Sebastian Foster Announces 30 Artists and For Their Eclectic Fall Print Set

Anne Siems

Austin-based gallery Sebastian Foster just announced its 2023 Fall Print Set, marking the 11th anniversary of the collection since it launched in 2012. The new release features 30 works by well-established illustrators, printmakers, and painters from across the U.S., Canada, the U.K., Japan, and Europe. Half of the artists have worked with the gallery for years, while the other half are guests who joined just for this collection.

This set features 30 works all published as relatively small editions, hand-signed and numbered by the artists. Encompassing an eclectic array of mediums and themes, the collection showcases work from artists previously featured on Colossal, including Graham Franciose’s dreamlike watercolor works, Diana Sudyka’s fanciful storybook scenes, and Grant Haffner’s vibrant, flat landscapes bisected by his signature utility poles.

Now online-only, Sebastian Foster focuses on original works and prints, publishing over 1,000 editions since opening in the late 2000s. Whether you’re looking for the next piece to add to your collection or for meaningful holiday gifts, head to the gallery’s site to shop the Fall Print Set today.

 

Daneil Freaker

Diana Sudyka

Elena Burykina

Fabian Lavater

Matthew Gagnon

Mia Bergeron

Michael McGrath

Daniel Ellison

Susan Abbott

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Sebastian Foster Announces 30 Artists and For Their Eclectic Fall Print Set appeared first on Colossal.

from Colossal https://ift.tt/nhqw0LE
via IFTTT

Our Favorite Art Books of 2023

We’ve started to think about finding the perfect gifts for our loved ones and bet you have, too, which is why we’re sharing the first part of our Colossal Year in Review series a little bit early. Below, you’ll find our staff’s favorite art books published this year, from artist monographs, surveys, and historical reflections to prove that art really does make the world a better place.

The titles below are on our shortlist, so head to Bookshop to check out what else made the cut.

 

Book of Earth: A Guide to Ochre, Pigment, and Raw Color

Heidi Gustafson of the Early Futures Ochre Archive takes us on a journey through rare pigments and their landscapes in a celebration of the unique qualities of earthen materials. Each chapter is dedicated to an aspect of her massive collection, which contains more than 600 samples. Captivating and insightful, the volume elucidates the world of natural color, challenging our perceptions of terrain and the inanimate world, and includes practical advice and techniques for creating your own pigments.

 

Simone Leigh

The first monograph of the pioneering artist’s work, Simone Leigh encompasses two decades of Leigh’s sculptures, videos, and installations, all of which center on Black women and the aesthetics of Africa and the African diaspora. The book also coincides with the artists’s first major museum survey, which is currently on tour across the U.S., and contains writings by some of today’s most brilliant thinkers.

 

An Indigenous Present

Works by more than 60 artists comprise this monumental survey, which renders solid a new paradigm of representation and visibility of Native North American art. The nearly 450-page book is filled with bold full-color images that explore myriad practices focused on contemporary art, music, filmmaking, choreography, architecture, writing, photography, design, and more.

 

Groundswell: Women of Land Art 

This groundbreaking volume is corrective and celebratory as it highlights the women artists who changed the genre. Spanning 256 pages, Groundswell encompasses works by renowned artists like Ana Mendieta, Nancy Holt, and Agnes Dean, who used untraditional and organic materials in their practices and gravitated toward the earth itself as a site for their works.

 

Seth, On Walls

French artist Julien Malland, a.k.a. Seth Globepainter, takes us on a journey through a decade of his resilient and youthful subjects, many of which are enveloped by color and playful optical illusions. The monograph features many of the artist’s most impactful murals and emphasizes how imagination could be the key to solving many of the world’s ills.

 

Luna Luna: The Art Amusement Park

Opened in 1987, Luna Luna was the first-ever art amusement park, and it was brimming with rides and kiosks designed by some of the most recognizable names in 20th-century art history like David Hockney, Roy Lichtenstein, and Salvador Dalí. This re-issue contains information about and photos of the public spectacle, along with cover drawings commissioned by the artists.

 

Birds of the World: The Art of Elizabeth Gould 

Elizabeth Gould is known for her vibrant illustrations of birds that paired with her husband’s ornithological studies and was overlooked for her contributions during her lifetime. A corrective book that recognizes Gould for her immense talent, Birds of the World is a celebration of the artist’s legacy and contains 220 vivid renderings depicting myriad species, from a speckled vulturine guineafowl and chromatic crimson rosella to a slender-beaked glossy ibis.

 

Your Brain on Art: How the Arts Transform Us

We intuitively know that art affects us, but how exactly? Susan Magsamen and Ivy Ross dive into the connection between art and health in this illuminating book that details a range of positive outcomes, from museum visits aiding people suffering from dementia to playing music to build cognitive skills. It’s an essential read for anyone interested in the real-world impact of art.

