Nastasya Shulyak’s Miniature Felted Friends Sprout and Smile with Joy

“Pebbles.” All photos © Nastasya Shulyak, shared with permission

Wool artist Nastasya Shulyak felts a cast of curious creatures that carry one simple purpose: to bring others joy.

Having recently moved to Georgia, Shulyak (previously) spent the last year acclimating to her new home. As the artist embraced her surroundings, the mountains, minerals, and milieu along the southern coast of the Black Sea began to inform her work. Before long, she created “Pebbles,” the first creature to come into existence since her move.

“I go to the beach for breakfast, and after a couple of minutes, I begin to sort through all the stones that I can reach,” she tells Colossal. “I see a lot of beauty in them and carry some in my pockets.” Daily rituals similar to this helped Shulyak connect to nearby nature and at the same time inspire the birth of more characters.

The artist’s wholesome woolen creatures sit in contentment and kindly look up, their small arms placed politely onto their laps. Fibrous leaves, flower buds, fungi, and stones sprout from their heads as each face bestows a warm, friendly smile.

Though she usually works with laconic forms, Shulyak shares that she plans to spend the coming months creating more complex textures and shapes. Take a look at the artist’s Instagram for new work, a look into her process, and forthcoming shop updates.

 

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Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum

All photos courtesy of the Italian Ministry of Culture / AFP Photo

In mid-December, the Italian Ministry of Culture released news of a remarkable find in the heart of Rome at the Archaeological Park of the Colosseum. Along with the Colosseum itself, the area consists of the incredible Roman Forum, an aristocratic residential area on the Palatine hill, and Emperor Nero’s splendid Domus Aurea, built in the first century C.E.

A couple of centuries before that, though, in the late Republican era, a luxurious townhouse in the neighborhood had been laden with designs made from shells, glass, white marble, and Egyptian blue tiles. A large “rustic” mosaic dating to the last decades of the 2nd century B.C.E.—a little over 2,100 years ago—was likely inspired by the decorative styles of Near East monarchies.

At the time, mosaics like this one represented a preoccupation with luxury and wealth that traditionalists eyed with suspicion. Among other disagreements, debates between political factions escalated to full-out civil war within a few decades, and the Roman Republic was over by the mid-1st century B.C.E.

 

Detail of two ship prows crossing in front of a trident

The owner of this resplendent villa, who may have been of senatorial rank, intentionally communicated his affluence and prestige. Archaeologists discovered the structure, known as a domus, during a survey of the ancient Vicus Tuscus, a busy commercial route that linked the Roman Forum to a port on the Tiber. The house contains a number of terraced levels and includes a large banquet room, where the extraordinary mosaic was found covering one entire wall.

Comprising the background are four domed aedicules, or shrines, defined by columns and detailed with flowers. Piles of weapons, tridents, carnyces—a Celtic style of war helmet often shaped like a boar’s head—and low, flat ships known as triremes sporting massive banks of oars suggest that the owner of the home may have been victorious in battle.

The mosaic walls were initially discovered in 2018, but excavations are expected to continue into this year. The park’s director Alfonsina Russo says that once the domus is fully uncovered, the team “will work intensely to make this place, among the most evocative of ancient Rome, accessible to the public as soon as possible.” (via The History Blog)

 

A column in between two depictions of aedicules, or shrines

Detail from the top of a column

Detail of a carnyx, a Celtic war horn that usually portrays a boar’s head

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum appeared first on Colossal.

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Felines and Fine Art Make a Purr-fect Pairing in the 10th Anniversary of ‘Cat Art Show’

Vanessa Stockard, “Trust the Process.” All images © the artists, courtesy of Cat Art Show, shared with permission

Marking its 10th anniversary this year, Cat Art Show (previously) returns to Los Angeles for a warm and fuzzy celebration of everything feline. “The intricacies of their ever-changing personalities, coupled with the beauty of their physicality, offer rich subject matter for artists to work with,” says curator and founder Susan Michals. Every year, the initiative donates a portion of its sale proceeds, with ten percent going toward an organization that cares for vulnerable animals in the shelter system.

For one weekend only, visitors can take in work by nearly 50 artists from all over the world, including those familiar to long-time Colossal readers like Matthew Grabelsky or Colin Roberts. Lola Dupre’s many-eyed kitten named “Squits” and Annie Montgomerie’s friendly “Miss Pitch and Furl” have traveled across the pond, interspersed among frenetic felines like Vanessa Stockard’s exasperated furniture ravager or “Une Chat” on a tear by Léo Forest.

Cat Art Show runs from January 19 to 21 at Wallis Annenberg Petspace in Los Angeles. Find more information and tickets on the show’s website.

