Monday, May 2, 2022

Loose Threads Dangle in Bright, Bold Gradients in HOTTEA’s Kaleidoscopic Installations

“John Candy,” Houston. All images © HOTTEA, shared with permission

Suspended from gallery ceilings or strung across an open courtyard, innumerable lengths of yarn comprise the chromatic installations by artist Eric Rieger, aka HOTTEA (previously). He arranges the soft textiles in concentric circles or wide gradients that stretch from wall to wall, creating vibrant fields of color that shift in composition depending on the perspective. Most reflect the artist’s memories or experiences, and in recent years, he’s installed site-specific pieces in cities like Minneapolis, Houston, and Miami.

The tri-colored “Strangers” is HOTTEA’s largest outdoor work to date and was designed for Breve Festival in Belo Horizonte. Drawing on his encounters in the Brazilian city, the massive, uplifting work measures 100 feet long and 30 feet wide, with the individual yarns extending 13 feet. “The word ‘stranger’ often times has a negative connotation,” he shares on Instagram. “I liked the idea of referring to a stranger as a positive thing.”

Currently, HOTTEA is working on several installations for locations in Los Angeles, New York City, and Far Rockaway, New York. He’s also organizing a flash fashion show and collaborative project to create temporary pieces throughout his community in the Twin Cities.

 

“Algebra,” SCOPE, Miami

“John Candy,” Houston

Detail of “Haus,” Minneapolis

“Haus,” Minneapolis

“Strangers,” Belo Horizonte, Brazil

“Serape,” Minneapolis

Detail of “Serape,” Minneapolis



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