 

Shop all of the Best Art Books of 2023 on Bookshop.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Our Favorite Art Books of 2023 appeared first on Colossal.

from Colossal https://ift.tt/QM51efa
via IFTTT

A Documentary Follows Biologists Fighting Ravens with Lasers and Decoys to Save Desert Tortoises

In 1990, the desert tortoise landed on the federal endangered species list following decades of decline. Expanding human populations in the western U.S. encroached on wild habitats and brought more ravens to the Mojave Desert—the large, black birds are known to scavenge for food and have a particular taste for young reptiles. Coupled with the effects of the climate crisis, these changes rapidly propelled the species toward extinction.

Conservation biologist Tim Shields has studied desert tortoises for decades and recently decided to intervene in this lopsided predator-prey relationship. In a short documentary for The New Yorker titled “Eco-Hack!,” Shields explains the innovative and non-lethal tactics his team uses for “educating” ravens and deterring them from attacking the reptiles. Green lasers, 3D-printed decoy shells, and explosive sprays all come into play in an effort to train the birds to find alternative food sources.

The strategies are more irritating than harmful to the ravens but already have had significant payoffs: more babies are now roaming the arid landscape, meaning their intervention is working to protect the slow-moving creatures that are particularly vulnerable in the first three years of life. “If we don’t want a really lonely planet that’s just us and ravens and rats and cockroaches, we have a whole ton of work to do,” he adds.

Josh Izenberg and Brett Marty produced “Eco-Hack!,” and you can find the full story behind the film in The New Yorker.

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Documentary Follows Biologists Fighting Ravens with Lasers and Decoys to Save Desert Tortoises appeared first on Colossal.

from Colossal https://ift.tt/Xm98lIh
via IFTTT

Sonya Clark Uses Common Fibers to Weaves Together Craft, Community, and Activism

“The Hair Craft Project: Hairstyles on Canvas” (2014), silk threads, beads, shells, and yarn on canvas, nine at 29 × 29 inches and two at 33 × 33 inches. All images courtesy of High Museum, shared with permission

In a poem devoted to the singer and activist Paul Robeson, Gwendolyn Brooks writes, “We are each other’s harvest, we are each other’s business, we are each other’s magnitude and bond.” Sonya Clark draws on Brooks’ words in her mid-career retrospective at the High Museum as she wields the power of collaborative making to illuminate issues of racism, sexism, and capitalist imperatives.

Titled We Are Each Other, the exhibition encompasses 25 years of the artist’s participatory works that highlight the inextricable links between craft and community. Fiber becomes both a connective tissue and transmitter in Clark’s oeuvre, which uses materials like books, hair, found fabrics, and flags to untangle the narratives and structural inequities of American life. “How do we address and challenge our shared colonial past, and how do we hold ourselves accountable for and claim agency in what happens next in the future of our society?” she asks.

 

Detail of “Solidarity Book Project” (2020–present)

Included in We Are Each Other are several works created in collaboration. “The Hair Craft Project,” for example, photographs stylists’ elaborate braided designs done on Clark’s head to both celebrate their artistry and connect contemporary hairdressing with broader textile traditions. Similarly, a large-scale portrait uses more than 3,000 plastic combs to portray Madame C.J. Walker, the first woman to become a self-made millionaire in the U.S. by establishing an immensely successful hair-care business. Walker then used much of her wealth to advocate against lynching and race-based violence, and Clark’s depiction honors this impulse toward activism and unity.

Other pieces on view are “Unraveling,” a performance-based work that asks volunteers to deconstruct symbolic objects like the Confederate flag, and a portion of the ongoing “Solidarity Book Project.” Emphasizing the importance of reading and knowledge sharing, this project offers instructions for carving a raised fist, the symbol of Black liberation, from the pages of a book.

We Are Each Other is on view through February 18, 2024, in Atlanta. Dive deeper into Clark’s works by picking up the exhibition catalog and checking out her Instagram.

 

“The Hair Craft Project: Hairstylists with Sonya: Sonya Clark with Jamilah Williams” (2013), inkjet photograph, 28 × 28 inches. Photo by Naoko Wowsugi

“Madam C. J. Walker” (2008), combs, 122 × 87 inches

“The Hair Craft Project: Sonya with Kamala Bhagat, Dionne James Eggleston, Marsha Johnson, Chaunda King, Anita Hill Moses, Nasirah Muhammad, Jameika and Jasmine Pollard, Ingrid Riley, Ife Robinson, Natasha Superville, and Jamilah Williams” (2014), pigment prints on archival paper, eleven framed, 30 × 30 inches each

Detail of “Madam C. J. Walker” (2008), combs, 122 × 87 inches

“Solidarity Book Project” (2023), installation view. Photo by Alphonso Whitfield

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Sonya Clark Uses Common Fibers to Weaves Together Craft, Community, and Activism appeared first on Colossal.

from Colossal https://ift.tt/j203Dod
via IFTTT

Contemplative Women Emerge Through Subtle Grids in Stelios Pupet’s Paintings

“Les murmures du jardin,” oil on canvas, 200 x 200 centimeters. Photo by Auryn F. All images © Stelios Pupet, shared with permission

