A Miniature Arcade, Art Museum, and Dock by AnonyMouse Squeeze into Malmö’s Streets

All images © AnonyMouse, shared with permission

The traveling collective known as AnonyMouse squeaked through Malmö’s bustling streets the last few weeks installing the latest additions to its tiniest cultural scene. After working in cities across Europe, the unidentified group visited the Swedish coast to wedge a miniature art museum, arcade, and shipping dock just big enough for a few mice into the long-established architecture. Built at street level, each minuscule creation is an elaborate and witty rendition of its human-sized counterpart: games like “Feline Fighter 2″ and “Cheese Invaders” are packed into the glowing arcade, while small boats, a cafe, and an ominous flag printed with a mouse and crossbones appear at the inland port.

AnonyMouse is currently headed to its next unannounced destination, and you can follow its latest adventures on Instagram.

 

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A Decade of Haboobs Cloud Landscapes in Thick Walls of Dust in a New Timelapse by Mike Olbinski

When strong winds gush out of a collapsing thunderstorm as it rips across a dry landscape, they sometimes generate a thick wall of dust known as a haboob. Photographer and storm chaser Mike Olbinski (previously) has been documenting these monumental weather events for the past decade and recently compiled dozens of clips into a dramatic timelapse showing just how quickly these phenomena form and subsequently obscure visibility. Taken between 2011 and 2021, the included footage represents a small fraction of Olbinski’s adventures, which you can see more of on YouTube and Instagram.

 

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Skeletal Lace Patterns Define the Copper Wire Vessels of Artist Suzanne Shafer-Wilson

All images © Suzanne Shafer-Wilson, shared with permission

At once malleable in material and secure in shape, the vessels that comprise Suzanne Shafer-Wilson’s body of work are intricate studies of texture, pattern, and space. The Illinois-based artist loops and twists lengths of wire into intricate baskets that range in size from 20 inches tall to the width of a fingertip. Using a technique similar to the one employed by sculptor Ruth Asawa to create her rounded, metallic forms, Shafer-Wilson works with an Italian needle lace method designed for fibers like wool and silk. She intertwines brass, copper, or sterling silver in place of textiles and fashions porous vessels with wide, gaping bodies and elaborately constructed outer walls.

If you’re in Chicago, you can see some of Shafer-Wilson’s sculptures at Vale Craft Gallery. Otherwise, head to her site to explore an archive of her works.

 

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Piece Together Nature’s Tiny Wonders with Miniature Jigsaw Puzzles from Nervous System

All images © Nervous System, shared with permission

The innovative team over at the Catskills-based studio Nervous System (previously) released a new line of miniature jigsaws that match organic shapes with similarly natural subject matter. All spanning less than eight inches, a spotted mushroom, mottled moth, fern, succulent, and blooming begonia comprise the collection that’s a small but challenging display of the planet’s tiny wonders. Each puzzle is encased in a plywood frame and has approximately 40-45 pieces with one whimsy cut in the shape of the larger form. Nervous System plans to add to the series in the coming months, and you can shop the puzzles shown here on its site.

 

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Classic Cartoons Suspend Tense Moments of Sabotage in Embroidery

“Performance Anxiety.” All images © Peter Frederiksen, shared with permission

From Looney Tunes and Mickey Mouse to The Simpsons, cartoons have a long history of imagining the most ridiculous, chaotic moments possible and dramatizing them into absurdity. The animated characters and their hijinks are rooted in humor, and yet, as artist Peter Frederiksen recognizes, they also have a more sinister side. “Violence is a shorthand for conflict, confrontation, fears,” he tells Colossal, noting that many iconic cartoons were created post-war or have been produced during times when “violence was in the ether… I don’t put guns in embroideries because I like guns. I put guns in embroideries because they’re an escalation. They’re overcompensation. They’re anxiety and fear.”

