RISD Continuing Education Unlocks Your Creative Potential With 7 Online Certificates

By RISD CE Residential Interior Design Certificate student Emily Rives

RISD Continuing Education is excited to continue its online adult art and design learning. This fall, students from around the world can engage in fully asynchronous courses, which offer opportunities to explore new areas of interest, cultivate their creative potential, or develop new skills. For students interested in taking their learning to the next level, RISD CE now offers seven fully online certificate programs for adults:

• Animation
• Graphic Design
• Interactive Design
• Natural Science Illustration
• Painting Studies
• Photography
• Residential Interior Design

RISD CE Certificate Programs are designed to facilitate personal and professional development by engaging students in sustained exploration and learning in specific creative disciplines. These non-credit online certificates equip students with skills, confidence, proficiency, and real-world experience to accelerate creative lives and work. With no entry requirements, students with any background can learn with motivated peers to develop their portfolio, broaden existing skills, explore a new career path or life pursuit, or start their own business and build the network that will help them do it.

Notably, RISD CE certificate programs make it possible for busy adult students to explore a new career direction while continuing to work in their current field, with more flexibility and affordability than a degree, and a focus on building marketable skills and a portfolio. Students complete their coursework at their own pace to fit into their unique life and schedule.

The newly updated Residential Interior Design certificate has become one of the most popular, giving motivated students with a variety of backgrounds the knowledge and skills to get started in a growing professional field. The program was recently redesigned to address the interests and pursuits of students, focusing on residential spaces like kitchens, baths, and outdoor living areas, while ensuring that coursework is streamlined and that the technology utilized aligns with industry standards. The outcome? Students from all over have enrolled to achieve their unique interior design goals, from taking on projects in their own homes to strengthening skills and marketability in related fields like theater set design.

There is still time to get started in a course or certificate program this fall! Courses begin October 30. Online courses for teen students are also available, including the year-round intensive Advanced Program Online.

To learn more, visit ce.risd.edu.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article RISD Continuing Education Unlocks Your Creative Potential With 7 Online Certificates appeared first on Colossal.

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Inky Underwater Plumes Sprawl into Vibrant, Coral-Like Forms in Alberto Seveso’s Collages

All images © Alberto Seveso, shared with permission

Photographer Alberto Seveso (previously) continues his high-speed captures of ink as it disperses in water, this time inspired by marine organisms. As its name suggests, The Reef is a collection that spotlights vivid plumes in shades of greens, pinks, and oranges digitally altered to evoke coral-like forms. The series was born out of a holiday spent in a remote, largely uninhabited region in the Andaman Sea, where Seveso encountered a lush jungle and wide, sandy beaches. He shares:

The island’s fauna is rich with exotic species. It’s not uncommon to spot colorful hornbills, charming spectacled langur monkeys, and elusive flying lemurs. However, it was within its coral reef that I became utterly captivated…I was mesmerized by the beauty and diversity of shapes and colours—a world teeming with life, a glimpse of rare beauty constantly threatened by human activities.

To create the series, Seveso collaged several images of suspended ink and added texture and shape to the specimens. The resulting works reference the supple, sinuous bodies of the invertebrates through lively color.

Seveso is currently living in Bangkok, and you can find more of his work on Behance and Instagram.

 

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A Colossal Interview: Morel Doucet on Beauty, Gentrification, and Why He Uses Poetry to Tell His Story

“God Told Me Stars Used to Be Audible Through the Window Sills” (2023), mixed media on wooden panel, mylar, aerosol paint, metal, steel, and indigenous flora patterns, 70 x 62.5 feet. All images © Morel Doucet, shared with permission

Whether working with porcelain or spray paint on wood panel, Morel Doucet begins with beauty. In a new conversation with Colossal, he discusses why he wants to entice viewers and tempt even the most unexpected audiences to engage with issues of displacement, the climate crisis, and what it means to be an immigrant in the U.S. He approaches his activism similarly because, to him, they’re one and the same. He says:

As an artist, the work that I make is inherently political. I consider all of my work to be double-edged swords: they entice and lure the viewer with beauty while reminding them of their complacency within the dying environment. I don’t have to say I’m an activist. The work that I make is inherently that.

This conversation occurred in September 2023, a few months after the artist closed his first solo exhibition at Galerie Myrtis and premiered his works in Chicago in At the Precipice: Responses to the Climate Crisis. We discuss those milestones, how his upbringing on his grandfather’s farm laid the foundation for his work, his proclivity for poetry, and why it’s important for him to tell his own stories.

