Friday, May 12, 2023

By Imprinting an Ornate Rug in Snow, Javier de Riba Draws Attention to Flora and Fauna Living in the Pyrenees

The snowy Pyrenees landscape imprinted with an ornate motif

All images © Javier de Riba

Catalan artist Javier de Riba (previously) once again collapses the boundaries between public and private, this time by adding a cozy intervention to a frigid environment. “Canal Roya” imprints a swath of fresh snow with the artist’s signature ornate motifs to mimic a rug-like covering on the frozen landscape.

Completed in early April, de Riba created the work near the proposed location of an 8-kilometer cable car connecting ski resorts in Astún and Formigal. The project, which drew criticism for its enormous price tag and disastrous environmental effects, would likely have displaced many of the animals, plants, and other organisms that inhabit that region in the Pyrenees. Thanks to pushback from activists, though, construction has since been halted.

Find more of de Riba’s ephemeral gathering spaces on Behance and Instagram.

 

The snowy Pyrenees landscape imprinted with an ornate motif

The snowy Pyrenees landscape imprinted with an ornate motif

The snowy Pyrenees landscape imprinted with an ornate motif

Javier De Riba imprinting the snowy Pyrenees landscape with an ornate motif

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article By Imprinting an Ornate Rug in Snow, Javier de Riba Draws Attention to Flora and Fauna Living in the Pyrenees appeared first on Colossal.



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Dilapidated Mom-and-Pop Shops Stand Alone in the Scottish Highlands in New Paintings by Andrew McIntosh

A shop at the base of a mountain

“Pentangle” (2023), oil on linen, 200 x 150 centimeters. All images courtesy of James Freeman Gallery, shared with permission

In DreamersAndrew McIntosh simultaneously conveys the plight and resilience of small businesses, rendering lone shops and inns among desolate landscapes. The Scottish artist (previously) often taps into nostalgia and the forgotten, and he’s known for using the highlands of his childhood as a backdrop for his mysterious scenes in oil paint.

This new body of work, which is on view this month at James Freeman Gallery, pits the inhospitable landscape against the needs of commerce with a heavy dose of irony. A travel agency towers above a small island requiring a trip by boat to reach, a tanning salon glows amid a foggy forest, and a lawnmower repair shop stands amid an overgrown field. Often outfitting the buildings with flaking paint, neon signs, and graffiti, McIntosh positions each as a relic of a former era, positing that like the Romantic notions of a wild, untamable nature becoming outmoded, so is “the postwar idealism” of capitalism and enterprise.

If you’re in London, stop by the gallery to see Dreamers from May 18 to June 10. Otherwise, find more on Instagram.

 

A fish monger out on the water

“Neptunes” (2023), oil on linen, 200 x 150 centimeters

A shop amid a quiet landscape

“Newman Arms” (2023), oil on gesso panel, 40 x 30 centimeters

A lawnmower repair shop in an overgrown field

“Austin” (2023), oil on linen, 200 x 150 centimeters

A travel agency on a small island

“Paradise Travel” (2023), oil on linen, 150 x 130 centimeters

A glowing tanning salon amid a forest

“Sunset Beach” (2023), oil on linen, 200 x 150 centimeters

An inn surrounded by a vivid yellow landscape

“The Clock Inn” (2023), oil on gesso panel, 40 x 30 centimeters

A record store at the base of a mountain

“Zodiac” (2023), oil on linen, 200 x 150 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Dilapidated Mom-and-Pop Shops Stand Alone in the Scottish Highlands in New Paintings by Andrew McIntosh appeared first on Colossal.



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Frenzied Emotions Swirl Through Changyu Zou’s Poetry-Inspired Illustrations

A figure is surrounded by a chaotic cluster of birds, cars, houses, and other symbols

“Starry Bird 7.” All images © Changyu Zou, shared with permission

Tinged with magic and metaphor, the energetic illustrations by Savannah-based Chinese artist Changyu Zou are emotionally candid and reflect her reactions to verse. “I think poetry uses the most beautiful words to express what’s most real in the poet’s heart. Although these words sometimes are very abstract and not easy to understand, they can give me unlimited imagination,” she says, sharing that she tends to pull a few terms or phrases from a poem and then use those as the basis for her drawings.

Zou strives for an interplay between the original text and her visual language, which often relies on a feverish mishmash of figures and symbols. The mixed-media illustrations—she works with both digital and analog materials, including gouache, acrylics, crayons, colored pencils, and sometimes collaged details—draw directly from the Misty Poets, a tradition that emerged in defiance of the restrictive Cultural Revolution of 20th-century China and is characterized by its obscure haziness. This mysterious and indeterminate quality arises in Zou’s works as birds, human hands, cars, houses, and other objects appear to whirl in chaotic motion.

