Monday, August 22, 2022

SVA Continuing Education’s Fall Courses Begin September 19

Artwork by Ronald Katz, SVACE student

Whether it’s to advance your career or try something new, SVACE offers more than 200 online and on-campus courses to choose from. Visit sva.edu/ce to view all course offerings.

Online and on-campus courses are available in:

Free Virtual Events & Information Sessions

Registration Details

Course Advice
If you need advice or have questions, please email ce@sva.edu to connect with one of our course advisors.

About the School of Visual Arts
School of Visual Arts has been a leader in the education of artists, designers, and creative professionals for seven decades. With a faculty of distinguished working professionals, a dynamic curriculum, and an emphasis on critical thinking, SVA is a catalyst for innovation and social responsibility. Comprising 6,000 students at its Manhattan campus and 35,000 alumni in 100 countries, SVA also represents one of the most influential artistic communities in the world.

For information about the college, please visit sva.edu.



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Ecosystems of Fungi and Coral Inhabit Vintage Books in Stéphanie Kilgast’s Intricate Sculptures

“Old and New” (2022). All images © Stéphanie Kilgast, shared with permission

Fungi sprout from between pages, ivy creeps across a text, and the life cycle of a butterfly unfolds on the cover of a volume in Stéphanie Kilgast’s vibrant sculptures. Known for her intricately detailed works using discarded materials and trash like crushed cans or plastic bottles (previously), her recent pieces explore incredible biodiversity utilizing books as her canvas.

Millions of titles are published each year in the U.S. alone, meaning billions of individual copies—a vast number of which eventually end up in landfills. Kilgast draws attention to these discarded objects by giving vintage editions new life. She constructs delicate mushrooms, blooming flowers, and colorful coral in painstakingly detailed miniature environments as a vivid reminder of the impact humans have on the environment and the tenacity of nature.

The artist has an exhibition opening on November 5 at Beinart Gallery in Melbourne, and you can find more of her work on her website and Instagram.

 

“Ancestral History” (2021)

Left: “Contre Vents et Marees” (2021). Right: Work in progress

“Half Full, Half Empty” (2022)

“Happy or Doomsday Colors” (2022)

Left: “Hungry” (2022). Right: “Beginnings” (2022).

“I Lichen You A Lot” (2022)

Detail of “Contre Vents et Marees” (2021)



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Friday, August 19, 2022

In Introspective Paintings, Artist Ocom Adonias Explores Narratives of Blackness

“Here After,” oil on canvas, 200 x 180 centimeters. All images © Ocom Adonias, shared with permission

Fusing history with the political and social contexts of today, Ocom Adonias’s body of work interprets the experience of moving through the world in a Black body. His vibrant, realistic paintings portray people in ordinary moments of ritual, solitude, and bonding, honing in on individual narratives to convey a broader message. “I’m particularly interested in the global conversation of what being an African and what being Black means, history, and the representation of the Black figure in the contemporary sense,” he shares.

Having worked primarily with charcoal on newspapers for years, Adonias recently shifted to oil painting, swapping the hazy layers of his previous works for bold color palettes and clean lines. He continues to focus on those around him, though, translating their conversations into intimate, introspective pieces.

The artist is based in Kampala, Uganda, and has a residency at Montresso Art Foundation slated for this fall. Currently, he’s working on a painting referencing myth and Michaelangelo’s “The Creation of Adam” fresco, which you can follow on Instagram.

 

“Letters from us,” newspapers and oil on canvas, 150 x 130 centimeters

“Saloon secrets (we are who we were),” oil and collage on canvas, 130 x 150 centimeters

“King Adebwa”

“Utopia duality,” newspapers and oil on canvas, 200 x 150 centimeters



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Thursday, August 18, 2022

Lethargic Sleepyheads Loaf in Pajamas in Ikuo Inada’s Meticulous and Contemplative Sculptures

“Night by Night.” All images © Ikuo Inada, shared with permission, courtesy of Medel Gallery Shu

Embodying the bleary-eyed feeling of an early morning, insomnia, or a long, lazy day at home, artist Ikuo Inada’s meditative sculptures personify sleepiness. The Japanese artist’s meticulously carved, realistic figures clutch feather pillows, envelop themselves in comforters, or stand drowsily in soft hoodies. His ambiguous subjects, often half-hidden in a sweatshirt or a blanket, are usually between one and three feet tall and carved from a single block of wood, allowing the natural grain to complement the delicately chiseled hem of a shirt, a drawstring, and slender fingers and toes. Influenced by the expressive wrinkles and folds of Renaissance carvings, the sculptures crystalize relatable, emotional moments of solitude.

Inada’s work will be exhibited at Art Taipei with Medel Gallery Shu from October 21 to 24. You can also find more on his website and Instagram.