Read the conversation. 

 

“Gardenias” (2019), porcelain ceramic with cast altered forms, 10 X 12 x 15 inches. Photo by David Gary Lloyd

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Colossal Interview: Morel Doucet on Beauty, Gentrification, and Why He Uses Poetry to Tell His Story appeared first on Colossal.

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Roomy Toadstool With a View: Nicole Gustafsson’s Vibrant Mushrooms Are Move-In Ready

“Amethyst Deceiver.” All images © Nicole Gustafsson, shared with permission

Nestled in the stalks of toadstools and fans of turkey tails, illuminated doors and windows invite us in to Nicole Gustafsson’s growing collection of mushroom dwellings. The artist, also known as Nimasprout, creates vibrant paintings and illustrations of fantastical worlds (previously), and she recently returned to a theme recurring in her practice since the beginning: home.

During the past few years, this theme spurred a series of small paintings featuring houses nestled into the forest floor. When Nucleus Portland supplied Gustafsson with a couple of basic wooden mushroom shapes earlier this year for an exhibition titled Clusters, she created 3D pieces for the first time. She says:

I found smaller wood mushroom shapes that I could keep trying out different ways to alter and make even tinier little houses from. The smaller size also allowed me to make more of an environment to nestle the mushroom sculpture into…It was around here that I started thinking of the project as ‘mushroom summer,’ and I was going to keep working on mushrooms until I tried everything I wanted to.

 

“Cozy Turkey Tail”

Gustafsson often draws on other peoples’ interests, which inspire miniature circle paintings customized to their favorite species. “Part of the fun of talking about nature with others is finding out what types of mushrooms people really enjoy imagery-wise, cooking with, foraging, etc.,” she says. The commissions are determined using prompts, such as mushroom types, colors, time of day, and weather.

“The idea of being immersed under leaves and tucked away in a cozy space is really appealing,” the artist says. “At a small size, every little leaf and turn around a log can be a whole new world to explore.”

While commissions for new custom paintings are currently on hold, Gustafsson has a range of small works, prints, and stickers available in her shop, and you can follow her on Instagram for updates.

 

“Dew Drop Glade”

“Lighthouse Mushie”

“Mushroom Grove”

“Mushroom Marsh House”

“Pixie Mushroom”

“Tropical Mushroom House”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Roomy Toadstool With a View: Nicole Gustafsson’s Vibrant Mushrooms Are Move-In Ready appeared first on Colossal.

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An Expansive New Volume Cultivates Our Global Love for Gardens

Ebony G. Patterson, “…below the crows, a blue purse sits between the blades, shoes among the petals, a cockerel comes to witness…” (2019), mixed media, 110 × 98 × 6 inches. Image courtesy of the artist, Monique Meloche Gallery, and Hales New York/London

Spanning more than four millennia of horticultural heritage, a forthcoming tome from Phaidon celebrates the diverse mediums, trends, and traditions of gardens around the globe. Brimming with more than 300 full-color illustrations, Garden: Exploring the Horticultural World encompasses how geography, time periods, and purpose influence myriad landscape designs and gardening culture, along with numerous other art forms.

Garden highlights a vast range of art and ephemera, including plans for historic royal properties, how-to guides, maps, and representations in pop culture. From a Japanese tea garden fashioned from LEGO to an 18th-century Mughal garden in India to Monsieur Plant’s hydroponic system inside an iMac, the expansive tome showcases the immense breadth and imagination in gardens of all shapes and sizes.

Pre-order your copy on Bookshop.

 

Casey Boyden, “Japanese Tea Garden” (2007), LEGO, 10 1/4 × 17 3/4 × 11 3/4 inches. Image courtesy of the artist

Hafiz Nurallah, “A View of Shalimar Bagh, Srinagar, from the Polier Album” (c.1780), opaque watercolor heightened with gold on paper, 9 ½ × 14 ½ inches. Image courtesy of Sotheby’s

Christophe Guinet (Monsieur Plant), “Plant Your Mac!” (2020), mixed media, 23 5/8 × 12 5/8 inches. Image © the artist

John Haynes, “The Physic Garden, Chelsea: A Plan View” (1751), engraving with watercolor, 24 ¼ × 18 ¾ inches. Image courtesy of the Wellcome Collection, London

Bernardino de Sahagún, “General History of the Things of New Spain: The Florentine Codex” (1577), ink on paper, each page 12 ¼ × 8 ¼ inches, Biblioteca Medicea Laurenziana, Florence. Image courtesy of Library of Congress, Rare Book and Special Collections Division

Claire Takacs, “Trompe l’oeil, Schwetzingen Palace, Mittelbau Schloss, Germany” (2016), photograph, dimensions variable. Image © the artist

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article An Expansive New Volume Cultivates Our Global Love for Gardens appeared first on Colossal.

