Light Undulates Through Delicate Sheets of Glass in Ben Young’s Sculptural Seascapes

“Hidden Layers” (2023). Laminated float glass, cast concrete, stainless steel, and white bronze, 22 x 16 x 8 inches. All images © Ben Young, courtesy of Chesterfield Gallery, shared with permission

Crystal-clear layers of aqua-tinted glass form cross-sections of deep oceans and dramatic geology in Ben Young’s sculptures (previously). Continuing his exploration of the relationship between humans and the natural world, the artist combines materials typically associated with industry and construction, like concrete, steel, and laminated float glass, into undulating shorelines and seascapes.

New pieces in Young’s forthcoming solo exhibition Delicate Space at Chesterfield Gallery appear like preternaturally still, miniaturized wedges of the earth, plucked from the surface and deposited onto pedestals or into bronze frames. “Water, a recurring subject for me, with its ceaseless journey, serves as the central subject for this exhibition,” the artist says in a statement. “As water flows through landscapes, carves valleys, and traverses ecosystems, it embodies nature’s tenacity, always seeking balance.”

Delicate Space runs from January 6 to 31 at Chesterfield Gallery in New York City, and you can find more on Young’s website and Instagram.

 

Detail of “Hidden Layers”

“Tidal Balance” (2023), laminated float glass, cast concrete, and stainless steel (base), 15 x 7 x 7 inches

“Guidance” (2023), laminated float glass, cast concrete, stainless steel, and white bronze, 26 x 11 x 10 inches

Detail of “Guidance”

Works in ‘Delicate Space’

“Dance of Balance” (2023), laminated float glass, cast concrete, and stainless steel, 26 x 24 x 5 inches

“Continuum” (2023), laminated float glass, cast concrete, and stainless steel, 15 x 16 x 5 inches

“Altered Perspective” (2023), laminated float glass, cast concrete, and stainless steel, 16 x 22 x 5 inches

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More than 300,000 Roman Numerals Extend into Eternity in Emmanuelle Moreaux’s Vibrant Installation

“100 colors no.50 ‘SERPENTI'” (2023), BVLGARI SERPENTI 75 Years of Infinite Tales Exhibition, Tokyo, Japan. All images © Emmanuelle Moreaux, shared with permission

French architect and artist Emmanuelle Moureaux unveiled a vibrant, seemingly infinite room in Tokyo by to celebrate the 75th anniversary of Bulgari’s iconic coiled jewelry designs. The 50th work in the artist’s 100 colors series (previously), “SERPENTI” reflects timelessness and eternity through elaborate repetition and eternity through elaborate repetition, gradient hues, and a mirrors that transform a single corridor into a never-ending view.

Reflecting the brand’s roots in Rome, Moureaux installed more than 347,000 Roman numerals from 1 to 100—or I to C—onto 100 large, transparent panels, which are cut out in the middle so visitors can walk inside. The numerals are meticulously laid out on a grid to create an endless effect, increasing and changing color the further one ventures into the artwork.

See more on Moureaux’s website and Instagram.

 

  

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Otherworldly Plants Sprout Colorful Stems and Blooms in Kaori Kurihara’s Incredibly Detailed Ceramics

“Clown verdoyant” (2023). All images © Kaori Kurihara, shared with permission

Elegant petals, scalloped fans, and seed-like textures coat the Kaori Kurihara’s whimsical ceramic sculptures (previously). She incorporates delicate botanical details with eccentric forms, melding realism with fiction. “I try to associate imaginary plants with a more realistic feeling, so I observe more consciously the environment in which they grow,” Kurihara tells Colossal. She also grows different types of plants from seed in order to observe and record details as they grow. “The aim is to create something that looks more alive and closer to life,” she adds.

Kurihara’s work is featured in the forthcoming book Ceramic Artists on Creative Processes, scheduled for release in February from Prestel. Pre-order your copy on Bookshop, and explore more on the artist’s website and Instagram.

 

Detail of “Clown verdoyant”

“Collectionneur de silence” (2023)

“En réponse au claire de lune” (2023)

Detail of “En réponse au claire de lune”

“Hug Me Quick” (2023)

Left: Detail of “Collectionneur de silence.” Right: Detail of “Hug Me Quick”

“Danseuse de boîte à musique” (2023)

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Elevate Your Artistry With SVA Continuing Education

Clara Jeanne Reed (Artist Residency Alumnus ’23), “On the Shores of Elysium” (2023). Image courtesy of the artist

Ready to take your practice and creativity to new heights? The Division of Continuing Education at the School of Visual Arts (SVACE) has the resources and expertise to help you go to the next level. With a diverse range of more than 200 courses and 10+ artist residency programs, you’ll find everything you need to achieve your goals and actualize your potential. Whether you’re looking to advance your career, explore new artistic avenues, or simply deepen your practice, our experienced faculty will provide the guidance and support you need to grow. 

Head to sva.edu/ce to explore our offerings and get started.

