Ugo Rondinone’s 20-Foot Bolts of Lightning Pierce Through a Tempestuous Gallery

Installation view, bright light shining’ at Gladstone Gallery (2023). All images © Gladstone Gallery, courtesy of the artist and Gladstone Gallery, shared with permission

Artist Ugo Rondinone (previously) captures the explosive energy of lightning as part of his latest exhibition bright shining light. On view through November 9 at Gladstone Gallery, a trio of bronze sculptures stand more than 20 feet tall, piercing the otherwise gray gallery. Painted in dayglo yellow, the bold hue evokes a radiant incandescence of striking bolts as they branch down from the ceiling.

When the viewer moves around and through the pieces, their distinct shapes and directions change. As the exhibition photos reveal, the branch-like works appear almost animated, shifting in choreographed movement depending on the viewer’s perspective. Their titles—”sublime light,” “glorious light,” and “blissful light”—more directly invoke Rondinone’s interest in the divine and transcendence and add to the strange, dreamlike qualities of the works.

The artist’s smaller, wall-based “alluring cloud” is also included in bright shining light. Made of sand, gravel, and concrete, the nebulous piece hangs in a corner of the gallery and freezes another brief moment in time. “alluring cloud” more explicitly links Earth and sky through its materials and subject matter, and this duality matches others within the exhibition, including between artificial and natural and electric and non. Rondinone “captures the excitement, fear, and impending change brought on by environmental happenings, seemingly out of our control,” a statement says.

Find more from the artist on his site and Instagram. (via Design Milk)

 

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Ultra-Practical Purses and Homewares by Nikolas Bentel Have Exactly One Ridiculous Job

Pizza Bag

Who needs the whole pizza when a single slice can look this nice? Nikolas Bentel (previously) thinks it’s time to level up the way you take home your pie—or hot dog, soda, or pasta, for that matter. A series of fashion accessories and homewares reimagine recognizable items like electrical cables or picnic blanket carriers into objects so hyper-practical that they nearly break the rules of functionality altogether.

Akin to Nicole McLaughlin’s clever apparel or art collective MSCHF’s cartoonish accessories, Bentel’s pieces are designed to accomplish exactly one job. Sling a single bottle of cola in a pair of buckled straps, and off you go.

See more of the artist’s work on his website, where he sells pieces in his shop, and get updates on Instagram and TikTok. You might also enjoy this leather bag by Tsuchiya Kaban designed to hold precisely one watermelon.

 

Hot Dog Purse

Extra Time Timer

The Bloom Candle

Untitled Folder Wallet

Folder Wallets

The Pasta Bag 3

Electric Cord Bag

The Vincent Vase

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S’well Pairs Art With Sustainability for a Limited-Edition Timothy Goodman Collection

Timothy Goodman x S’well Original Bottles. All photos by Colors Collective

Award-winning artist and designer Timothy Goodman has joined forces with S’well, the industry pioneer of stylish and sustainable living solutions, to release an exclusive collection of S’well Original Bottles and Tumblers featuring his iconic handwritten quotes. Known for his unique lettering designs and thought-provoking messages, Goodman’s art and texts have populated walls, packaging, clothes, products, and magazine covers for brands such as Apple, Nike, Google, Samsung, MoMA, Netflix, YSL, Time, The New Yorker, and The New York Times. 

Timothy Goodman x S’well includes four of the company’s best-selling hydration products, each featuring a quote from the artist about love and compassion. He shares his enthusiasm for the collaboration, saying, “I am thrilled to partner with S’well on this limited-edition collection. One of my goals is to make art accessible for everyone, so it’s my hope that these products will not only bring people joy but also serve as a reminder of the importance of artistic expression in our everyday lives in a sustainable way.” 

Founded in 2010 to help rid the world of single-use plastic bottles, S’well has established itself as a leading force in the industry. Recognized as the first company to develop reusable fashion hydration accessories, S’well products combine beautiful design and premium performance with sustainability. By partnering with Goodman, S’well aims to highlight the artist’s unique style and voice while emphasizing its commitment to pairing artistic design with sustainable solutions.

The Timothy Goodman x S’well collaboration is now available exclusively at swell.com.

For more information, please visit swell.com or follow @swellbottle on social media.

 

Timothy Goodman x S’well Tumbler with Straw

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Thin Strips of Colorful Vinyl Spill Over Derrick Velasquez’s Wooden Sculptures

“Untitled 290” (2021), vinyl and wood, 23 X 21 X 1.25 inches. All images courtesy of Pentimenti Gallery, shared with permission

Gracefully stacked atop humble wooden shapes, thin strips of vinyl create kaleidoscopic planes in the sculptures of Derrick Velasquez. The Denver-based artist draws on the principles of color theory to create wall-based works with innumerable layers evocative of sediment or brushstrokes. All finished with staggered edges that curl upwards, the pieces are part of Velasquez’s Untitled series, which utilizes the same curved shape and varies in palette and size. “Slowly building these sculptures becomes akin to layers upon layers of the experiences and connections we make inviting a perceptual encounter and a tactile experience,” he says.

The works shown here are part of Velasquez’s solo show Close To The Memory Of on view from November 7 to December 22 at Pentimenti Gallery in Philadelphia. Find more of his sculptures on his site and Instagram.

