Welcome to 2072: Send Your Artwork to the Future with The Time Capsule Project

It’s 2072. We solved world hunger, you can teleport to Mars, and we really did figure out how to make gas from compost like in Back to the Future.

We know we can’t predict what the world looks like 50 years from now, but we still wanted to find a way to show our future selves and generations to come what means to live in 2022. Along with our friends at the Brooklyn Art Library, we’re launching The Time Capsule Project, a collection of 1,000 mini sketchbooks that will be buried in St. Petersburg, Florida, until 2072. The idea is to fill pages with artworks and stories that offer a glimpse of the moment we’re all living in and preserve today’s creativity for years to come.

The Time Capsule Project sketchbooks are available now in the Brooklyn Art Library shop, and there will be an exhibition in the fall of this year prior to burial. Submissions are due by September 16, 2022.

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Garments of Grass and Flowers Fuse Jeanne Simmons’s Body to the Landscape

“Grass Cocoon” (2018). All images © Jeanne Simmons, shared with permission

“When we spend a lot of time in a place, and if we are paying attention, a kind of intimacy develops,” says Jeanne Simmons. The artist, who’s based in the Pacific Northwest, grounds her practice in this sense of familiarity and ease with her surroundings. “We come to know the plants that grow there and the critters that roam there… We may even begin to feel that we ourselves have become part of that place, and it is this feeling that sustains and inspires me.”

After gathering natural materials like branches, wild vegetables, and bark, Simmons constructs garments that intertwine her own body with the landscape and obscure the distinction between the two. In one work, a full skirt made of Queen Anne’s Lace trails from her waist and blends with a meadow, while another piece braids dried vegetation into her blond hair, developing a feet-long braid that appears to emerge from the ground. “Grass Cocoon” is similar, twisting the artist’s locks into the material and swaddling her body in a sheath of green. “This is how I celebrate and deepen my connection with the natural world. I suppose I have discovered that the best way for me to become part of the landscape… is to wear it,” she shares. “It is also, at least in part, a lamentation for the catastrophic loss of that connection that we are witnessing in real-time.”

Simmons has several works in progress at the moment, including a kelp shroud and fennel gown, and is collaborating with director and producer Ward Serrill on a film about her practice. Keep up with those projects on her site and Instagram. (via Lustik)

 

“Grass Cocoon” (2018)

“Extensions” (2020)

“Lace Skirt” (2019)

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Fold an Elaborate Origami Menagerie with DIY Instructions from Jo Nakashima

All images © Jo Nakashima

Since 2010, Brazilian origami artist Jo Nakashima has amassed a trove of original designs ranging from modular cubes and kinetic works to multicolor, angular wildlife. His creations require just a single sheet of double-sided paper and a deft hand and vary in complexity: Nakashima marks the eagle with pleated wings, quacking duck, and writhing snake shown here as intermediate or above. Head to YouTube for detailed instructions on folding your own versions of his intricate designs, but take note of his warning: “Although I call it ‘simplified,’ it doesn’t mean it is simple: it is just simpler than the original version, but actually it is still a bit complex.”

 

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Seven Artists Crack Open the Art of Printed Matter in ‘Bookworks’

Guy Laramée, “Encyclopedie Larousse” (detail), carved books, pigments, inks, and metal clip. All images courtesy of James Freeman Gallery

Books have beguiled us since they first emerged in the form of ancient scrolls and codices around the world. The way we access, utilize, and enjoy reading material has seen technological transformation over the centuries, from Johannes Gutenberg’s invention of the printing press in the 15th century, to the first dictionary produced in 1532, to the advent of affordable pocket paperbacks in the early 20th century. Paper tomes have had an immeasurable impact on society and our ability to relay knowledge, and even in an age of digital e-readers, the physical volume still embodies an appeal as timeless as literature itself. In a new exhibition in London, the world of reading provides a starting point for the seven artists to explore a wide range of themes and materials, highlighting our perennial fascination with the printed and bound medium.

Cheri Smith, Russell Webb, Guy Laramée (previously), Aron Wiesenfeld, Guillermo Martin Bermejo, El Gato Chimney, and Claire Partington (previously) work across a wide range of styles including sculpture, illustration, painting, and printmaking. In Bookworks, Laramée’s deconstructed reference volumes are transformed into miniature topographical landscapes that challenge our sense of scale. Cheri Smith’s paintings, sometimes painted onto book covers, reference the eccentricity of animals and how they are categorized in natural history catalogues. El Gato Chimney constructs elaborate narrative illustrations in accordion-style publications that follow an eccentric band of characters as they confront giant creatures.