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Warped Sculptures Suspend Novels, Guidebooks, and Other Print Objects in Borax Crystals

“Highway 1 California: The dream along the Pacific” (2021). All images © Alexis Arnold, shared with permission

For more than a decade, Alexis Arnold has been intrigued by the evolving nature of print. Her ongoing collection, titled Crystallized Books, transforms novels, guides, and maps into gleaming sculptures that consider how we value and use objects. “While I started the series in 2011 partly as a reaction to the vulnerability of printed media, it’s been nice to see a return to the cultural value of printed media while working on the series over the past 12 years. It’s also been interesting (and at times technically frustrating) to see the quality of book printing and binding decline as I’ve been working on the series,” she says.

To create the works, the Oakland-based artist (previously) submerges found volumes into a hot bath of water and borax. “When water boils, its molecules expand, and as the saturated water cools again, the molecules shrink and any excess borax crystallizes,” Arnold tells Colossal. Out of the pools come books coated with dense, translucent clusters that stabilize the objects as warped, crinkled mounds.

Because the crystals make the text difficult—or impossible—to parse, the books in the series become notable for their materiality. Many of the titles Arnold works with have cultural or personal importance, like To Kill a Mockingbird or A Tree Grows in Brooklyn, while others reference the waning relevance of print. Field guides and maps are often available online, for example, making a book less necessary but also more precious as a relic of times past.

Read more about Arnold’s practice and peruse an archive of her projects on her site and Instagram.

 

Detail of “Poems” (2023)

“Audubon rock and mineral field guide” (2019)

“A Tree Grows in Brooklyn” (2020)

“Smithsonian rock and mineral guide” (2019)

“To Kill a Mockingbird” (2021)

“Islamic Maps” (2022)

“Tai Pan” (2020)

“Harry Potter and the Prisoner of Azkaban” (2021)

“To Kill a Mockingbird” (2021)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Warped Sculptures Suspend Novels, Guidebooks, and Other Print Objects in Borax Crystals appeared first on Colossal.

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Anatomical Details Emerge From Found Coral and Shells in Gregory Halili’s Intricate Sculptures

Photos by Silverlens Gallery and Gregory Halili. All images © the artist, shared with permission

From a vast array of coral, shells, agates, and more, Gregory Halili (previously) shapes anatomical features and cosmic phenomena in intricate detail. The artist uses iridescent mother-of-pearl to accentuate round skulls or teardrops leaking from eyes, working with the inherent natural shapes and textures of materials he finds around his studio, located about an hour south of Manila.

Several years ago, Halili began carving lifelike miniature skulls into shells he found on beaches around the Philippines. He also uses oil paint to render minuscule details of individual eyes, painted on the reverse of transparent glass or crystal. Since then, his practice has evolved to include larger pieces that incorporate an array of smaller works and natural materials. He says:

I started to create these massive works filled with miniature paintings and objects. I’m a painter, but I learned to create sculptures, to weld, use cutting and power tools, and drill into stones and metals…My method and thinking process is still painterly, creating the works as layers, constructing and deconstructing them, and figuring out the forms and gestures as I create.

Halili’s Coments, a recent series of assemblages, expands on the ritual of searching for and recontextualizing found objects, ranging from metal to minerals to antiques. Each sculpture contains more than a hundred items found along beaches, at flea markets, and in antique stores. “These works are about renewal, return, and reincarnation,” he says, emphasizing how disused or abandoned objects find new life in his work.

Halili’s work is currently on view at the National Museum of the Philippines in Placuna placenta: Capis Shells and Windows to Indigenous Artistry. You can find more on Instagram.

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Anatomical Details Emerge From Found Coral and Shells in Gregory Halili’s Intricate Sculptures appeared first on Colossal.

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