Wednesday, November 1, 2023

November 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

a vibrant feathered mural in a city with a person walking in front

Mural by Adele Renault

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

$3,500 Artist Grants | The Hopper PrizeFeatured
The Hopper Prize offers two awards of $3,500 and four of $1,000. Submissions will be juried by Laura Phipps, Assistant Curator of the Whitney Museum of American Art, and Rachel Winter, Assistant Curator of the Eli and Edythe Broad Art Museum. Thirty artists will be selected for a shortlist. This is an international open call, and all visual media is eligible.
Deadline: 11:59 p.m. PST on November 14, 2023.

On::View Artist ResidencyFeatured
Located in the heart of Savannah’s Starland District, this one-month residency provides a free, high-visibility studio for an artist to complete a new or existing project or to research conceptual, material, performative, and social practices. The program is open to artists from around the world working in any medium and includes an exhibition opportunity.
Deadline: 11:59 p.m. ET on December 1, 2023.

2024 NOT REAL ART Grant for ArtistsFeatured
Six visual artists based in the U.S. and working in any 2D or 3D medium will win a no-strings-attached cash award of $2,000, plus PR and marketing support. There’s no application fee.
Deadline: 11:59 p.m. PT on January 1, 2024.

 

Open Calls

Beam Center NYC Open Call (International)
The center seeks proposals for public artworks that will be realized by a community of more than 100 young people in NYC. Artists receive a $5,000 award and a $15,000 fabrication budget.
Deadline: 11:59 p.m. ET on November 6, 2023.

The 10th International Landscape Photographer of the Year (International)
This contest awards winners $10,000 in cash prizes, inclusion in a photo book, and NiSi filter outfits and tripods. Entry is free until November 8.
Deadline: November 15, 2023.

Third Annual Festival Dei Lumi Open Call (International)
Video artists working on pieces that explore the intersection of art, nature, and ecological thinking are encouraged to submit to this annual festival. There is a €10 submission fee.
Deadline: November 22, 2023. 

Arte Laguna Prize  (International)
The 18th annual Arte Laguna Prize is open to artists working across disciplines who want to exhibit their work in Venice. There is a €149 application fee.
Deadline: November 22, 2023.

Locust Projects Project Room Open Call  (International)
Artists are invited to submit proposals for installations that haven’t been previously exhibited to be shown at the new Locust space in Miami. Successful applicants will receive a $5,000 project budget, a $3,100 artist fee, and aid for travel and accommodations.
Deadline: November 30, 2023.

BLINK Cincinnati Call for Artists  (International)
BLINK, Illuminated by ArtsWave, is calling for artists working in light-based experiential installation, murals, projection mapping, digital art, or animation to submit proposals. BLINK plans to commission 12 to 15 new murals, 30 to 40 temporary lighted installations, and 30 to 35 projection/digital animation installations.
Deadline: December 15, 2023.

Prisma Art Prize (International)
Open to emerging painters and artists, this quarterly competition awards €2,000 in cash and €3,000 in services annually, plus exhibition opportunities. There is a €29 submission fee.
Deadline: January 11, 2024.

Outwin Boochever Portrait Competition 2025 (United States, Puerto Rico, Guam, the Northern Mariana Islands, American Samoa, and the U.S. Virgin Islands)
This portrait competition is open to all media, including painting, drawing, sculpture, photography, printmaking, textiles, video, performance art, and digital or time-based art. One winner will receive $25,000 and a commission to portray a remarkable living American for the National Portrait Gallery’s collection. Other prizes range from $1,000 to $10,000, and all finalists will be included in an exhibition. There is a $50 entry fee.
Deadline: Midnight MT on January 26, 2024.

Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.

 

Grants

California Documentary Project Grants (California)
This grant supports documentary film, audio, and digital media projects about California. Funding is available for research and development (up to $15,000), production (up to $50,000), and in DP NextGen Grants (up to $15,000).
Deadline: November 1, 2023.

National Sculpture Society Stanley Bleifeld Memorial Grant (U.S.)
This annual $5,000 prize is awarded to one sculptor working in the round and in bas-relief who has been inspired by nature.
Deadline: November 6, 2023.

