“Here After,” oil on canvas, 200 x 180 centimeters. All images © Ocom Adonias, shared with permission
Fusing history with the political and social contexts of today, Ocom Adonias’s body of work interprets the experience of moving through the world in a Black body. His vibrant, realistic paintings portray people in ordinary moments of ritual, solitude, and bonding, honing in on individual narratives to convey a broader message. “I’m particularly interested in the global conversation of what being an African and what being Black means, history, and the representation of the Black figure in the contemporary sense,” he shares.
Having worked primarily with charcoal on newspapers for years, Adonias recently shifted to oil painting, swapping the hazy layers of his previous works for bold color palettes and clean lines. He continues to focus on those around him, though, translating their conversations into intimate, introspective pieces.
The artist is based in Kampala, Uganda, and has a residency at Montresso Art Foundation slated for this fall. Currently, he’s working on a painting referencing myth and Michaelangelo’s “The Creation of Adam” fresco, which you can follow on Instagram.
“Letters from us,” newspapers and oil on canvas, 150 x 130 centimeters
“Saloon secrets (we are who we were),” oil and collage on canvas, 130 x 150 centimeters
“King Adebwa”
“Utopia duality,” newspapers and oil on canvas, 200 x 150 centimeters
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