Monday, June 27, 2022

For the Birds: 33 Artists and Designers Reimagine Avian Architecture at the Brooklyn Botanic Garden

Olalekan Jeyifous’s “Birdega,” wool and metal, 16 x 16 x 16 inches. All images by Liz Ligon, © Brooklyn Botanic Garden, shared with permission

A bright blue bodega, clustered wooden complexes, and a classic design emblazoned with a Swiss flag occupy the lush landscape of the Brooklyn Botanic Garden this summer. Eclectic in style, concept, and technique, the collection establishes dozens of tiny homes for avians across the 52-acre site as part of For the Birds, a group exhibition exploring the disastrous effects of the climate crisis on the feathered creatures—researchers estimate that North American populations have been reduced by 29 percent, or 3 billion birds, since 1970.

Balancing practical needs with aesthetics, the show tasked 33 artists, designers, and collectives with creating site-specific dwellings for specific species. “Woven” by Sourabh Gupta, for example, features spherical, apartment-style spaces for wildly social sparrows, while Studio Barnes evoked the art deco architecture found throughout southern Florida with “Fly South.” The color palette for that work is derived from the vibrant, red feathers of cardinals.

For the Birds is on view through October 23, and you can see all of the designs on the garden’s site. (via Dezeen)

 

Sourabh Gupta, “Woven,” burlap, husk, plaster, and water-based sealer, 30 × 24 × 18 inches

Roman and Williams Buildings and Interiors: Stephen Alesch & Robin Standefer, “100 Martin Inn,” natural untreated red cedar, 3 feet × 3 feet × 3 feet 8 inches

Shun Kinoshita and Charlap Hyman & Herrero, “Birdhouse,” silver nitrate, resin, plaster, paper, 15 x 15 x 18 inches

SO-IL, Dalma Földesi, Jung In Seo, Eventscape, “A Palace for Eastern Bluebird,” ceramic and 3D-printed clay, 20 x 20 x 55 inches

Steven Holl & Raphael Mostel, “Four Birds,” maple hardwood, 30 x 14 inches

Studio Barnes, “Fly South,” wood and paint, 24 x 24 x 24 inches

Bureau Spectacular and Kyle May, Architect, “A Flock Without a Murder,” timber and hardwood, 30 x 30 x 12 feet



from Colossal https://ift.tt/8daDWEB
via IFTTT

No comments:

Post a Comment

A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...