Rathaus Film Grant (Detroit)
This $10,000 grant supports the development, production, or installation of a film or video art project. Artists should plan to complete the proposed project within one year of receiving the award.
Deadline: 12 p.m. ET on November 10, 2023.

Eugenie Designer Grant (Detroit)
This $10,000 grant supports Detroit-based fashion designers prioritizing sustainable practices. Applications should include a proposed project to be completed within one year of receiving the award.
Deadline: November 10, 2023.

The David Prize (New York)
Five New Yorkers will receive $200,000 awards for projects that help their home city. Projects can vary in topic and field and include art and culture, workforce and economic development, civic engagement, environment and sustainability, immigrant rights, food and nutrition, and more.
Deadline: November 13, 2023.

Women’s Studio Workshop Grants  (U.S.)
Women’s Studio Workshop has several funding opportunities open to artists working in bookmaking, printmaking, and other paper-based mediums.
Deadline: November 15, 2023.

Nordic PhotoBook Award  (Norway)
Photographers with a cohesive body of work interested in publishing a book are invited to apply for this Kr 200,000 award to support the production, distribution, and promotion of the work.
Deadline: January 1, 2024.

The Adolf and Esther Gottlieb Emergency Grant  (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from actively exhibiting visual artists who are painters, sculptors, and artists who work on paper, including printmakers. Grants are intended for one year and range up to $50,000. The individual circumstances of the artist determine the size of the grant, and professional exhibition history is taken into consideration.
Deadline: Rolling.

 

Residencies, Fellowships, & More

A.I.R. Fellowship Program (New York)
Six underrepresented and emerging women and non-binary artists will be awarded a year-long fellowship to develop and exhibit a project at A.I.R. Gallery. Selected applicants receive a stipend, access to gallery space, and support.
Deadline: 11:59 p.m. ET on November 1, 2023.

Squeaky Wheel Workspace Residency (U.S.)
This residency supports filmmakers, writers, critics, curators, artists, and other practitioners working in media arts. Residents receive a $1,200 stipend, $400 in travel, accommodations, studio space, and an optional $900 financial assistance for disability or childcare.
Deadline: November 3, 2023.

MASS MoCA’s Artist Residency Program (International)
Applications are open for MASS MoCA’s residencies for artists, writers, and performers in the second half of 2024. Fully funded scholarships are available, and residents receive studio space and housing.
Deadline: 11 p.m. on November 8, 2023.

Artspace Pathways: A Native Space Initiative (Select U.S. states)
This program supports Native American arts and cultural organizations through a one-year virtual cohort. The goal is to assist organizations in professional development and finding physical spaces to work.
Deadline: November 10, 2023.

The Goethe-Institut Boston Studio 170 Residencies (New England)
This two-week residency program is open to projects of all types, including installations/exhibitions, performances/actions, artist talks, panel discussions, author readings, film screenings, digital projects, and more. Successful applicants are given access to several indoor and outdoor spaces, along with a $1,000 stipend and a $1,000 project budget.
Deadline: November 17, 2023.

Quinn Emanuel London Artist in Residence (London)
Emerging and mid-career artists working in all disciplines are eligible for this residency from January to May 2024. One chosen applicant will receive a £12,000 stipend, £1,000 material budget, and studio space.
Deadline: 11:59 p.m. GMT on November 19, 2023.

SmackMellon Artist Studio Program (New York City)
Six emerging or early career artists working in all visual arts mediums will be awarded private studio space.
Deadline: November 20, 2023.

2024 Bernheim Artist in Residence (International)
This program focuses on multi-disciplinary explorations of our relationship with nature. Two residencies are available: the regional program for local artists and another for artists working with the climate crisis. Both offer a $2,500 stipend, living and studio spaces, and research opportunities.
Deadline: Midnight ET on November 27, 2023.

Foundation House Artist Residency Program (International)
Six residents receive a $500 stipend, a private bedroom and bathroom, meals, and studio space. The residency will run from January 26 to February 4, 2024.
Deadline: 11:59 p.m. ET on December 3, 2023.

Arts/Industry at John Michael Kohler Arts Center (International)
Open to all disciplines, this program selects twelve artists each year for three-month pottery and foundry residencies. No experience with clay or cast metal is required, just an interest in pursuing a new body of work and being open to new ideas. Residents receive a $160 weekly stipend, studio space, housing, transportation, industrial materials, equipment, and more.
Deadline: February 1, 2024.