Bookworks is on view at James Freeman Gallery through June 4.

 

Guy Laramée, “Encyclopedie Larousse,” carved books, pigments, inks, and metal clip

Guy Laramée, “Encyclopedie Larousse,” carved books, pigments, inks, and metal clip

El Gato Chimney, “The Frog’s Apparition” (2021), watercolor and gouache on Moleskine notebook

El Gato Chimney, “The Frog’s Apparition” (2021), watercolor and gouache on Moleskine notebook

El Gato Chimney, “Crazy Wind” (2022), watercolor and gouache on Moleskine notebook

El Gato Chimney, “Kyu! Kyu!” (2022), watercolor and gouache on Moleskine notebook

Guy Laramée, “Petit Larousse Illustré” (2019), carved dictionary, pigments, inks, brass clip

Guy Laramée, “Petit Larousse Illustré” (2019), carved dictionary, pigments, inks, brass clip

Aron Wiesenfeld, “Readers” (2021), gouache on paper

Russell Webb, “Portrait of the Artist as an Author” (2022), oil paint and varnish on ply

Cheri Smith, “Sausage” (2020), oil on board 

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Aerial Photos by Bernhard Lang Capture the Largest Aircraft Boneyard in the World

All images © Bernhard Lang, shared with permission

Housing the largest aircraft and missile facility around the globe, the Davis-Monthan Air Force Base in Tucson is a trove of aviation history. The Arizona boneyard is responsible for nearly 4,000 vehicles that are maintained, recycled for parts, and stored across miles of the dry, desert landscape. Photographer Bernhard Lang (previously) visited the site recently to document the aircraft, which are organized in neat rows and grouped by model. Containing both rusted and disassembled machines and those in pristine condition, the boneyard is designed for preservation “in order to make (the planes) airworthy again if necessary, a current topic in times of the Ukraine war and the global discussion about deliveries of arms,” Lang says. 

Prints are available on the Munich-based photographer’s site, and you can follow his aerial series on Instagram.

 

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Activist Symbols and Witty Scenarios Are Woven into Towering Hair Sculptures by Laetitia Ky

All images courtesy of Princeton Architectural Press, shared with permission

Laetitia Ky exercises art activism by braiding African identity into hair sculpture. Born from the lack of representation she experienced growing up on the Ivory Coast, her practice started by cutting the silky straight strands off of her Barbie doll heads and meticulously re-stitching curly extensions as a child. In Love and Justice, Ky’s towering sculptures are embedded into aspects of everyday life. She draws on the strength and durability of Black hair texture to weave traditional instruments, regional wildlife, and bodies in motion into interactive portraits that capture the beauty in common aspects of culture across the continent.

Each image in this 200-page collection published by Princeton Architectural Press makes a statement. Ky explores the roots of this work through the creative shape and design of traditional African hairstyles pre-colonialism. She uses symbols in her sculptures to respond to current struggles like a justice scale balancing gender icons on either side, a uterus with fallopian tubes that transform into middle fingers, or stretch marks on a woman’s body. In her self-love chapter, Ky’s images explore the joys of self-knowledge with acts such as playing a guitar made of hair, toasting a braided wine glass, or wrapping her neck with a life-sized hand that offers the scent of a flower.

Head to Bookshop to purchase this memoir that offers insight into the artist’s journey toward embracing Black beauty, and check out her viral hair sculptures and portraits on Instagram.

 

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A House of Crimson Steel Vines Harbors Memory and Mourning in Wuhan Shimenfeng Memorial Park

All images by Jin Weiqi

Rambling, weathered ivy constructs the walls of a home placed among the quiet, serene cemetery of Wuhan Shimenfeng Memorial Park. The project of designer Hu Quanchun of Field Conforming Studio, “The Vanished House” elicits the act of remembering in a public space devoted to mourning and memories. Tension between the enduring and transitory pervades the architectural work, shown through the combination of the sturdy material and open roof that appears to fade around the perimeter.

In a statement about the memorializing project, the studio likens the structure to that of a child’s sketch, explaining that the simple design draws attention to the sprawling vegetal forms laser cut from sheets of Corten steel. Over time, the crimson material will age with rain and sun, and its rusted color will stand in starker contrast to the green environment.

For more from Field Conforming Studio, including a similar vine-based project installed at Delong Steel Art Park in Leting, Tangshan, visit its site. (via designboom)

 

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