 

Britt Ehringer, “Kobe Entering the Kingdom of Kittens”

Lola Dupre, “Squits”

Detail of “Squits”

Annie Montgomerie, “Miss Pitch and Furl”

Léo Forest, “Une Chat”

Cleon Patterson, “The Bargain”

Colin Roberts, “Cheshire Cat”

Yusuke Hanai, “Rika and Okayu”

Eric Haze, “One-Eyed Jack”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Felines and Fine Art Make a Purr-fect Pairing in the 10th Anniversary of ‘Cat Art Show’ appeared first on Colossal.

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Thousands of Classic Films, Books, Illustrations, and Just Entered the Public Domain

The cover of ‘Millions of Cats’ (1928), written and illustrated by Wanda Gág

From familiar classics to obscure treasures, a trove of literature, art, film, and music has just become easier to access. On January 1, thousands of books, films, plays, artworks, sound recordings, and more entered the public domain, which means they may be used freely without compensating or needing to obtain permission from the owner.

Most notable on the list this year are the very first adventures of Disney icon Mickey Mouse—and Minnie!—in Steamboat Willie and the silent version of Plane Crazy. These pieces in particular have stirred a lot of interest: in 1984, their copyright term was 54 years, but Disney pushed for an additional 20 years—derisively called the “Mickey Mouse Protection Act” by scholars—which brings us to its release in 2024.

 

‘Steamboat Willie’ (1928)

Some other phenomenal additions to the public domain this year include the perennial favorite picture book Millions of Cats by Wanda Gág, which has the distinction of being the earliest American children’s book still in print. Literary heavyweights like W.E.B. Du Bois’s Dark Princess, Virginia Woolf’s Orlando, Bertolt Brecht’s The Threepenny Opera, and D.H. Lawrence’s Lady Chatterley’s Lover—among many others—are joined by two of the first “all-talking” films ever released, Lights of New York and In Old Arizona.

And don’t forget about some of our favorite children’s book characters, like Peter Pan and the Darling children, who first appeared in a play in 1904, then in book form in 1911, in J.M. Barrie’s Peter Pan; or the Boy Who Wouldn’t Grow Up—now in the public domain because it wasn’t “published” for copyright in the U.S. until 1928. And, of course, there’s Christopher Robin and his friends in the Seven Acre Wood. E.H. Sheperd’s quintessential illustrations in A.A. Milne’s The House at Pooh Corner introduced us to Tigger.

Explore an in-depth list and stories behind more of these works by Jennifer Jenkins, director of Duke University’s Center for the Study of the Public Domain.

 

Poster for ‘The Circus’ (1928) directed by Charlie Chaplin

Left: Poster for ‘Lights of New York’ (1928). Right: First edition of ‘Dark Princess’  (1928) by W.E.B. Du Bois

E.H. Sheperd, “Tiggers Can’t Climb Trees” (1928) for ‘House at Pooh Corner’ (1928) by A.A. Milne

Frontispiece of ‘Peter Pan; or the Boy Who Wouldn’t Grow Up’ (1911) by J.M. Barrie, illustrated by Francis Donkin Bedford

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Thousands of Classic Films, Books, Illustrations, and Just Entered the Public Domain appeared first on Colossal.

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Marvel at Tomohiro Okazaki’s Feature-Length Montage of Matches Performing Optical Tricks

One recognizable everyday object is given the spotlight in Tomohiro Okazaki’s painstaking yet playful stop-motion animation. His new video features more than an hour of meticulously staged optical gymnastics using matches (previously), from simple balancing acts to hypnotic transformations in which the wooden sticks and red tops interact with words and materials like paper or acrylic. As the montage progresses, Okazaki’s compositions become increasingly distorted, stretching the imagination through hundreds of uncanny scenarios.

See more the artist’s work on YouTube and Instagram.

 

All images © Tomohiro Okazaki

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Tang Shuo’s Vivid Paintings Conjure the Strife and Stories of His Native Boulder Hill

“Co-conspirators” (2023), oil on linen, 192 x 200 centimeters. All images © Tang Shuo, shared with permission

Many of Tang Shuo’s paintings begin with a memory. “I recall a story from the past that left a deep impression on me, extracting a moment from the story and arranging the relationships between characters,” he says. Inspired by his childhood pastime of “playing house,” Shuo renders hunters, snake catchers, and shepherds, imagining himself taking on the roles of his forefathers.

