe wouldn’t think to associate with a realistic representation of the world. And yet that’s exactly the final effect—a realism that is somehow more true than finely detailed painting.” Watch the short art history lesson above to learn more about Sargent’s training, work, and process and how “the impressions of light and color were his subjects.”

 

Details of “Nanchaloir” (1911)

Detail of “Carnation, Lily, Lily, Rose” (1885-1886)

“Carnation, Lily, Lily, Rose” (1885-1886)

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Shishi San’s Vibrant Tufted Sculptures Celebrate the Colorful Motifs of Chinese Vases

All images © Shishi San. Photo by Alix Joiret

The soft pile of tufted yarn meets vibrant color in Brussels-based artist Shishi San’s bold sculptures. She began tufting in 2019, working on two-dimensional pieces that feature playful flowers, insects, and other creatures, and last year, she propelled her practice into the three-dimensional realm. Inspired by the shape, hues, and patterns of Chinese vases, she began a series of nine voluminous vessels that draw on traditional motifs in a collection titled Fluffy. “I wanted to create my own version of them, inspired both by my own experiences and by their visual identity,” she tells Colossal.

San is currently working on her biggest project to date, so you can keep an eye out for updates on Instagram and find more on her website.

 

  

Photo by Alix Joiret

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In a 100-Day Printmaking Project, Lisa Stubbs Reflects on the Holme Valley from a Bird’s-Eye View

All images © Lisa Stubbs, shared with permission

Artist Lisa Stubbs is in the midst of a 100-day project that both explores unusual printmaking materials and recalls the topographical allure of her hometown. Working from her studio in Slaithwaite, West Yorkshire, Stubbs began the series as a way to experiment with utilizing cleaned and flattened Tetra Pak cartons in place of wood or metal plates. She layers ink onto the plastic-coated cardboard and uses a type of gauze known as a scrim to wipe away the excess pigment. “For me, this is the playful part of the process as the scrim creates beautiful gestural marks on the Tetra Pak surface,” she says. “It’s very organic and intuitive, making each print unique despite using the same plate.”

Set on vintage and hand-painted papers, the resulting works feature a recurring house with a small door on the bottom right, a chimney, and an oversized bird perched on the roof. While the ink colors and images change, the central structure remains constant and evokes the homes of Stubb’s native Holmfirth, a small town nestled in the Holme Valley. The land’s steep elevation means that many houses are built on angles, with their backyards at window-level rather than ground. “The beauty of this is when you’re sitting in your back garden, you enjoy breathtaking views over your rooftop,” the artist says, sharing:

‘Ova tops,’ to be said in broad Yorkshire tones, you can see a bird’s eye view of the Holme Valley and Black Hill, part of the Peak District and the rough fringe of Saddleworth Moor, a view that’s become a comforting touchstone and one I never tire of. I wanted my printmaking to illustrate the character of the homes embedded into this landscape, along with the birds which sit on their stone rooftops mulling over life below.

Stubbs has finished 36 of the 100 prints in the series, many of which she shares on Instagram along with glimpses into her process and studio. Shop available works on Etsy.

 

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Illuminating Remote Landscapes, Rune Guneriussen Tells a Story of Nature and Transformation

“A raven wails across the lowlands.” All images © Rune Guneriussen, shared with permission

Tucked away in forests and along shorelines, Norwegian artist Rune Guneriussen’s mystical, illuminated installations appear to spontaneously emerge from within the landscape. Lamps, blocks, and salvaged wood comprise an array of elaborate sculptural works that he meticulously arranges among trees, along bluffs, and in the sand. He is interested in a process that explores the relationships between objects, location, narrative, and the time that the work is made.

As the environment is increasingly altered by the effects of the climate crisis, Guneriussen’s observations have gradually transformed how he translates those relationships in his practice. During the past four years, the artist (previously) transitioned from using obsolete products to creating all of his sculptures from scratch with primarily reclaimed wood. He increasingly incorporates stark, geometric forms evocative of high-rise buildings or office lighting. By contrast, in “Fiery wingless and into growing regard,” a group of luminescent, spirit-like forms drifts across the forest floor as daylight fades.

While still using lamps, Guneriussen says, “for me, it has been a process of developing a scenery which has evolved with the time we live in. Being an artist for 20 years, always working in and with nature, it has been a story of going from optimism to seeing our nature in a dystopian manner… I have felt nature change to a degree I cannot recognize.”

Explore an archive of the artist’s work during the past two decades on his website, and follow updates on Instagram.

 

“Salvaged by traces of affection”

“Fiery wingless and into growing regard”

“Comprehensively thorough concern of stupidity”

“Lona”

“A detached protector of antigrowth”

“Pursuing elevated growth”

“Escalating climacteric expansion”

“Engineering a grey city” (2019)

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Expressive Women Emerge through a Haze of Oil Paint in Rosso Emerald Crimson’s Portraits

All images © Rosso Emerald Crimson, shared with permission

Against backdrops of streaky paint strokes, scratches, and remnants of patterned wallpaper, Rosso Emerald Crimson (previously) depicts women at ease, their figures emerging from a haze of gauzy gowns and masses of hair. The London-based artist is interested in women’s psychology as she visualizes aspects of the feminine that vacillate from the confident and assured to the demure. Dressed in full garments that mask much of their bodies, the subjects’ facial expressions and comportments are the central focus. Crimson elaborates:

The field of emotions that I represent fluctuates from the plein naïf to the melancholic to the bold and fierce, and these are purely based on my very personal state of being while I create. That is why, paradoxically, the more colourful and outspoken the paintings appear, the more introspective they are. I do feel like subconsciously I am funnelling all my experience as a woman, with my failures, and success, my irrationality and wisdom, my fears and dreams.

Crimson’s painting “Waiting for my Valentine” is on view at MEAM in Barcelona through June 25, and she was recently chosen to participate in Artdom, a program matching artists from two different countries, which will open its next exhibition on April 22 in Oslo. For more from the artist, visit her site and Instagram.

 

 

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