Artist Residency Programs & Intensives

Online and on-campus courses are available in:

• Advertising
• Animation
• Art & Activism
• Design
• Film
• Fine Arts
• Illustration and Comics
• Interior Design
• Photography and Video
• Professional Development
• Visual and Critical Studies
• Visible Futures Lab
• Visual Narrative
• Writing

 Registration Details

Course Advice
If you need advice or have questions, please email ce@sva.edu to connect with one of our course advisors.

About the School of Visual Arts
School of Visual Arts has been a leader in the education of artists, designers, and creative professionals for seven decades. With a faculty of distinguished working professionals, a dynamic curriculum, and an emphasis on critical thinking, SVA is a catalyst for innovation and social responsibility. Comprising 6,000 students at its Manhattan campus and 35,000 alumni in 100 countries, SVA also represents one of the most influential artistic communities in the world. For information about the college, please visit sva.edu.

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Snow and Ice Seizes Barren Landscapes in an Entrancing Timelapse Filmed Across Five Winters

Like the seasons themselves, Jamie Scott’s elegantly shot films spotlighting spring and fall are much more vibrant and full of vitality than his newly released “Winter.” Five years in the making, the latter timelapse documents the icy seizure of plants, leaves, and terrain across New York State and Montréal. Glimmering, white snow quickly overwhelms the frigid, barren scenes, causing pine branches to droop and frost to form on every possible surface from cobwebs to waterfalls.

As entrancing as previous seasons, “Winter” zooms from wide, aerial shots to macro frames highlighting the unique patterns of individual snowflakes. Scott explains that this film was the hardest to create, in part, because of the changing climate. He says:

Twenty years ago when I moved to New York, there were several large snowstorms every year, and snow was practically guaranteed. In the last five years, there has been much less snow, and it’s become less predictable and often only for a few hours, at best. To plan for these shoots, I would look at the long-range forecasts, but it was very unreliable. Originally, I wanted to shoot the whole piece in New York City and focus on Central Park like my previous films, but I had to keep going farther and farther north. As a result, the majority of the film was shot in upstate New York and Montréal.

To ensure he could capitalize on weather events when they did happen, Scott fashioned two weatherproof boxes that housed his equipment for weeks on end. “At times, I was shooting with up to six cameras and four sliders,” he says. “I also lost two drones in the process.”

Watch the full timelapse, which is set to music by Jim Perkins, above, and find more of Scott’s work on Vimeo.

 

 

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Finely Rendered Birds and Animals Cling to Dried Flowers in Steeven Salvat’s Wheatpastes

All images © Steeven Salvat, shared with permission

Sprouting between windows and tucked around corners, Steeven Salvat’s wheatpastes add a dose of natural history to everyday urban life. The French artist has spent the last few years meticulously rendering gem- and mechanic-encrusted beetles and butterflies, amassing a vast insectarium that draws attention to the intersections of art, science, and history and underscores the preciousness of each creature.

During the last two years, though, Salvat has begun to consistently work outdoors and on walls, creating public pieces that capture his painstaking linework on a larger scale. Whether painted in acrylic or slathered with wheatpaste, the realistic renderings are similarly detailed and delicate, conveying the smooth fur of a field mouse or the fluffed plumage of a bird mid-flight. Many of his recent works, part of the ongoing Petite Nature project, pair renditions of oversized dried flowers with tiny creatures “to awaken awareness on the fragility of ecosystems such as grasslands and natural water points, often sacrificed in the name of urbanisation.”

In addition to the wall works, Petite Nature also features smaller drawings on paper, which will be on view in January at Le Cabinet d’Amateur in Paris. Salvat generously shares glimpses into his process on Instagram, and you can find originals, prints, and postcards in his shop.

 

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In Paco Pomet’s ‘Celestial,’ the Sun and Moon Cycle Through Satirical and Outlandish Situations

“Encounter.” All images © Paco Pomet, shared with permission

A review of Paco Pomet’s paintings from the last few years uncovers an unwavering fascination with the sun and moon. Brilliant glowing orbs appear in the distance and illuminate otherwise gray scenes, while tiny, cratered characters with cartoonish legs and arms wander into homes and hang out on rooftops.

This recurring theme culminates in a new limited-edition monograph featuring 29 paintings created from 2017 to 2022. Aptly titled Celestial, the book evidences Pomet’s enduring satirical and absurdist impulses. In “Encounter,” the moon floats with two businessmen on a makeshift raft, while “On the Road” depicts a vintage car traveling toward a United States-shaped sun on the horizon. The artist has shared previously that he believes human pursuits—and failures—are cyclical, making the sun and moon fitting metaphors for modern struggles, whether in the case of unchecked capitalism and environmental destruction or seemingly endless moral quandaries.

“Celestial bodies and stars have fascinated me since I can remember,” the artist says. “The sun and the moon are an endless source that throw very strong and mysterious statements for us: time, space, duration, darkness, light, beginning, finalisation. Their presence, and the power they have to convey feelings, has no boundaries.”

Celestial is currently available in Pomet’s shop, along with several prints. Find more of his work on Instagram.

 

“Melancholy Surgery Unit”

“After Hours”

“La Llegada”

“Eclipse”

“On the Road”

“An Ending”

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