The artist, who is now based in London, grew up in Boulder Hill, a small village on the edge of Guilin, China, that his ancestors founded more than a century ago. For many years, the area was home to the descendants of this single family who upheld many traditional, patriarchal values and farmed the land. Given the political upheaval of the country’s reforms and the Great Leap Forward policies of the mid-twentieth century, its inhabitants struggled for resources like water and food, particularly as famine spread rapidly.

The stories from Shuo’s childhood reflect these realities and are full of grief, labor, and strife, from “water disputes for irrigating rice fields in this agricultural society leading to murder (and) logging for cooking and heating during winter” to scouring the mountains for roaming sheep and children dying from uremia. While the artist’s earlier works looked primarily to the professional lives of his kin, his more recent paintings take an introspective approach.

 

“Shepherd’s Sorrow” (2023), oil on linen, 200 x 150 centimeters

“While the figures in the paintings still represent my image, I am using my physical form as a medium to depict others,” he says, noting that after identifying the narrative he wants to convey, he photographs himself in various positions to capture bodily movement and gesture. “I have become an observer and storyteller, merely recounting their stories—stories rooted in the realities I heard or experienced during my time in Boulder Hill.”

Following a round of sketching, Shuo moves to the canvas. He shares that finding the right shade of orange for clouds or deep greens for a jungly field is one of the most difficult parts of each painting, which he renders with a characteristic flatness. Replicating men with sleek, shoulder-length hair and long-sleeved shirts, the artist gravitates toward moments of difficulty and melancholy. For example, in “Fleeing Wanderer,” he depicts an exhausted figure slumped over a green sack asleep, while “Sheperd’s Sorrow” is one of many pieces reflecting the pains of agricultural life and features a herdsman searching for lost animals.

Shuo has exhibitions planned for June at Beers London and another later this year at Steve Turner in Los Angeles. He’s currently working on a book co-published with Fabienne Levy, where he’s represented. You can find more of his paintings and glimpses into his studio on Instagram.

 

“The Man Holding the Rope” (2022), oil on linen, 120 x 160 x 2 centimeters

“Fleeing Wanderer” (2023), oil on linen, 90 x 70 centimeters

“Magician” (2023), oil on linen, 150 x 150 x 3 centimeters

“Abuser” (2022), oil on linen, 180 x 120 x 4 centimeters

“Shepherd” (2022), oil on linen, 160 x 120 x 4 centimeters

“Grape Harvester” (2023), oil on linen, 90 x 70 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Tang Shuo’s Vivid Paintings Conjure the Strife and Stories of His Native Boulder Hill appeared first on Colossal.

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January 2024 Opportunities: Open Calls, Residencies, and Grants for Artists

“The Height Of Folly” by Michelle Kingdom

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Booooooom Photo AwardsFeatured
Photographers are invited to submit images in one of five categories, each with a $1,000 top prize. The winners, plus 20 shortlisted photographers, will be featured in and receive a copy of a special mini-photo publication. It’s free to submit one image, and there is a $15 fee to submit up to ten images in one category.
Deadline: January 12, 2024.

Tulsa Artist Fellowship 2025-2027 Award TermFeatured
U.S.-based artists and arts workers of any discipline are eligible to apply for this three-year fellowship. Ten fellows will each receive a $150,000 stipend, a $12,000 yearly housing stipend, a $1,200 yearly health stipend, a $1,200 yearly studio assistant stipend, a $1,500 relocation stipend, fully subsidized studio spaces, and access to shared art-making facilities. Applicants must have at least five years of experience.
Applications open: January 18 to February 28, 2024.

 

Open Calls

The Aperture Portfolio Prize (International)
Photographers are encouraged to submit innovative bodies of work that haven’t been previously published or exhibited. The first prize winner will be published in Aperture and receive $3,000 in cash, a $1,000 MPB gift card, and an exhibition in New York City. Applicants must subscribe to the magazine to enter.
Deadline: 11:59 ET on January 5, 2024.

Prisma Art Prize (International)
Open to emerging painters and artists, this quarterly competition awards €2,000 in cash and €3,000 in services annually, plus exhibition opportunities. There is a €29 submission fee.
Deadline: January 11, 2024.

Same as It Ever Was (International)
This juried open call invites artists to share recent works and insight into how those works were created, particularly as they relate to recurring motifs and concepts. The exhibition will open in mid-January, and applicants must be supporters of Arts Southwest, which starts at $50 per year.
Deadline: January 13, 2024.

The Other Art Fair Chicago (Chicago)
From April 11 to 14, The Other Art Fair returns to Chicago with two open calls for artists: the New Futures program is open to those who haven’t exhibited at the fair before, while the general application is open to everyone.
Deadline: January 14, 2024.