In addition to the Misty Poets, the illustrator mentions Kahlil Gibran, Haizi, and Rabindranath Tagore as influences. One line of Tagore’s “Starry Bird” reads “light in my heart the evening star of rest and then let the night whisper to me of love” and inspired Zou’s series by the same name. ” Because Tagore’s poetry expresses the harmony of life and nature, I chose elements for these to represent humans, such as cars and houses, and also elements that symbolize nature, such as birds,” she shares. “They are together on a planetary ring, expressing a state of harmony and love.”

Zou is preparing for a solo exhibition this fall, so keep an eye on her Instagram for news about that show and other projects. (via Creative Boom)

 

A figure is surrounded by a chaotic cluster of birds, cars, houses, and other symbols

“Starry Bird 1”

A figure is surrounded by a chaotic cluster of birds, cars, houses, and other symbols and stretches its arms toward a star

“Plan Adviser 1”

A figure on a raft peers down into the ocean with chaotic cluster of symbols and birds

“The World Remade”

A chaotic cluster of birds, cars, houses, and other symbols appear at the bottom of the illustration with a large bird to the right

“Starry Bird 6”

A figure is surrounded by a chaotic cluster of birds, cars, houses, and other symbols

“Starry Bird 4”

A figure rides a car toward a lighthouse with a chaotic cluster of symbols

“Plan Adviser 2”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Frenzied Emotions Swirl Through Changyu Zou’s Poetry-Inspired Illustrations appeared first on Colossal.



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Thursday, May 11, 2023

‘Drip! Drop! Slice!’ Bursts with Color and Texture Inside the You Are Beautiful Gallery

All images courtesy of You Are Beautiful Gallery, shared with permission

Oozing mounds, supple paper pods, and tightly coiled handles capture the vast range of color, texture, and shape within Drip! Drop! Slice! The first guest-curated exhibition at the You Are Beautiful Gallery and the project of Colossal’s founder and publisher Christopher Jobson, the show is vibrant and energetic as it brings several mediums and works by nine artists to the Chicago space. There are tufted tapestries by the anonymous Mz. Icar Collective, Brian Giniewski’s signature drippy pots, and a collection of wildly popular mugs from Lolly Lolly Ceramics, all of which exude the playful, optimistic tone of the You Are Beautiful message.

Find available pieces on the gallery’s site, and stop in to see the works in person through July 8.

 

Mz. Icar Collective

Lalese Stamps of Lolly Lolly Ceramics

Kassandra Guzman of Kuu Pottery

Brian Giniewski & Holly Jean Studios

Dan Lam

Adrianne Hawthorne of Ponnopozz

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article ‘Drip! Drop! Slice!’ Bursts with Color and Texture Inside the You Are Beautiful Gallery appeared first on Colossal.



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Through Gripping Photos, Ryan Newburn Captures the Depths of Iceland’s Ancient Glacial Caves

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

All images © Ryan Newburn, shared with permission

“When you look into the walls of an ice cave, you are looking into the past as if you were suddenly inside of a time capsule that had been buried for 500 to 1,000 years,” says Ryan Newburn. “Every air bubble that you see is oxygen from a different time period. Every speckle of ash is from a different volcanic eruption.”

Raised in Omaha, Nebraska, and now based in Reykjavik, Newburn is closely acquainted with the ice caves that surround his adopted home. He first came to Iceland in 2018, training on the enormous Vatnajokull Glacier before working as an expedition guide and eventually launching his own tour company, Ice Pic Journeys, with his fellow American business partner Mike Reid.

Today, Newburn ventures into the frozen caverns with groups, photographing them and the landscape along the way. His images capture the immensity of the arctic masses, their smooth, ribbed surfaces, and the shapely contours of caverns and rivers carving through the ice. Explorers are often seen in the distance, at the end of a rippling, rocky tunnel or precariously posed beneath a cluster of sharp icicles to showcase the scale of the openings.

Occupying such an ancient and always evolving space is an experience that’s difficult to photograph, Newburn shares, because the constant trickle of melting water, the roar of distant rivers, or even the unique interplay of light and glacier are impossible to depict entirely. “Underneath the ice, where the sun cannot penetrate,” he says, “your eyes slowly adjust from the bright sun to the glowing deep blue crystal walls of the ice cave. The more that your eyes adjust, the more saturated the blue gets. It’s a surreal visual experience that you cannot get from any photo of an ice cave.”