Hunter Moon Homestead Artist Residency (International)
Artists and arts educators working across disciplines are invited to apply to this program in Palouse. Residents receive one- to three-week stays, with lodging and studio space included.
Deadline: Rolling.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article November 2023 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.



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Tuesday, October 31, 2023

Cosmic Creatures Meet Mystical Geometry in Bunnie Reiss’ Murals and Illustrations

A painting of a patterned wolf.

All images © Bunnie Reiss, shared with permission

For Bunnie Reiss, the studio can take her anywhere. From her art-filled desert home near Joshua Tree, California, to walls in cities around the country, her surroundings transform into her canvas. “I want to be the sort of artist that gives people something to look at for free and make it accessible,” she tells Colossal. From murals to paintings to moving sculptures, she takes a prolific approach, constantly experimenting with different media.

Reiss is known for her colorful, cosmic characters with an emphasis on patterns and a symbiosis between wild animals, botanicals, and people. An ongoing series of hand-painted leather gloves features embellished eye motifs, symmetry, and sacred geometry. Spreading feelings of positivity and creativity out into the world is central to Reiss’ approach, especially through the medium of public art. “When you put your energy into one thing, it’ll work,” she says. “You have to trust that we are electrical beings, and if you’re dumping all of your energy into something, it will work.”

Pushing her skills into new territory, Reiss recently completed a 500-square-foot mosaic mural and a sculpture of a giant rabbit leaping over a rooftop, constructed on the chassis of a truck. “I kept thinking of this constellation called Lepus,” Reiss says of the piece titled “The Sky Rabbit’s House,” which she completed in collaboration with a team of fabricators. “It’s a winter constellation, and I can see it from my porch. It’s a moving sculpture on a street-legal car—I love cars, so that was really important to me—and it was made for people to fall in love. There’s a cavity for people to sit in, and it’s a place for connectivity.”

Reiss is currently working on illustrations for a children’s book and organizing a monograph, highlighting work she has made over the past ten years. You can explore much more of the artist’s work on her website, and follow updates on Instagram.

 

A mural of a buffalo with geometric botanical shapes around it, on a wall in Buffalo, NY

“Magic Buffalo,” Buffalo, New York. Image courtesy of Albright-Knox Museum Public Arts Initiative, Buffalo, New York

A sculpture on a car featuring a mosaic rabbit jumping over a house.

“The Sky Rabbit’s House.” Photo by Duncan Rawlinson

A mural of a deer surrounded but geometric floral shapes.

Carbondale, Colorado. Image courtesy of Carbondale Public Arts Program, Carbondale, Colorado

An illustration of a hand with geometric botanical shapes.

A mural of a fox on a blue background with geometric shapes.

El Segundo, California. Commissioned by the El Segundo Arts Council

A mosaic mural of a wold under a sun.

An illustration of a geometric bird with large eyes and botanical details.  An illustration of a geometric bird-figure with large eyes and botanical details.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Cosmic Creatures Meet Mystical Geometry in Bunnie Reiss’ Murals and Illustrations appeared first on Colossal.



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Paint Whirls Through a Sea of Color and the Melodies of Chopin in a New Video by Thomas Blanchard

A vivacious troupe of colorful paint blobs dance across a stage of oil and soap liquid in Thomas Blanchard’s latest video. Sliding around to the sounds of Chopin’s “Nocturne Op. 9 No. 2 (E Flat Major),” glittering spheres roll mesmerizingly across shimmering fields of color, which Blanchard (previously) captures in high-definition, slow-motion elegance.

Watch “Colorful Liquids in Motion” above, and find more on the artist’s website and Vimeo.

 

A still from a video made using a macro lens to capture colorful blobs of paint floating around in oil and soap liquid to the sound of Chopin.

All images © Thomas Blanchard

A GIF from a video made using a macro lens to capture colorful blobs of paint floating around in oil and soap liquid to the sound of Chopin.

A still from a video made using a macro lens to capture colorful blobs of paint floating around in oil and soap liquid to the sound of Chopin.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Paint Whirls Through a Sea of Color and the Melodies of Chopin in a New Video by Thomas Blanchard appeared first on Colossal.