MFA Boston The Artist Project (International)
One artist interested in community arts will be chosen to plan and lead a project for 6 to 12-year-old children. The chosen applicant will receive a $25,000 stipend and a $5,000 material budget.
Deadline: January 19, 2024.

Outwin Boochever Portrait Competition 2025 (United States, Puerto Rico, Guam, the Northern Mariana Islands, American Samoa, and the U.S. Virgin Islands)
This portrait competition is open to all media, including painting, drawing, sculpture, photography, printmaking, textiles, video, performance art, and digital or time-based art. One winner will receive $25,000 and a commission to portray a remarkable living American for the National Portrait Gallery’s collection. Other prizes range from $1,000 to $10,000, and all finalists will be included in an exhibition. There is a $50 entry fee.
Deadline: Midnight MT on January 26, 2024.

Call for Artists: South Entry Sculpture (California)
The city of Sebastopol is accepting proposals for a permanent public work at the trailhead of the Joe Rodota Trail on Petaluma Avenue, which also marks the entry to the downtown. The commissioned project will have a $25,000 budget.
Deadline: 3 p.m. PT on January 29, 2024.

All About Photo Awards 2024-The Mind’s Eye (International)
The ninth annual All About Photo Awards will grant several winners press coverage and cash prizes from a pot of $95,000. There is a $30 entry fee.
Deadline: January 30, 2024.

Recharge New Surrealist Prize (U.S.)
Painters working in the new surrealist style are eligible for this $7,000 award.
Deadline: 5 p.m. ET on January 31, 2024.

By Hand, an Exhibition at Glen Arbor Arts Center (International)
By Hand is a meditation on and consideration of the myriad ways in which the human hand is intrinsic to creative work and a demonstration of what human hands can make. Two- and three-dimensional works made between 2022 and 2024 are eligible for this juried exhibition. There is a $35 application fee.
Deadline: 11:59 p.m. ET on January 31, 2024.

Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.

FREE THE BOOKS: A Print Exhibition (International)
This March, Evanston Public Library will host an exhibition of prints about banned books in collaboration with Hive Center for Book Arts and Starshaped Press. Entry fees range from $5 to $35.
Deadline: February 16, 2024.

Passepartout Photo Prize (International)
Open to any style, process, or subject matter, this annual prize offers 1,000 Euros, an exhibition in Rome, and a publication. Enter before January 18, 2024, for the early fee of 20 Euros.
Deadline: April 4, 2024.

 

Grants

2024 NOT REAL ART Grant for Artists (U.S.)
Six visual artists based in the U.S. and working in any 2D or 3D medium will win a no-strings-attached cash award of $2,000, plus PR and marketing support. There’s no application fee, and you can find out more on Colossal.
Deadline: 11:59 p.m. PT on January 1, 2024.

Nordic PhotoBook Award (Norway)
Photographers with a cohesive body of work interested in publishing a book are invited to apply for this Kr 200,000 award to support the production, distribution, and promotion of the work.
Deadline: January 1, 2024.

Alden Mason Foundation Award  (Washington)
The Alden Mason Foundation offers three prestigious awards created to pay homage to the enduring artistic legacy of Washington-based artist Alden Mason. One award of $12,000 and two runner-up awards of $1,000 each are awarded to exceptional painters.
Deadline: January 13, 2024.

Adolph & Esther Gottlieb Foundation 2024 Individual Support Grants (International)
Painters, sculptors, and printmakers working for 20 years or more are eligible for these grants. In 2023, the foundation awarded $25,000 each to 20 artists.
Deadline: 11:59 p.m. ET on January 17, 2024.

BBA Artist Prize 2024  (International)
Artists working in all themes, mediums, and experience levels are invited to apply for cash prizes of €1,000, €700, or €500, plus the chance for a solo exhibition in 2025 at BBA Gallery in Berlin, Germany. There is a €29 fee if submitted before December 12, then €39.
Deadline: February 19, 2024.

The Adolf and Esther Gottlieb Emergency Grant (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from actively exhibiting visual artists who are painters, sculptors, and artists who work on paper, including printmakers. Grants are intended for one year and range up to $50,000. The individual circumstances of the artist determine the size of the grant, and professional exhibition history will be considered.
Deadline: Rolling.

 

Residencies, Fellowships, & More

Tusen Takk Foundation 2025 Visual Artist Residency (U.S.)
Open to mid-career and established artists working in photography, printmaking, book arts, painting, works on paper, sculpture, installation, and fiber arts, this three- to eight-week residency offers a $625 weekly stipend, studio space, housing, and a vehicle. There is a $20 application fee.
Deadline: 11:59 p.m. ET on January 7, 2024.

