thisiscolossal: Classic Cartoons Suspend Tense Moments of Sabotage in Embroidery

“Performance Anxiety.” All images © Peter Frederiksen, shared with permission

From Looney Tunes and Mickey Mouse to The Simpsons, cartoons have a long history of imagining the most ridiculous, chaotic moments possible and dramatizing them into absurdity. The animated characters and their hijinks are rooted in humor, and yet, as artist Peter Frederiksen recognizes, they also have a more sinister side. “Violence is a shorthand for conflict, confrontation, fears,” he tells Colossal, noting that many iconic cartoons were created post-war or have been produced during times when “violence was in the ether… I don’t put guns in embroideries because I like guns. I put guns in embroideries because they’re an escalation. They’re overcompensation. They’re anxiety and fear.”

Frederiksen has spent the last few years zeroing in on the antagonism in these classic scenes and preserving their short-lived nature in dense embroideries. He renders knives piercing a closed door, tied bedsheets pulled taught as they drop out of a window, and hands twisting into knots while attempting to play the piano. Tightly stitched onto a canvas with a machine, the works are true to their original source in color and style, although Frederiksen precisely crops each scenario from its surroundings.

Decontextualized and infused with action, the nostalgic works are simultaneously familiar in their imagery while unrecognizable in the scope of a larger narrative. “They tell a story in as ominous a way as I’m aiming for, maintaining the sort of tension I’m building with a scene,” he says. “I also enjoy thinking about rendering these tight little scenes as a mirror to what I’m physically doing, using my hands in small little ways to make something happen.”

The Chicago-based artist has a number of shows scheduled for this year, including at Postmasters Roma in May and a solo exhibition at New York’s Massey Klein in September. Until then, follow his work on Instagram. (via The Guardian)