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Kinetic Botanical Sculptures by William Darrell Wriggle and Writhe in Hypnotic Motion

an animated image of a yellow flower like sculpture

“Ostara.” All images © William Darrell, shared with permission

William Darrell describes his kinetic sculptures as “mechanically abstracted organisms,” animated forms that pulse, shimmy, and spin with lifelike motion. The London-based artist is inspired by the relationship between the organic and the mechanical along with the enticing, mesmerizing qualities of movement that can coax “fear or fascination” from the viewer. “There are cuttlefish that hypnotise their prey in order to catch them,” he says. “As an artist, I follow a similar method.”

Darrell 3D-prints each work to achieve the necessary level of precision. Every component needs to align perfectly to create such methodical, entrancing motions, powered by a single motor and a mix of gears, belts, magnets, cams, and elastic bands. Darrell shares:

I engage in kinaesthetic play with my prototypes, discovering new ways they can revolve and move together. I’m a self-taught engineer, and I always try to do something new that I haven’t seen before. Steadily, they get more complex over time, and sometimes something completely unexpected jumps out at me, bringing on a new wave of development.

The result is a diverse collection of sculptures that meld the form of botanicals with restless animal movements. Reactions “(vary) from viewer to viewer. For some, it’s a purely pleasurable experience, for others too stimulating and even perverse,” he shares.

Watch more of Darrell’s uncanny mechanics on Instagram.

 

two floral sculptures with pink petals emerging from dirt

“Optimism Bloom”

an animated image of a purple sculpture

“Oneiros”

a close up of a floral sculpture with pink tendrils

Detail of “Optimism Bloom”

two white petaled floral sculptures

“The Institute of Sex and Consumption”

a yellow floral sculpture

“Ostara”

a purple sculpture on a wall

“Oneiros”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Kinetic Botanical Sculptures by William Darrell Wriggle and Writhe in Hypnotic Motion appeared first on Colossal.



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Monday, October 30, 2023

An Elegant ‘Bamboo Cloud’ Floats Over Manhattan’s Gansevoort Plaza

An architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo.

Photo by Jennifer Trahan. All images © llLab. Architects

Earlier this month, a couple of airy clouds floated over Gansevoort Plaza in Manhattan, although unlike those you’d usually see wafting overhead, these clouds descended a bit closer to Earth. NYCxDESIGN invited Shanghai-based architecture studio llLab. to design a pavilion as part of New York City’s annual architecture festival, Archtober.

llLab. combined form and function in “Bamboo Cloud,” a sculptural oasis in the busy square, highlighting the elegance, strength, and flexibility of the material. The frame, nearly invisible beneath the woven exterior, holds the organic forms aloft above the pavement, “providing a place for spontaneous encounters and gatherings.”

llLab. has worked extensively with bamboo in many of their projects, which you can explore in-depth on the studio’s website and Instagram.

 

An architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo, viewed from above.

Photo by Jennifer Trahan

An architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo, viewed from above.

Photo by Xi Chen and Chris King

A detail of an architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo, viewed from above.

Photo by Xi Chen and Chris King

People seated beneath an architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo.

Photo by Xi Chen and Chris King

The Manhattan skyline with a pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo.

Photo by Xi Chen and Chris King

A detail of an architectural pavilion in Gansevoort Plaza, Manhattan, made of woven bamboo.

Photo by Jennifer Trahan

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article An Elegant ‘Bamboo Cloud’ Floats Over Manhattan’s Gansevoort Plaza appeared first on Colossal.



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Folkloric Figures Emerge in Malene Hartmann Rasmussen’s Shapeshifting Ceramics

A ceramic sculpture of twenty snakes woven together like a basket weave.

“Viper Weave #8” (2023). Photos by Sylvain Deleu. All images © Malene Hartmann Rasmussen, shared with permission

“Folklore relating to Scandinavia is a great inspiration and something I have grown up with during my childhood and adolescence in my native Denmark,” says Malene Hartmann Rasmussen, whose enigmatic ceramics draw from personal memories, nostalgia, and ancient customs. “Harvest rituals such as the tradition of making corn dollies, at Christmas-time when you have to make sure the gnomes are happy and well-fed, the Lucia processions we did every year in school, Jule-bukken—the yule-goat—that was the more sinister predecessor of Santa Claus, and trolls of all sorts are all things I remember from my childhood.”