Whether working on a wall or canvas, artist Stelios Pupet begins with a grid. What starts as uniform blocks slowly morph into varied, angular shapes as he works, adding depth and structure to his largely figurative compositions. Viewed through the subtle distortion of the grid, his subjects are often crouching amid cacti and potted plants or curled into themselves in moments of contemplation. He describes his process:

I am focusing on creating a nice image, different or contemporary and easy on the eye. Sometimes, there is a personal story behind a canvas or a painting on a wall that makes the artwork more powerful or important (to me at least)…I believe that if you give everything in the creation of an artwork, somehow a part of you is captured and in this way, feelings are being created (for) the viewer.

Following a busy few months of working on murals across Europe, Pupet is currently creating a small piece in a park near his home in Athens. Follow his progress on Instagram.

 

“Amongst Greenery,” oil on canvas, 120 x 120 centimeters

Detail of “Les murmures du jardin,” oil on canvas, 200 x 200 centimeters

“MR Tlaloc,” Athens. Photo by Dimitris Maniatis

“Amidst the Cacti,” Zaragoza, Spain. Photo by Marcos Cebrián

Remake of the Jean Auguste Dominique Ingres painting, “Portrait of Madamme Gaudry” (1864), acrylic and crayons on canvas , 40 x 40 centimeters

“Solitude of Contemplation,” Antonis Tritsis Metropolitan Park, Athens

Study for the canvas “They keep coming,” gouache on paper, 25 x 18 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Contemplative Women Emerge Through Subtle Grids in Stelios Pupet’s Paintings appeared first on Colossal.

from Colossal https://ift.tt/BY6LS4C
via IFTTT

Mist Casts the Hudson Valley in a Mysterious Light in Andrew Moore’s Atmospheric Photographs

“Jill’s Keep, Rhinebeck, NY” (2021). All images © Andrew Moore, courtesy of Yancey Richardson, shared with permission

Sheep wander through the morning mist in Rhinebeck and storm clouds ebb over a waterway in dreamlike photographs by Andrew Moore. Known for his in-depth, long-term series that document natural places and the built environment, Moore’s work has focused on the evolution of places like Bosnia, the American South, or Cuba as they evolve over time. In his forthcoming solo exhibition Whiskey Point and Other Tales at Yancey Richardson, Moore delves into the Hudson Valley region of Upstate New York in a group of large-scale, atmospheric landscapes.

Nodding to the legacy of the Hudson River School painters, Moore hones in on the natural beauty of the region while also considering its historical significance. Whiskey Point, for example, which inspired the show’s title, is a strip of land that obtrudes into the Hudson River, formed when its surrounding soil was removed for brick production in the latter half of the 19th century. The spot is encompassed by Sojourner Truth State Park, designated in 2019 and named for the African American abolitionist and suffragette who was born nearby into slavery nearby, in 1797.

Moore examines the myriad histories and lore of the area from the perspective of an omniscient wanderer, capturing various times of day, landmarks, and weather from a range of vantage points. He emphasizes the constancy of change and the sense of anticipation spurred by a new day or a bend in the road, revealing what an exhibition statement calls “different kinds of lineages” that connect the present to the past.

Whiskey Point and Other Tales opens November 16 and continues through January 4, 2024. See more on the artist’s website and Instagram.

 

“Platte Kill Clove” (2021)

“Trap Cliff, Barrytown” (2023)

“Rain Sprites, Clinton” (2021)

“Rhinecliff Station” (2021)

“Little Vlei, Rhinebeck” (2022)

“Ferry Road” (2023)

“Empire in Fog, Rhinebeck”

“Burger Hill” (2021)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Mist Casts the Hudson Valley in a Mysterious Light in Andrew Moore’s Atmospheric Photographs appeared first on Colossal.

from Colossal https://ift.tt/nmI7p5Z
via IFTTT

A Choir From Clay: Colorful Textures Swathe Carlos Cabo’s Ebullient Ceramic Figures

All images © Carlos Cabo, shared with permission

Elegant, richly textured garments cloak artist Carlos Cabo’s enchanting ceramic figures (previously), showcasing the endless possibilities of clay. Tall and slender, the figures sport a wide variety of styles, donning button-down tunics, dresses, neck ties, and hats. While each one is unique, they are drawn together by a synchronic gesture: mouths open wide, they sing toward the sky.

Cabo gathers his material from the countryside around his home in Salinas, Spain, then works it into column-like figures and geometric forms. He considers the texture to be “the skin of the piece,” differentiating each from its companions while also emphasizing their similarities and a sense of unity.

Find more on Cabo’s website and Instagram.

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Choir From Clay: Colorful Textures Swathe Carlos Cabo’s Ebullient Ceramic Figures appeared first on Colossal.

from Colossal https://ift.tt/oBY3KQP
via IFTTT