 

“Leave Me Alone”

Left: “A Cramped Day.” Right: “I’m Still Here”

“Such A Night”

Left: “Everything at Night.” Right: “Night Falls IV”

Detail of “Leave Me Alone”

“Night Head,” resin and acrylic

 



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Wednesday, August 17, 2022

Humor Infuses Exaggerated Features in Lola Dupre’s Meticulously Distorted Collages

“Randy 3,” 8.2 x 11.6 inches. All images © Lola Dupre, shared with permission

Glasgow-based artist Lola Dupre’s evocative and often humorous photographic collages of animals, historic images, and portraits tap into the unique personalities and emotions of her subjects. A cross-eyed cat has its vision multiplied, and a Shiba Inu’s joyful face pokes out of an enormous body in a play on repetition and perception. Dupre captures a range of expressions in both human and animal form (previously), exaggerating a raised eyebrow or fuzzy paw by layering numerous pieces of paper to extend legs, arm, eyes, and other features.

Dupre’s work will be included in Division of Birds at Paradigm Gallery + Studio in Philadelphia, and you can find more pieces on her website, Behance, and Instagram.

 

“Andromeda,” 11.6 x 8.2 inches

“Hercules,” 11.6 x 8.2 inches

Left: “Toni,” 8.2 x 11.6 inches, from original photography by Dacefer. Right: “David,” 8.2 x 11.6 inches, from original photography by David Sierra

“Fluffy,” 8.2 x 11.6 inches

“Ivor, After Walter Chandoha,” 11.6 x 8.2 inches

“Mari,” 8.2 x 11.6 inches, from original photography by Laerke Rose

Left: “Melange,” 8.2 x 11.6 inches. Right: “Mia,” 8.2 x 11.6 inches, from original photography by Arsalan Danish



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Tuesday, August 16, 2022

Interview: Production Designer Liz Toonkel Describes Creating the Adorable Universe of ‘Marcel the Shell with Shoes On’

A tiny mollusk with a big personality, Marcel the Shell with Shoes On is famous for quirky antics and endlessly entertaining use of human-sized objects. In a new interview supported by Colossal Members, production designer Liz Toonkel discusses building the universe the adorable character occupies in the feature-length mockumentary released this summer from A24.

All of those little details that you wouldn’t think about, when you watch it they give it an inherent truth because everything feels like it does in our real world. Same thing with the garden. Those are real plants. That’s so rare in stop motion that you have real organic materials. It’s pretty much impossible to stop-motion animate with them because they decompose. There was a lot of thought put into how to bring organic, real life to the things around Marcel.

Colossal editor-in-chief Christopher Jobson recently sat down with Toonkel to discuss building a realistic micro world within a macro setting, the challenges of blending live-action with stop-motion animation, and why the tennis ball scenes are as impressive as the internet thinks. Read the full interview here.

 



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Monday, August 15, 2022

RISD Continuing Education Opens Fall Registration With 10 Online Certificates

Artwork by Lani S., Advanced Program Online student

Choose from more than 140 courses for adults and youth ages 13 to 17 this fall at Rhode Island School of Design Continuing Education, including options for beginning, intermediate, and advanced students. Enroll by August 23 to save 10% with the code EARLYBIRDCE.

This fall, RISD CE online courses offer adult students a range of courses for all skill levels that can be taken at any time of day or night, from anywhere in the world. Our online certificate programs are designed for adults looking to accelerate their creative lives and work and join a community of certificate program graduates. Subjects include:

Animation
Graphic Design
Interactive Design
Interior Design
Jewelry Making and Design
Natural Science Illustration
Painting Studies
Photography
Product Development and Manufacturing

We are also offering a new series in Entrepreneurship in Art and Design for adult learners that upskills students and practicing artists to develop their business ideas, studio practice, and freelancing. Choose from courses such as How to Launch Your Own Art and Design Business or How to Market Yourself as a Creative Freelancer.

RISD’s Advanced Program Online is a year-round pre-collegiate program designed for high school students interested in pursuing art and design in college. This online intensive offers an online certificate program for changemakers who want to develop their art practice, learn new ways to collaborate, and create a future they’re excited about. Enrollment is now open for the Fall 2022 and Spring 2023 sessions.

Our online classes for youth ages 13 to 17 allow students to grow creatively as they develop and refine their artistic abilities. Led by visual artists, designers, and educators, these programs journey into the artistic process where the emphasis is on thinking, designing, communicating, and creating.

The Fall term starts September 12, 2022, and many online courses fill quickly, so register today! Enroll by August 23 to save 10% with the code EARLYBIRDCE.

Browse online courses at Rhode Island School of Design Continuing Education or register for RISD’s Advanced Program Online year-round intensive.



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A Knotted Octopus Carved Directly into Two Pianos Entwines Maskull Lasserre’s New Musical Sculpture

“The Third Octave” (2023). All images © Maskull Lasserre, shared with permission Behind the hammers and pins of most upright pianos is a ...