Rasmussen’s sculptures often shapeshift, at first glance appearing like a cluster of foliage, pinecones, or berries and on closer inspection revealing a troll’s bearded face. In “Treasure,” a basket brimming with colorful gems turns out to be woven of snakes, similar to the writhing “Viper Weave #8,” in which 20 squirming reptiles comprise the warp and weft. Other works depict creatures we associate with darkness or omens, such as spiders, with additional jewel-like embellishments and cheerful, pastel colors.

 

A slew of ceramic spiders photographed on a violet background.

“Spiders” (2021)

In “The Tired Lioness,” Rasmussen pulls inspiration from a precious family album, particularly a page where her mother captioned one image, “The tired mom.” The artist says the people photographed “look a bit off. So I dedicated my ‘Lioness’ to my mom and all the other tired moms and dysfunctional families out there.”

Rasmussen has long been intrigued by hybrid creatures, including the human-plant comic book character Swamp Thing, and historic books and illustrations, like Swedish artist John Bauer’s In the Troll Woods, which her grandmother gave her. “I loved the book and still do and have used it as a starting point in many artworks and installations throughout the years,” she says. “I see the trolls as nature spirits relating to the idea of animism, that not only man but every plant, stone, and river has a soul and is part of something bigger.”

Find more on the artist’s website and Instagram.

 

A ceramic sculpture of leaves and flowers that looks like a face.

“Troll #8” (2017)

A ceramic sculpture of a tired lioness.

“The Tired Lioness” (2022)

A ceramic sculpture of a helmet with horns, with snakes and flames.

“Snake Helmet” (2020)

Two ceramic sculptures shaped like crowns, referencing corn dollies.

“Corn Dolly Crown #3” and “Corn Dolly Crown #4” (2020)

A ceramic sculpture of a basket holding colorful gems. The basket is woven from snakes.

“Treasure” (2019)

An installation of small ceramic lilies and lily pads with a toad.

“Nøkke-rosen” (2018)

Four colorful ceramic spiders photographed on a teal background.

“Spiders” (2021)

A ceramic sculpture of snakes woven into a mat. Photographed on a black background with hands reaching for it.

“Viper Weave #8” (2023)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Folkloric Figures Emerge in Malene Hartmann Rasmussen’s Shapeshifting Ceramics appeared first on Colossal.



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Ýrúrarí’s Knit and Felted Characters Are Cheeky Additions to Mended Garments

a sweater with eyes, nose, and mouth

All images © Ýr Jóhannsdóttir, shared with permission

Ýr Jóhannsdóttir moves through the world with a second set of eyes—and teeth and brows. The Icelandic artist, who works as Ýrúrarí, has spent the last few years crafting an extensive cast of felted and knitted characters to accompany her throughout the day. Many of her designs take the idea of tongue-in-cheek humor literally, with balaclavas encircled with mouths and masks embellished with playful grins.

Much of Jóhannsdóttir’s practice revolves around sustainability and transforming garments and materials otherwise destined for the landfill. Her works rely on mending and using scraps to create cheeky wearables beaming with personality.

If you’re in Copenhagen, see Jóhannsdóttir’s works in a group exhibition on view through January 28 at Nordatlantens Brygge. Her Pizza Time project, which used leftovers from the wool industry to create fiber-rich pies, was also recently nominated for Iceland’s Design Awards. Follow updates on Instagram.

 

the artist wears a balaclava with tongues sticking out around it

Created in collaboration with Ásgerður Heimsidóttir. Photo by Hrafnhildur Heiða Sandholt

the artist wears a green sweater with eyes and a pink nose and reaches over to greet a sweater character sitting on a chair

Photo by Studio Fræ

a person wears a balaclava with two large tongues coming out form a mouth and wrapping around the head

Created in collaboration with Ásgerður Heimsidóttir. Photo by Hrafnhildur Heiða Sandholt

a person wears a balaclava with large lips, teeth, and several tongues

Created in collaboration with Ásgerður Heimsidóttir. Photo by Hrafnhildur Heiða Sandholt

the artist wears a sweater with two eyes

three sweater characters sit around a living room

Photo by Studio Fræ

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A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...