Saltonstall Foundation for the Arts Residency (New York)
Artists and writers are eligible for this residency program, which offers $100 weekly stipends, accommodations, studio space, and meals.
Deadline: January 7, 2024.

Anderson Center Residencies (International)
The Anderson Center in Red Wing, Minnesota, is accepting applications for three residency programs: one for deaf artists, one for emerging artists, and one that’s open to artists of all stages and disciplines.
Deadline: Noon CT on January 9, 2024.

The Good Hart Artist Residency (International)
Open to artists, writers, and composers at any stage of their career, this residency on the shores of Lake Michigan offers accommodations, studio space, a $500 stipend, and some meals. There is a $25 application fee.
Deadline: 11:59 p.m. ET on January 9, 2024.

Joshua Tree Highlands Artist Residency (International)
Hosted in Joshua Tree National Park, this residency runs for seven weeks and includes accommodations and studio space. There is a $45 application fee.
Deadline: January 10, 2024.

Quinn Emanuel Los Angeles Artists-in-Residence Program (Greater Los Angeles)
Open to emerging and mid-career artists working in all disciplines, this four-month program offers a studio in the Quinn Emanuel Los Angeles office. The chosen applicant will receive $5,000 per month, $1,500 for materials, and an exhibition.
Deadline: 11:59 p.m. PT on January 14, 2023.

StudioWorks Residency Program (International)
Open to visual artists, this four-week residency offers a $2,000 stipend, housing, and printmaking and letterpress equipment.
Deadline: Midnight ET on January 15, 2024.

2025 Sculpture Space Artist Residency Program (International)
Artists working in sculpture are eligible for a two-month residency, which offers a $750 stipend, housing, and a 5,500-square-foot shared studio. The application fee is $35.
Deadline: January 15, 2024.

Montello Foundation Artist Retreat (International)
This two-week residency is designed as a retreat from urban environments and is open to visual artists, performers, writers, and composers. There is a $20 application fee.
Deadline: January 21, 2024.

Hayama Artist Residency (International)
Open to artists working in any medium, this four-week residency offers accommodations, a $200 weekly stipend, an exhibition in Tokyo, and a roundtrip flight to Japan. The application fee is $95.
Deadline: 11:59 p.m. ET on January 31, 2024.

GAAC Artist-in-Residence Program (International)
This program offers seven two-week residencies in the Sleeping Bear Dunes National Lakeshore to artists working in creative writing, visual art, photography, sculpture, fiber arts, ceramics, and music. Chosen applicants receive housing and studio space. There is a $35 application fee.
Deadline: January 31, 2024.

Fine Arts Work Center 2024-2025 Visual Arts Fellowship (International)
Ten artists will be awarded seven-month residencies from October 1 to April 30. Fellows are provided housing, a studio, a $1,250 monthly stipend, and a $1,000 exit stipend. There is a $65 application fee.
Deadline: 11:59 p.m. ET on February 1, 2024.

Contemporary Craft Artists-in-Residence (U.S.)
Non-Pittsburgh residents working in metal-smithing, jewelry, fibers, weaving, wood, encaustics, paper and book arts, ceramics, and woodworking are eligible for residencies at Contemporary Craft. Artists receive a $1,200 monthly stipend, housing, and studio space.
Deadline: 11:59 p.m. ET on February 1, 2024.

Arts/Industry at John Michael Kohler Arts Center (International)
Open to all disciplines, this program selects twelve artists each year for three-month pottery and foundry residencies. No experience with clay or cast metal is required, just an interest in pursuing a new body of work and being open to new ideas. Residents receive a $160 weekly stipend, studio space, housing, transportation, industrial materials, equipment, and more.
Deadline: February 1, 2024.

Martin House Creative Residency Program (International)
The Creative Residency Program at Frank Lloyd Wright’s Martin House offers artists and researchers a $5,000 stipend, housing, and $1,000 in travel expenses to create a new work related to the architect’s legacy.
Deadline: February 16, 2024.

The Erin Donohue and Family Ceramics Artist Residency (International)
Hosted by the Artists Association of Nantucket, this ceramics residency will bring one artist to Nantucket to teach two five-week classes, one introductory course for the community and a more intermediate one for students and professionals. The program offers lodging, studio space, a $500 travel stipend, and a $2,000 stipend for living expenses and materials.
Deadline: April 5, 2024.

Hunter Moon Homestead Artist Residency (International)
Artists and arts educators working across disciplines are invited to apply to this program in Palouse. Residents receive one- to three-week stays, with lodging and studio space included.
Deadline: Rolling.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article January 2024 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.

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