Frederiksen has spent the last few years zeroing in on the antagonism in these classic scenes and preserving their short-lived nature in dense embroideries. He renders knives piercing a closed door, tied bedsheets pulled taught as they drop out of a window, and hands twisting into knots while attempting to play the piano. Tightly stitched onto a canvas with a machine, the works are true to their original source in color and style, although Frederiksen precisely crops each scenario from its surroundings.

Decontextualized and infused with action, the nostalgic works are simultaneously familiar in their imagery while unrecognizable in the scope of a larger narrative. “They tell a story in as ominous a way as I’m aiming for, maintaining the sort of tension I’m building with a scene,” he says. “I also enjoy thinking about rendering these tight little scenes as a mirror to what I’m physically doing, using my hands in small little ways to make something happen.”

The Chicago-based artist has a number of shows scheduled for this year, including at Postmasters Roma in May and a solo exhibition at New York’s Massey Klein in September. Until then, follow his work on Instagram. (via The Guardian)

 

“Set Up For Failure”

“Won’t Hold Forever”

“You Don’t Need a Reason”

“Some Time Outside”

“The Trap Has Been Set”

“What Have I Done?”

“It’s Exactly As Bad As You Think”

“All My Suspicions Confirmed”

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Monumental Forms Ripple and Float in Leeroy New’s Sculptures Made from Discarded Plastics

“Balete” (2022). All images courtesy of the artist, shared with permission

Manila-based artist and designer Leeroy New challenges us to think about the waste produced from everyday materials by constructing elaborate sculptures out of discarded plastics. His large-scale works are made by cutting, twisting, and tying together found objects like water jugs, film reels, tubes, and bottles into forms that evoke a sense of  movement or migration. Embracing the exterior of a building as part of the Biennale of Sydney earlier this year, the tentacle-like public installation “Balete” was inspired by the discovery of piles of discarded irrigation hoses at recycling centers in Australia. In “Flotilla,” individual pieces are suspended from the ceiling and appear to glide past like a fleet of uncanny vessels or undersea organisms.

In 2019, the Institute for Economics and Peace reported that New’s home country of the Philippines is most at risk from the climate crisis due to rising temperatures and sea levels. Manila is second only to Tokyo as the city most affected by natural disasters. Reimagining a more positive and sustainable future for his community and the planet, New explores the culture, history, and mythology of his Philippines heritage to underscore the palpable impacts of the climate crisis.

To mark the occasion of Earth Day on April 22, a new installation sails across the courtyard of London’s Somerset House this month in the form of a fleet of arks. You can find more of the artist’s work on Instagram and his website.

 

“Balete” (2022)

“Balete” (2022)

“Balete” (2022)

Foreground: “Flotilla” (2022)

Foreground: “Flotilla” (2022)

Background: “Flotilla” (2022)

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Aerial Photos by Tom Hegen Capture the Sprawling Solar Plants Popping Up Around the Planet

All images © Tom Hegen, shared with permission

In one hour alone, the sun pummels the earth with more power than the world uses in the span of an entire year. This staggering fact inspired German photographer Tom Hegen (previously), whose recent aerial images survey the plants harnessing this source of renewable energy. The Solar Power Series peers down at landscapes across the U.S., France, and Spain that are covered with scores of square panels—according to PetaPixel, the locations include California’s Ivanpah Solar Power Facility, Nevada’s Crescent Dunes Solar Energy Project, the Les Mées Solar Farm in France, and the PS10 Solar Power Plant and Gemasolar Thermosolar Plant, both near Seville.

Staggered in wide, circular patterns, much of the gleaming infrastructure relies on mirrors called heliostats to collect and direct the sunlight to a central station. This manner of harvesting uses the captured heat to generate steam that then produces energy, and newer solar thermal plants also apply molten salts to store the power long after the sun has set. “These man-made, constructed landscapes represent our efforts of building a more sustainable future in the most sophisticated ways,” the photographer writes.

The Solar Power Series is just one of Hegen’s projects concerned with the human impact on the earth, which you can see more of on Instagram and Behance.

 

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