 

An explorer stands in the distance at the center of the opening of an ice cave with icicles hanging above

While shades of blue dominate most of his images, much of the walls are transparent and crystalline, making it appear as if you could “gaze into it for miles.” This clarity, he explains, is because glacial ice has low oxidation, about 10 to 15 percent only, due to the extreme pressure exerted during their formation that forced much of the oxygen from the snow as it compacted.

Although exploring these spaces is dangerous—Newburn emphasizes the necessity of proper gear and a guide who knows the ins and outs of performing crevasse rescues—it’s also an experience that truly only happens once. He elaborates:

What’s even more unreal is realizing that when you discover an ice cave for the very first time, you are the only human that has ever been inside. On a planet where almost every area of land has been explored, the glacier provides you with never-ending caves and structures to discover. This is because the ice is always melting away and forming something new that didn’t exist yesterday and won’t exist next year. This creates an unending sense of wanderlust of what I am going to stumble upon next when exploring.

Newburn shares many of his glacial adventures on Instagram, and you can find more about his company’s expeditions on its site.

 

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

An explorer extends on a rope in the distance at the center of the opening of an ice cave with vibrant blue all around

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

An explorer stands in the distance at the center of the opening of an ice cave with vibrant blue all around

Two explorers stand at the opening of an ice cave

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Through Gripping Photos, Ryan Newburn Captures the Depths of Iceland’s Ancient Glacial Caves appeared first on Colossal.



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Ravishing Roosters and Perky Pigeons Populate Sarah Suplina’s Vibrant Flock of Paper Birds

A rooster made of paper.

Rooster. All images © Sarah Suplina, shared with permission

Drawing on nature’s vibrant patterns, Sarah Suplina replicates the radiant feathers and beady eyes of a variety of birds. The Connecticut-based artist crafts detailed, lifelike animal portraits of species that she selects for their distinctive plumage and expressions, painting on lightly textured watercolor paper to achieve the vivid hues of chickens, ducks, and songbirds. “I love the subtle value and color surprises that I get with watercolors,” she says, using the medium to building up gradients and contrasts that reveal richness and depth.

Taking around six to ten hours to complete, each bird presents its own intricacies and hurdles. “I found the subtle tonal colors of doves to be challenging to capture correctly,” Suplina says. She often selects birds at random, but her surroundings provide a constant source for ideas. One series titled Backyard Beauties captures individuals spotted out her kitchen window, and her current project Dove Love focuses on pigeons and doves she sees around her neighborhood and during walks throughout New York City. “Birds are so full of personality and variations, and they are an artist’s dream to create, especially with paper,” she says.

Suplina’s work will be featured in the forthcoming book Stitched Journeys with Birds: Inspiration to Let Your Creativity Take Flightscheduled for publication in September from Schiffer Craft. You can find intricate originals and prints in her Etsy shop and on Society6. Explore her website to learn more about her work, and find updates on Instagram.

 

A quail made of paper.

Quail

A nesting wood hen made of paper.

Wood Hen

Two goldfinches made of paper.

Goldfinches

A ground dove made of paper.

Ground Dove

Two pigeons made of paper.

Pigeons

Two mourning doves made of paper.

Mourning Doves

A rooster made of paper.

Rooster

Two turtledoves made of paper.

Turtledoves

A titmouse made of paper.

Titmouse

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Ravishing Roosters and Perky Pigeons Populate Sarah Suplina’s Vibrant Flock of Paper Birds appeared first on Colossal.



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how to apply for social security

To apply for Social Security benefits in the United States, you can follow these steps:

  1. Determine your eligibility: You must be at least 62 years old or have a qualifying disability to apply for Social Security benefits.

  2. Gather required information: You will need to provide your Social Security number, birth certificate, W-2 forms or self-employment tax returns, and any other relevant financial documents.

  3. Decide on a filing strategy: You can file for benefits as soon as you're eligible or delay filing to receive a higher benefit. You should consider your personal circumstances and financial goals to determine the best strategy for you.

  4. Apply for benefits: You can apply for Social Security benefits online at the Social Security Administration website, by phone at 1-800-772-1213, or in person at your local Social Security office.

  5. Follow up: After you apply, you can check the status of your application online or by calling the Social Security Administration.

It's important to note that the application process can take several months, so it's a good idea to start the process as soon as possible if you think you may be eligible for benefits.




A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...