 

“Untitled 389” (2023), vinyl and cherry, 54 x 30 x 1.5 inches

“Untitled 386” (2023), vinyl and maple, 46 x 40 x 1 inches

“Untitled 388” (2023), vinyl and maple, 46 x 35 x 1 inches

“Untitled 393” (2023), vinyl and cherry, 24 x 29 x 1 inches

“Untitled 366” (2023), vinyl and maple, 25 x 29 x 1 inches

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In ‘Atacama,’ Renewable Energy and Mining Converge in a Stunning Bird’s-Eye View of Human Impact

Valle de los Vientos Wind Farm, Atacama Desert, Chile (2017). All images © Jamey Stillings, courtesy of Steidl, shared with permission

An arid region with uncanny similarities to Mars, the Atacama Desert is sparsely inhabited by animal life but rich in mineral deposits. Located west of the Andes Mountains in northern Chile, the area is home to massive mines harvesting a third of the world’s copper and lithium supplies. These extractions date back to at least the 19th century, having scarred and damaged the landscape in the process.

The same dry, sun-soaked qualities that make the Atacama inhospitable uniquely position it as a lucrative site for generating wind and solar power, two forms of renewable energy that stand in opposition to the region’s history of fossil-fuel dependence. Santa Fe-based photographer Jamey Stillings spent part of 2017 flying over the region documenting the shift toward sustainable sources, now compiled in a recent book published by Steidl.

Dozens of aerial images fill the 160 pages of Atacama: Renewable Energy and Mining in the High Desert of Chile, juxtaposing the older mines with the newer solar and wind plants. Stillings not only captures the beautiful and saddening sights most humans will never witness firsthand but also illuminates our current crossroads: as we collectively consider how to live in ways that are less ecologically destructive, we also need to plan for realistic, and even obvious, alternatives like those available in Atacama and clearly identify how we’ll transition from one system to the next.

Atacama is available on Bookshop, and you can find more from the series, along with Stillings’ other projects, on Instagram.

 

Cerro Dominador Concentrated Solar Plant under construction, Chile (2017)

El Romero Solar Photovoltaic Plant, Chile (2017)

Mina SQM Lithium Mine, Salar de Atacama, Chile (2017)

Aerial landscape, Atacama region, Chile (2017)

Pampa Elvira Solar Thermal Plant located at Minera Gaby Copper Mine, Chile (2017). ‘Atacama’ book cover

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The BBC’s Award-Winning ‘Planet Earth’ Returns for a Thrilling Yet Alarming Third Series

The BBC’s award-winning series Planet Earth returned this month with eight episodic documentaries that showcase the most awe-inspiring, miraculous, and seemingly impossible-to-capture sights of the natural world. As usual, the stunning footage is paired with the iconic voice of now 97-year-old Sir David Attenborough and captures a wide range of animal life, from a rhinoceros lumbering through city streets to flamingoes attempting to nest among the flooded lands of the Yucatán Penninsula.

Shot in 43 countries for the past five years, the episodes are thematic, focusing on ecosystems like oceans and forests or topics like extreme living conditions and human impacts. As should be expected with anything planet-related in 2023, critics are warning that this season is as beautiful as it is frightening. The series includes the usual animal antics and predator vs. prey relationships, along with necessary adaptations and struggles faced by life on a planet facing catastrophic collapse and habitat destruction.

Watch the trailer above, and mark your calendars for November 4 when Planet Earth III premieres on BBC America in the U.S.

 

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Over 100 Spectacular Artworks Line an Australian Beach for the Annual ‘Sculpture by the Sea’

The Glue Society, “Hot with A Chance of a Late Storm” (2006). Photo by Louise Beaumont. All images courtesy of Sculpture by the Sea, shared with permission

From a beefy seated gorilla to a sleek shell with human legs, a spectacular collection of public artworks currently populates the walk from Bondi to Tanarama beaches on Australia’s southwest coast. Celebrating its 25th year in this location, the annual Sculpture by the Sea festival showcases more than 100 pieces in various mediums, styles, and sizes, all bordering the Pacific Ocean. Through early November, visitors to the two-kilometer stretch will encounter Gleb Dusavitskiy’s enormous pair of wings that soar into the sky, geometric shapes of translucent color by Emryn Ingram-Shute, and The Glue Society’s gloopy, melting ice cream truck, which debuted in the event’s 2006 edition.

Although temporary, Sculpture by the Sea is one of the largest outdoor sculpture parks in the world and on view through November 6. See more from the 2023 edition on Instagram.

 

Gleb Dusavitskiy, “I Believe I Can Fly.” Photo by Tyr Liang

Emryn Ingram-Shute, “No Colour in War.” Photo by Tyr Liang

Top left: Eiji Hayakawa, “Giant in the Forest.” Photo by Charlotte Curd. Top right: Markus Hofer, “Serum.” Photo by Henri Fanti. Bottom left: Laurence Edwards, “Man of Stones” (2022). Photo by Charlotte Curd. Bottom right: Osamu Ohnishi and Masako Ohnishi, “HITSUJI Hideout.” Photo by Henri Fanti

Tsukasa Nakahara, “Water Blocks 19-11” (2021). Photo by Charlotte Curd

“Keep Walking.” Photo by Charlotte Curd

The Glue Society and James Dive, “Hot With the Chance Of A Late Storm” (2006-2022). Photo by Charlotte Curd

Juan Pablo Pinto and Cristian Rojas, “The Hermitage.” Photo by Charlotte Curd

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