All images © Studio Ibbini, shared with permission
Artist Julia Ibbini and computer scientist Stéphane Noyer of the Abu Dhabi-based Studio Ibbini (previously) continue to collaborate on intricately constructed works that fall at the intersection of art and mathematics. The duo creates vessels and flat pieces by layering laser-cut papers into complex structures replete with floral filigree and ornate patterning.
While many of their three-dimensional sculptures appear to twist upward in tight, perfectly aligned rows, the pair incorporates more negative space into their recent pieces, many of which seem to morph from architectural or ornamental motifs into wild, botanical growths. Ibbini tells Colossal that this requires finding a delicate balance between the frail material and the resulting form to maintain the work’s structural integrity. She explains the process:
In the pieces that seem to be fading away, hand-made drawings are turned into computational tree structures and density maps on which graph theory and probabilistic algorithms are applied. Through this, we are able to manipulate the geometry of the work so that it looks almost as though the details are slowly eroding into empty space in the final piece.
Studio Ibbini will show works with Long-Sharp Gallery at Art Basel Miami starting next week and in a group exhibition at Sharjah Art Museum from December 13 to January 21. Keep up with the duo’s latest sculptures on Instagram.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Studio Ibbini Juxtaposes Negative Space and Botanical Filigree in New Laser-Cut Paper Works appeared first on Colossal.
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